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Slotz

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We call on you, convening all to come, to collect yourselves, let’s fumble for connections, taste each other out… Let this ship be navigated, operated to be balanced between tectonic providence, act of faith and constructive override. Blindly, but driven by new hope – a new faith even– we‘re steering for integrity through the collective cross-linkage of chaos-induced complexities.

Seven sins to be committed, seven flies are to be killed, seven seas are to be emptied, seven tasks to be fulfilled.

We are the collective, the technique, the procedure, they call us one, but we are none.

We are the collector owning nothing, when everything’s owed to us, they call us one, we’re everyone.

All of us are different. We have everything in common…

Daniela Rückner

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I remember the forces that ripped me from the likes of mine and separated me from everything that’s different; I remember cool iron shaving through my mass and hot ovens burning me to the core. I remember warm hands, all the same but still di+ erent: dirty, rough and dark, so' in white gloves. I remember the faces looking over and above me. I remember becoming more. I am a piece of pieces and pieces of a piece. I am one and many. I take in the forces that sustain this world how it is, the power of minds and hands, of inclusion and exclusion, of greed and knowledge and ambition, and wills and egoism and altruism … of determination and of destination. I remember being part of something. I am finished and not yet final. I see my place, see the dimensions of the worlds unfolding - worlds without cold and roughness and iron. Worlds without warmth and softness and hands I am global. I am in place and out of place. I am the structure and the connection.

Daniela Rückner

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Orbi the Inhaliator

Mit der Zeit werden die Beziehungen zwischen Objektivität und Subjektivität gerade nicht immer weiter geklärt, sondern werden Menschen und nicht menschliche Wesen immer stärker und in immer größerem Maßstab miteinander vernetzt.

Bruno Latour (Die Hoffnung der Pandora, 2002)

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Hence the infinitely complex, profound and contradictory character of life is given an element which is always new, and which is indeed constantly being renewed by knowledge.

Henri Lefebvre (The Critique of Everyday Life, 1947)

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Plastic 01/ Stöckelschuh ft. J. K.

Monumente projizieren ein Weltbild auf den Boden, so wie die Stadt eine Gesellschaftsordnung auf die Erde projizierte und projiziert.

Henri Lefébvre (Die Revolution der Städte, 1970)

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