Xen

This is honestly just a sideblog I use to reblog certain kinds of art posts now—mostly gore and horror though. Reblogs may or may not be tagged correctly «⟨⟨•CONTENT WARNING: GORE, EYE STRAINING COLOURS, AND OTHER UPSETTING IMAGERY•⟩⟩»

[iamwizzzzz]

[unehistoiredelart]

Kwame Akoto

[70sscifiart]

H.R. Giger

[tail-feathers]

As the fog returns this evening, it presents unique and compelling photographic opportunities. This image captures the 1877 Tall Ship Elissa re-entering Galveston Harbor. This is just another stunning view from the Galveston Ferry. 12/23/25 TXDot

[prismatic-bell]

"Tall Ship Elissa"

The hell you say. I know the Flying Dutchman when I see it.

[your-dewey-decimal-number-is]

133.1 and 910.4

apparitions and pirates/shipwrecks

[stuffaboutminneapolis]

“If the narcs think I’m gonna stop baking brownies for my kids with AIDS, they can go fuck themselves in Macy’s window!”

Mary Jane Rathbun (1922-1999) was raised in Minneapolis and later became known as "Brownie Mary" in San Francisco as the Godmother of the medical marijuana movement.

[floating-goblin-art]

Pour into me the whole of what you are

Until it overflows

Until I spill out of my skin and

All that's left is you

[svndvn]

paitings to exercize, Im trying find a brushwork that feels more like mine, always aiming for a very "traditionnal" look, between gouache and watercolors

[itisi-asimplegay]

falling in love with her art all over again...

Starfall by Anastasia Trusova, Acrylic on canvas

[poolsofchrome]

A pulsed message from the equatorial belt

[jellyjampuddingg]

[brarchives]

2026 lgbt+ pride parade, são paulo: photography by vinicius oliveira

[entitycradle]

Ghost Town

Pen and ink on bristol

[oliviawhen]

A heist! 🍟🦅

[ilikesoupandcookies]

rain undone

[rostii]

Postcards From Google Earth, Clement Valla

[taurzza]

oh to be loved by the sun

[anthonyhurd]

Through waves of grace a 24x30” acrylic in wood panel. A recent commissions based off my travels to Abiquiu NM a couple months back.

[dreaminginthedeepsouth]

Photographed by Martin Schoeller for The New Yorker in 2002:

 "I was hired by the New Yorker in 2002 to photograph Robin Williams, and after doing my research what stood out most for me was that he was a very physical comedian. I came up with this idea to photograph him swinging from a chandelier in a grand hotel room. Most publicists shoot down these kinds of wild ideas, so I didn’t tell anyone what I was up to, but rigged up a chandelier at the Waldorf Astoria hotel for him to swing from. When Robin got there and saw what was happening, he lifted up his shirt and showed me this enormous scar on his shoulder. He’d just had surgery and couldn’t so much as lift his arm. He was so disappointed! He really felt bad about not being able to do it, because he loved the idea and really wanted to help me accomplish my vision. 

Unlike most Hollywood stars, he was unfazed by his success and position. He talked to everyone from stylists to the crew, to the hotel staff. We ended up asking a maid at the hotel to swing from the chandelier instead, and I asked him to just sit there and read a newspaper, which I think in the end was an even funnier, more unexpected picture.

[Follies Of God]