Kaito x Stacey: being seen authentically & the value of consent
A little background: Last February, I heard that Sekoguchi Ryo was going to have a significant role on Zettai BL 3 and I got really excited but had nowhere to channel that energy, so I decided to start a sideblog where I’d post one screenshot per day of Stacey, his character from Kikai Sentai Zenkaiger. To keep up my screenshot supply for the blog, I rewatched the series a lot, which led to thinking about the show in a deeper way than I had before. I'd already known I was a fan of the Stacey and Kaito ship, but I hadn’t given much thought to why. All that rewatching helped me develop my thoughts about it more.
I usually write this kind of relationship-focused analysis stuff about BL series. I don’t know if tokusatsu fans want to read this sort of thing about toku shows, or if the folks who read my BL posts would be interested in a relationship analysis about a toku ship. Well, I guess I need to get this out of my system either way, so here goes!
All of the gifs in this post were made by @my-rose-tinted-glasses, who is so generous with her time and considerable skills that, well, I don't know, I'm going to have to knit her a sweater or something. I mean, seriously, how pretty is the gif below? Even if you don't want to read my ramblings, I recommend scrolling through to look at the rest.
Special thanks as well to my sister @porridgefeast for talking through this set of ideas with me.
A very brief overview for the unfamiliar: Kikai Sentai Zenkaiger is a Super Sentai series that ran from early 2021 through early 2022. The lead member of the Zenkaigers—and, as it happens, the only human member—is Goshikida Kaito. (The rest of the team are all Kikainoids, robot-like inorganic beings from a different world that got mixed up with Kaito’s.) Kaito is the quintessential sunshine character. I’ve described him before as “a golden retriever who’s had three espressos," which sums him up fairly well.
For my fellow BL-watchers, you'll likely recognize some actors in this post. Kaito is played by Komagine Kiita from 25 ji Akasaka de, and as I mentioned above, the actor who played Stacey, Sekoguchi Ryo, played Hatano in season 3 of Zettai BL. Mashiko Atsuki, of My Personal Weatherman fame, also has a prominent role in this series. But you won't be hearing much about him in this particular discussion.
In the sixth episode of Zenkaiger, an antagonist/antihero character named Stacey is introduced. At first you just know that he’s a hired gun for the Tojitendo (the Zenkaigers’ enemies, a Kikainoid dynasty led by its latest heir, Lord Bokkowaus, which went from being tyrants in their own world to taking over nearly every other world in the multiverse...and in most cases, turning those worlds into small metal gears—but let's not get into that). Stacey turns out to be the half-human son of Barashitara, a senior general in the Tojitendo who Stacey absolutely loathes. We’ll get back to him later on. Instead of being associated with his father, Stacey works for Ijirude, an evil scientist with a senior position in the Tojitendo court.
As the series progresses, Stacey and Kaito get increasingly close and (here comes an incredibly obvious spoiler that anyone could have predicted almost as soon as he was introduced) he eventually becomes one of the good guys. Any sort of romantic relationship between Kaito and Stacey is a matter of subtext during the series itself. (Though the subtext gets pretty strong at times! They even have an angsty heart-to-heart conversation at a playground at night.) In the TV movies and live shows that followed the series, that subtext starts to resemble (and arguably becomes) text. For example, in a DonBrothers movie where they make a (sort of) crossover appearance, Stacey writes Kaito a love letter that gets lost and starts a series of misunderstandings. In one live show, the stage lights go out and then come up again to reveal Kaito lying on the ground with Stacey on top of him. In another, Kaito gives Stacey a butt smack right in front of everybody. But during the series? Their relationship is clearly very important and fraught with emotion, but the show maintains a kind of plausible deniability at all points—there isn’t really anything that happens that the show’s screenwriter, Komura Junko, couldn’t explain by some other means.
As I said, while I was doing all of that rewatching, I thought a lot about why Kaito’s and Stacey’s relationship meant so much to me despite the fact that it mostly exists as subtext. Part of it is just that I loved Stacey as a character overall and took a liking to both Sekoguchi Ryo, who plays Stacey, and Komagine Kiita, who plays Kaito. But it’s more than that. As I kept going through the rewatch process, I identified some of those reasons—things that make this portrayal of a relationship special.
It’s a unique take on the time-tested enemies-to-lovers trope (or something like it).
Anyone who has spent any amount of time watching/reading stories that center on love and romance has come across the “enemies to lovers” trope. The relationship between Kaito and Stacey is closely related to the interplay between these two types of relationships, but it’s complicated. If you really want to get specific, it isn’t exactly an enemies-to-lovers story. Rather, I’d describe it as a story about two people, one of whom is trying really hard to be the other’s enemy but failing, and one of whom is trying really hard not to become enemies but keeps getting forced into conflicts with the other. Despite all the pressure he’s under to relate to Stacey as an enemy, Kaito keeps pushing back against taking that role. This pressure not only comes from his friends and compatriots but from Stacey himself. Stacey wants to relate to Kaito as an enemy, but he keeps finding himself helping him, sparing him, even worrying about him in spite of himself.
Of course, Kaito and Stacey really are enemies in a very real sense. They’re fighting on opposite sides of a war. They try to hurt and/or kill each other on many occasions, including one in which Kaito and his friends succeed and actually kill Stacey. (Soon after, Stacey ends up being revived—an advantage of being half-mechanical is that he can be brought back to life.)
But when Kaito and Stacey first meet, they don’t know they’re enemies. Even after finding out he works for the Tojitendo, Kaito resists fighting Stacey. In their first battle, he won’t fight or even transform into Zenkaiser (his superpowered suit form) until Stacey gives him no choice. At first, Kaito’s reasons for being friendly to Stacey and holding back from fighting him are a bit superficial. Basically, Stacey looks human, so Kaito is reluctant to do anything that might hurt him, and he keeps thinking that if he talks to him he might be able to get him to come around. (It probably doesn't hurt that he's an adorable twink, either.) Kaito doesn’t usually appear to be biased against Kikainoids, but he does seem to have a bias in favor of Stacey because he’s so human-looking. Thankfully, it isn’t long before his reasons become significantly more complex. For one thing, he starts to find out through stray comments Stacey makes that he's been through a lot of trauma and loss, including the mysterious death of his mother (likely either at the hands of his father or on his orders).
Stacey also bonds with Kaito’s grandmother Yatsude, who doesn’t realize he’s the Tojitendo soldier who’s been giving her grandson so much trouble (she mishears his name as “Satoshi” when they first meet and he rolls with it). His mom issues draw him to her at first, then her sweet, accepting nature helps them relate to each other in a really meaningful way. Understanding Stacey’s context better and seeing a different side of him through his connection to Yatsude convinces Kaito that Stacey really could be redeemed and brought around to the side of good, and he’s eventually proven right.
Which brings us to the next thing I appreciate about the relationship between Kaito and Stacey.
Kaito goes to the trouble of really seeing Stacey, which not only allows him to attend to those times when he shows his authentic self, but also helps him recognize when he's not dealing with the real Stacey.
Thinking that Stacey is capable of change is a sign that Kaito sees him more clearly than other people do. In this respect, he understands Stacey better than Stacey understands himself, because right up to the point where he switches sides, he sees himself as so irredeemable that joining up with the good guys must be an impossibility.
But Kaito also has other ways of showing that he really sees Stacey. One of the biggest ways this is shown is through the possession subplot that happens toward the end of the series. A being who claims to be God, the creator of all the parallel worlds, shows up and wants to team up with the Zenkaigers against the Tojitendo. (They eventually admit that they don’t have all that much power beyond the creation and destruction of worlds, hence their need for help from mere mortals.) This God can only communicate with people by possessing someone’s body, and when it’s time to get in contact with the Zenkaigers, they choose Stacey’s. But they don’t identify themselves at first—they just pretend to be Stacey instead.
When God is pretending to be Stacey, some of the differences in their behavior are obvious to everyone. But Kaito is the most observant by far of the disparity between Stacey’s current behavior (really God’s) and his usual way of acting.
The most noticeable difference at first is that Stacey is smiling, which is very out of character for him. He’s also acting unusually flirty and cute. “Is it me or is he extra cutesy today?” one of Kaito’s teammates observes. It’s true. He speaks in a slightly higher register than usual, enunciates words differently, and he keeps tilting his head and slowly blinking at Kaito in a flirty way.
(In an interview with Komagine and Sekoguchi translated by @mirai-e-jump here, Sekoguchi talks about first receiving a script in which he would play God. As his interviewer points out, the stage direction for the script instructed him to read the lines "sweetly." Sekoguchi says that he didn't know what to make of it at first, but it got him thinking about gender presentation and led him to decide to try to portray God in a gender-neutral way.)
In addition to God's flirty, "sweet" manner, Kaito notes that this version of Stacey is too easygoing, too ready to cooperate with others. When God first appears, the villain-of-the-week is called Headwind World. They put a sort of curse on the Zenkaigers that makes it so that no matter which direction they turn, they're always buffeted by a strong headwind. Discussing how different Stacey seems and his claim to want to join the team, Kaito says:
Maybe....If it’s the truth, I’ll be full power* happy! But something seems off to me....Whenever I’ve talked to Stacey, he was never like that. He tends to be more…sorta…Yeah! He’s a lot like this headwind!
*Kaito's catchphrase is "zenryoku zenkai," which means "full power" or "full throttle" and is the source of the Zenkaiger's team name.
God-in-Stacey's-body makes things too easy. Trying to work with the real Stacey is like walking against the wind. And as challenging as that is, Kaito would rather work with the real Stacey than this flirty, easygoing impostor.
Later in the episode, when they fight side-by-side against Barashitara, “Stacey” seems to find him entertaining. The real Stacey could never find humor in the things Barashitara does. After all, he’s his abusive father and probably murdered his mother. After this fight, “Stacey” suggests that everyone should trust him now that he’s demonstrated his willingness to fight on their side. Kaito responds:
I still don’t get it. You’re not the Stacey I know. If Stacey was fighting Barashitara, he wouldn’t have been like that. He’d be more prickly and less compromising. He’d say stuff like “Stay out of this!” or “This is my battle!” Stacey’s feelings toward Barashitara aren’t like that.
“Stacey” tries to play it off, but is clearly frustrated by his skepticism. But Kaito doesn’t waver. His facial expressions and body language in this scene are really noteworthy. His face looks stern. He looks at Stacey fixedly, seldom blinking, and his hands are balled up into fists at his sides. This is really out of the ordinary for him—he's typically friendly to a fault. It's unusual for him to even look this way at an enemy. But it won't be the last time his affect looks this way around God.
Kaito is the first to realize that this person who appears to be Stacey isn’t really him. Explaining to others—both his teammates and God themselves—how he knew this gives him an opportunity to show the audience how well he knows Stacey, how much he has observed about his personality. But that’s not the only way in which the theme of being seen shows up.
One of the ways Kaito sees Stacey authentically is by noticing and acknowledging his deeply painful experiences with trauma and loss. Despite pressures to the contrary, Stacey eventually does the same for Kaito.
Stacey goes through quite a process to get to the point where he can acknowledge that Kaito has had his own difficult history and continues to struggle in ways he can relate to. When he first meets Kaito, he fights him but claims it’s “nothing personal"—but that changes quickly. The second time they interact, they have a conversation in which Kaito wrongly assumes that Barashitara is helping Stacey and that he's doing so out of parental concern. Naturally, given how far this is from the truth, this is makes Stacey extremely angry. He retaliates by needling Kaito about his missing parents. He mentions the possibility that, given their apparent involvement with the Tojitendo, they could be “lying dead in a ditch somewhere, just like [his] mother.” Then he decides to twist the knife a bit more. “Maybe they weren’t kidnapped, but they abandoned you! Like Barashitara did to me.”
Kaito responds by passionately defending his parents and insisting that they would never do that to him. Kaito's faith in his parents infuriates Stacey. He feels envious and bitter because the only parent he could believe in is long dead and his father was never worthy of his trust. Kaito’s defense of his parents pushes all of these buttons and more and Stacey becomes enraged. He tells Kaito that fighting him is no longer “nothing personal.”
Later in the series, the shift in how they relate to each other is both illustrated and deepened when Bon World (a villain-of-the-week based on a Japanese holiday) becomes the latest adversary to try to take over Zenkaitopia. Bon World causes characters’ ancestors to return from the dead to visit them. Stacey gets a particularly surprising and poignant visit from his mother, Lise. At first he doesn’t trust that she really is who she purports to be, but eventually he’s convinced. He gets to spend a little bit of time with her after their years apart.
But like a lot of the Worlds the Zenkaigers fight, Bon World’s powers have a two-step effect. First, they bring back ancestors. After a while, these ancestors snap and start going after their descendants, trying to kill them—including Stacey’s mother.
When the ancestors manifested by Bon World start to turn homicidal, the Zenkaigers have their hands full. Zyuran’s great-grandfather turns on him at the same time the Goldtsuikers are attacked by their grandfather. Kaito’s friends need him! But he leaves, trusting them to handle the situation themselves, so that he can come to Stacey’s aid. Why? Because he has a realization during their fight. One of the people he has to battle is Hakaiser, a Tojitendo “experimental soldier” who Kaito has recently learned is actually his brainwashed and physically altered father, Goshikida Isao. He tells Hakaiser he understands why it’s so upsetting for the others to have to fight their ancestors because he’s being forced to fight his own dad. This causes him to remember that one of the returned ancestors was Stacey’s mother. He asks Hakaiser where Stacey is and they both rush to his aid (with Kaito in Super Zenkaiser mode).
After he comes to Stacey’s rescue, the rest of the Zenkaigers defeat Bon World and the ancestors all disappear. Stacey asks Kaito why he would come to his rescue. After all, they’re enemies. Kaito tells him, “I knew that you and your mom would both hate this happening.” Here’s what I think he means. It’s obviously a bad thing to be visited by an ancestor who tries to kill you. That was true for everyone who had that experience because of Bon World. But for Stacey, seeing his mother again and then having her attack him involved a whole other level of pain and trauma. It was deeply triggering and a terrible insult not only to Stacey’s memory of his mother but also his mother’s love for him. Kaito could see this from Stacey’s perspective as well as Lise’s. For Kaito, this meant that this particular instance of an ancestor attacking someone was a bigger deal than the others and required a more urgent response. But it wouldn’t have been quite so urgent if it weren't for the fact that Stacey means something to Kaito.
Stacey is profoundly touched by Kaito’s actions and what he told him about his reasons for helping him. This moment ends up being a big turning point in their relationship. This isn’t just because Kaito helped Stacey (though he did) or because he was kind to him (though he was). It’s also because Kaito showed a remarkable degree of sensitivity and understanding in realizing what this experience meant for Stacey. He showed that he paid close attention to things he had learned from and about Stacey, viewed those things as important, and took them into account. I think it’s also clear that as someone whose parents disappeared when he was a kid, Kaito has a better understanding of the loss Stacey has experienced than other people would. And of course, it matters that Kaito prioritized helping Stacey even though his teammates and allies were facing similar challenges.
Stacey ends up keeping Kaito’s experiences in mind and acting on them in a similar way. The biggest example of this is his decision to stand aside while Kaito deprograms his father, Hakaiser/Goshikida Isao.
Hakaiser had been Stacey's friend prior to that point, something exceedingly rare in his experience. In fact, Hakaiser may well be the first friend Stacey has ever had. It helps that despite his brainwashing, Hakaiser retains a lot of Goshikida Isao’s warm, optimistic, Kaito-esque personality. Hakaiser quickly becomes really important to Stacey. So when he learns that Hakaiser is really Goshikida Isao, he feels conflicted because his concern for both Kaito and Yatsude pulls him in one direction while his desire to keep his friend pulls him in the other. At first, Stacey turns his back on the Goshikidas in favor of keeping Hakaiser in his life. But once Kaito protects him from his mother's ghost, Stacey can’t keep that up for long. And he doesn't just stand aside during the Zenkaiger's deprogramming efforts. He also leaks data to the Goldtsuikers that helps the team to safely extricate Hakaiser from a giant mecha superweapon he’s controlling (without which the team would have been forced to either endanger Isao or risk countless human beings getting hurt or killed). Naturally, this also means helping the good guys to take the giant mecha out of commission—a blatant act of treason against the Tojitendo.
Stacey doesn’t say much about why he decides to let Goshikida Isao go. But he makes it clear that he sees how unjust and hypocritical it would be to keep Hakaiser around at Kaito’s expense while decrying the way his father took his mother away from him. It's also apparent that the bond he's formed with Yatsude and Kaito plays a role.
To go from resenting Kaito's faith in his parents to helping Kaito get his father back involves a lot of growth. Just as earlier, the differences in their respective situations angered Stacey, the similarities between them eventually lead him to shift toward helping Kaito rather than hurting him.
Now I'm going to circle back to the possession storyline to talk about some of its other implications.
The possession storyline allows Kaito to show how much he values consent and bodily autonomy—particularly Stacey's.
Remember how Kaito suspected immediately that the possessed version of Stacey wasn’t really him? An episode and change later, Kaito and the rest of the Sentai finally find out that Stacey is being possessed by God. Kaito doesn’t say much about this when it's first revealed to him, but his eyes are glued to God-in-Stacey’s-body and he turns stone-faced again. He remains like this for the rest of their conversation, while God aims more head-tilting and slow-blinking his way.
The next time they confer with the Zenkaigers, God is in a hurry to get them to agree to work together. But Kaito says there’s something else he needs them to address before that can happen. He asks God what happens to Stacey when they’re possessing his body. Their answer is disturbingly flippant: “His consciousness takes a little nap.” Then he asks God if they have Stacey’s consent to do this. “Do I really need it? When I’m a God?” they ask contemptuously. That’s when Kaito tells them that he can’t trust someone who would use another person's body without their permission, so they won’t be able to work together—unless God sets Stacey free. He offers to let God possess him instead in order to communicate with the group, and the other Zenkaigers chime in to say they’ll volunteer as well. God agrees to this and leaves Stacey’s body for the last time.
Consent isn’t a common theme in tokusatsu, at least not in any of the shows I’ve seen so far. I don’t know of another toku show that's had an entirely analogous possession story, but it’s not uncommon to see some kind of variation on this theme. Ankh from Kamen Rider OOO is an ancient supernatural being who possesses the body of a random young man on the verge of death, Ryotaro from Kamen Rider Den-O is possessed by a whole cadre of beings from the future at different points in the series, Wataru from Kamen Rider Kiva is briefly possessed by his own father, Otoya, and I have no doubt that there are other examples I'm not thinking of or just haven't come across yet. I've seen the moral implications of possession get some degree of attention in these shows, but I’ve never seen consent foregrounded in this way. (That said, I haven’t seen the entirety of either Den-O or OOO, and there are plenty of other series I haven’t seen, so there may well be examples I’m not aware of.)
It helps that consent doesn’t just come up in an implied way, in the background, or on its own. Instead, Kaito brings it up specifically and intentionally. The plot is racing along toward the climax of the series at this point. It would be easier for Kaito to allow God to continue to gloss over the question of Stacey’s consent. It certainly would have been easier for Komura Junko, the show's screenwriter, to skip over this question. She could have just used God as her story’s deus ex machina (no pun intended) without exploring the deeper implications.
It’s fitting that Kaito’s insistence on Stacey’s consent comes up in the form of an interruption that stops the forward momentum of the story, because when people are ignoring important consent issues and someone has to speak up about it, it’s often seen as an unwelcome interruption of things that are viewed as more important. Bringing up consent in those situations means bringing other matters to a halt and raising uncomfortable topics that others have tacitly agreed to ignore. As with so many important issues that we need to speak up about in our daily lives, raising the subject of consent is often intensely awkward. When Kaito brings it up, God is surprised and clearly put out, and it means the story has to take a detour before the Zenkaigers can defeat Bokkowaus with God’s help. Kaito doesn’t let any of this stop him, though. He understands how important it is. Even though collaborating with God is by far the best chance the Zenkaigers have of overthrowing Bokkowaus and saving the multiverse, he holds fast and insists that he’ll only work with God if they stop possessing Stacey without his consent.
It's worth noting another context in which consent comes up in the series, and that is the portrayal of Stacey's late mother, Lise, and her relationship with his father, Barashitara. Lise was Barashitara's 893rd "wife." I'm using scare quotes here because while we don't know the details of how Lise ended up tied to Barashitara and bearing his child, there's no particular reason to believe she consented to the relationship and a number of indications that she didn't. When she appears again in ghost form, he refers to her having always been "feisty," which seems like code for "didn't just let me do whatever I wanted without any resistance." She, on the other hand, seems to hold him in contempt. In Komura Junko's current series, Kamen Rider Gavv, the protagonist's human mother is kept prisoner by a non-human father who refers to her as if they're in a relationship despite her protests that she never sought or consented to a relationship with him. This seems like a more explicit version of what was implied about Stacey's mother in Zenkaiger.
Stacey obviously has strong feelings about the way his mother was treated. When Barashitara reaches for her, commenting on how he's never been with a ghost before (and implying he'd be up for changing that), Stacey hurries over to pull his hand off of her and rushes her out of the room after yelling at Barashitara to keep his hands off of her. Again, Stacey's human mother and Kikainoid father could have been used as a plot device without digging any deeper into the nature of their relationship, but this series not only doesn't avoid the subject, it makes a point of commenting on it.
The themes of consent and seeing/being seen end up working together in a way that undercuts the ship in some superficial respects but ends up emphasizing what really makes it special.
I mentioned earlier how one of the first clues that God isn’t really Stacey is their facial expressions, speech, and other ways of communicating with others. Well, they continue smiling, speaking in a cutesy voice, and doing flirty mannerisms—and the biggest recipient of these gestures is Kaito. They also call Kaito by his given name, something Stacey doesn't do until the series' penultimate episode. When you add it all together, they’re pretty clearly flirting with him.
Some stories would take this as an opportunity to develop the ship between Kaito and Stacey. If God-in-Stacey’s-body flirts with Kaito, you could easily arrange things so that this helps him recognize or develop an attraction to Stacey that continues when the possession has ended. (It’s certainly been done before in other shows.) Any possession or body swap story is going to be partly about contrasts—that’s a big part of their purpose—but they can still foment changes that continue when everyone gets their own bodies back. Basically, if Stacey is too conflicted to flirt with Kaito, well, God can do it for him. It works in the other direction, too. If there are things Kaito would do with Stacey if he weren’t so considerate of his feelings, if someone else is walking around in his body, suddenly different possibilities appear. (And yes, I think some version of all these possibilities could be done even if the ship remained at a subtext level.)
There’s just one problem: Kaito may not figure out for certain that God isn’t Stacey right away, but within moments of meeting them, he’s 95% there. They can’t make him see Stacey in a different way if he doesn’t believe they’re him at least for a while. He isn't even open to relating to them in a positive way. It really is remarkable just how unfriendly he is to God-in-Stacey’s-body considering how friendly he always is to almost everyone else. And when they flirt with him? He’s not into it in the slightest. In fact, it just pisses him off.
Another thing about possession stories is that they can be a way for writers to cheat to get characters—well, close facsimiles of them who are mistaken for them by other characters—to do things they couldn’t justify otherwise. But Kaito refuses to let this happen. He gets suspicious of God almost as soon as they show up, he begins to grow hostile toward them even before he has fully processed the truth about their identity, and once he’s had a chance to think about the situation, he takes his next opportunity to refuse to work with God unless they set Stacey free as soon as possible.
By having the hero of the story behave in this way, Zenkaiger prioritizes consent and, by extension, the individual right to bodily autonomy. It prioritizes consent over ship advancement, over plot advancement, even over getting the danged heroes into the evil overlord’s castle so they can have their big showdown. There are moments where it’s on the verge of becoming annoying. As TV viewers, especially if we’re habitual tokusatsu watchers, we’re pretty used to possession plotlines of this type. When they start making things happen, we get caught up in escalating events. Having someone like Kaito suddenly show up and say, “Wait a second, is Stacey OK with this?” feels like a weirdly abrupt interruption.
It reminds me a bit of something Kathleen Hanna from the band Bikini Kill says in The Punk Singer, a documentary about her life. She says that speaking out about sexual violence often results in a "who farted" moment—one in which a group is collectively uncomfortable and looking for someone to blame, generally the person who mentioned a taboo subject like sexual violence.
Kaito fearlessly embraces a “who farted” moment when he asks about Stacey’s consent or lack thereof. Of course he does—that’s who he is. A principled, morally rigorous guy who would rather be cringe as fuck than hurt someone unnecessarily. It’s no wonder he’s able to turn the “demon prince of the Tojitendo” to the side of good…and even get him to write him love letters.
In other words, by refusing to exploit the possession storyline for a cheap version of ship development, Komura Junko develops the Kaito x Stacey ship even more, and more meaningfully.
Could this storyline have been written by the typical cishet dude tokusatsu screenwriter?
It seems noteworthy that this choice was made by one of the few women to have held a head writer position on a toku series. Of course, women are not the only people who care about consent and bodily autonomy, just as they aren't the only people who are subjected to their bodily autonomy being compromised and their right to refuse consent ignored. But women, people who are perceived as women, and men who don't fit into a normative cishet image are more likely to have such experiences than cishet men and thus more likely to find such themes salient, so it would make sense if a woman writer was more likely to include them in a series than the (ostensibly) cishet men who make up the vast majority of tokusatsu screenwriters.
I would argue that the importance of being authentically seen is also particularly salient for many women and that this may have played into the way Komura weaves that theme into the Kaito and Stacey story. Women and people perceived to be women tend to experience a great deal of objectification, and being authentically seen and acknowledged is basically the opposite of objectification.
I recently ran into Martha Nussbaum's typology of objectification for the first time and it turns out that it applies to God's possession of Stacey remarkably well. In the interest of time and length, I'll leave it at that for now, but I'll probably talk about in a separate post at some point. Suffice it to say that God's treatment of Stacey illustrates a number of the facets of objectification Nussbaum lays out. So what does this have to do with the Kaito and Stacey ship? It comes back to my point about how the show presents the possession storyline with all of its potential for ship development and has Kaito refuse to engage with any of it out of concern for Stacey. This makes God a kind of foil for Kaito that gives him the opportunity to show that his interest in Stacey isn't based on objectification.
(Edited to add: I ended up writing more about this in a post on Nussbaum's concept of fungibility as objectification, with the Zenkaiger possession storyline as an example.)
So there you have it. There are plenty of reasons to appreciate the Kaito x Stacey ship without digging into issues like these. The characters are interesting, affecting, and fun. Their personalities fit together in a classic cinnamon roll/tsundere way. The actors have great chemistry with each other. But the way the story treats these concerns, which I contend is colored by the different perspective Komura Junko brings to toku based on her gender, is part of what makes it particularly special.
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