shibari hualian 🎀
full pics on p/atreon, link in bio ✨

Jar Jar Binks Fan Club
hello vonnie

Product Placement

#extradirty

Love Begins
untitled

oozey mess

❣ Chile in a Photography ❣
sheepfilms
"I'm Dorothy Gale from Kansas"
Today's Document
Not today Justin
KIROKAZE
EXPECTATIONS
RMH

PR's Tumblrdome
NASA

Kiana Khansmith

titsay
The Stonewall Inn

seen from Malaysia
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seen from T1
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seen from Portugal
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@yfawnarts
shibari hualian 🎀
full pics on p/atreon, link in bio ✨
Full on my boosty 💜 https://boosty.to/fawn_arts
Привет! Я Fawn - NSFW художник по китай фандому, но иногда не только по китай фандому. (хых) Кстати, я не только рисую, но с недавнего
Too big di……..
My tw:
https://twitter.com/fawn_arts?s=21&t=-mfCi3u5gxGIb7JGuYswsQ
Little show for gege
Hua Cheng as Rapunzel
the day that i met you, i started dreaming
Your art is so pretty! I was watching your timelapse videos and wondering- how do you lay skintone and colors down over the grayscale like that? I’ve seen other artists do it too but I can’t figure it out, is it some layering thing my art program doesn’t have?
Oh gosh thank you so much for thinking so! Let me see if I can explain my process (please bear with me I’m not the best at explaining anything). To preface, I use Procreate, but I think there are similar layer modes on other art programs.
Greyscale is where I set my values, shade, and plan out lighting. To add colour, I clip a layer over the greyscale and set it to “hard light” at 100% opacity. I know other people use the “colour” layer mode to drop their colours in, but I like how vibrant colours can become in the “hard light” layer mode.
Side note: certain colours tend to become distorted in this layer mode, so what you see in your palette may not be the same colour when you drop it into this layer. You’ll have to fiddle around with the colour wheel to get exact colours you’re looking for.
From there, all my base colours stay in this one layer. It tends to be a messy layer anyway, which isn’t a big deal because I stack “normal” layers on top for rendering and clean up.
To help with setting the mood and adjusting colours even more, I use gradient maps either on top of the greyscale or under a “hard light” layer.
Gradient maps are fun and they can be a quick way to colour too. For this one, I set the gradient map layer to “Soft Light” at 100% opacity to get a spooky feel.
But there you go! I hope that helps, and I apologize if it’s convoluted. I don’t ever use the same method twice because quite honestly, I tend to forget what I do. 😅 so each new piece is always a fun (or excruciating) experiment.
more sketches from the hoard. gege is comfy~
Meowmeow
Happy Halloween!
Do not repost
Happy Halloween 😘
💜
strongest martial god
The Crown Prince and butterfly. Spine animation idle that I made a few months ago (I've reworked my original illustration a bit for this purpose). And… I like the result!! As a 3D artist I was very interested to work with 2D bone animation