Another Green World (2015), Nicole Eisenman
KIROKAZE
untitled
h
RMH
EXPECTATIONS

titsay
let's talk about Bridgerton tea, my ask is open
$LAYYYTER

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@theartofmadeline
The Stonewall Inn
Sweet Seals For You, Always

izzy's playlists!
Not today Justin
Keni
tumblr dot com
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❣ Chile in a Photography ❣
One Nice Bug Per Day
sheepfilms
seen from Philippines

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@yip-jump
Another Green World (2015), Nicole Eisenman
no!
meaningless - the magnetic fields
the thirst for knowledge
Artist Niki de Saint Phalle photographed in one of her sculptures by Franco Fontana for American Vogue, December 1987.
Light Iris by Georgia O'Keefe
“instead of money she’s got yams and cabbages”
Brett Whiteley, View of the Garden, 1977.
this is unequivocally the funniest pre-internet alleged bigfoot photo
just a little boy
https://www.facebook.com/reverberation.radio/
by P-E Fronning
“No one loves life more than we do, in a way, because we are so conscious about death. The preciousness of life standing side to side to the one place we’re all going to. Everybody in this planet boarded a train that was, final destination, death. So [in] the train, we’re gonna live, we’re gonna have beauty and love and freedom. And I think that when you eliminate one of the two sides of the ecuation, it’s a panflet. When you take in account the dark to tell the light, it’s reality.” - Guillermo del Toro
arthur kleinjan, paris looks. 1999-2001
Between 1999 and 2001, the artist spent hours perched in a balcony above the Sacré Coeur church in Paris, watching the people below. As tourists struck poses for souvenir snapshots, he would take a second photograph from behind.
“Sometimes it takes a few seconds for their friends to get the camera ready, and they suddenly don’t know what to do with their bodies. They ask themselves, what leg do I stand on? A bag, or a bottle of water should be out of the image, so they keep it behind their back. They design themselves into what they think is a nice picture … I wanted to show the moment of alteration, as the tourists transform themselves into an image. They seem very self-conscious about the way they look. Vulnerability is revealed. Their discomfort with their own body, as they stand there, is isolated in time and space, waiting to become a future memory.“ (x)