An Archive of Our Own, a project of the Organization for Transformative Works
Started a new fic for those missing the Dalgliesh TV programme.
No title available
"I'm Dorothy Gale from Kansas"
KIROKAZE
Keni
Today's Document

❣ Chile in a Photography ❣
noise dept.

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Noah Kahan

Origami Around
untitled
tumblr dot com
Xuebing Du

Love Begins

izzy's playlists!
sheepfilms
taylor price
EXPECTATIONS
occasionally subtle
art blog(derogatory)

seen from France
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seen from United Kingdom
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seen from United Kingdom

seen from Malaysia
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seen from Singapore
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@yjessamine
An Archive of Our Own, a project of the Organization for Transformative Works
Started a new fic for those missing the Dalgliesh TV programme.
Cartier Envelope shaped silver watch, c. 1941
Things I feel like writing a whole fic about.
PERIOD DRAMA APPRECIATION WEEK | Favorite adaptation |Jonathan Strange & Mr Norrell (2015)
Two magicians shall appear in England... The first shall fear me; the second shall long to behold me; The first shall be governed by thieves and murderers; the second shall conspire at his own destruction; The first shall bury his heart in a dark wood beneath the snow, yet still feel its ache; The second shall see his dearest possession in his enemy's hand...
fanfic authors:
Writing Tips For You (as if I don’t currently have insane writer’s block)
-Can’t start a scene? Write the setting instead. What is the lighting like? Is this place comfortable? Is it familiar or not? What should you point out now so it doesn’t suddenly appear when it becomes important for the characters? SET! YOUR! STAGE!
-Everyone says “show, don’t tell”. I like to think of that as “what are your character’s physical reactions? What are they feeling?” You can say “Character looked dismayed”, or you can say “Character grimaced with dismay.” See the difference?
-Struggling with dialogue? Talk to yourself while you’re writing. You might be blocking yourself if you subconsciously think some dialogue feels unnatural.
-Context, context, context! This applies to everything from the small interactions to the big plots. Every force has an equal and opposite reaction, allow interactions and events to grow as such.
-Context, context, context pt 2! But worldbuilding! If your character is performing an act, how does that fit into the physical reality they already exist in? How is it possible? Can you imply (imply, not explain) that these things are commonplace or why they wouldn’t be?
-Build the action. (Stealing this from theater class like twelve years ago.) You can’t just put a character into the scene and say ‘they made a sandwhich’. What has to happen for the sandwhich to be made? Your character has to walk into the kitchen, open the cupboard, get out a plate, get out the jam and peanut butter, get out a plate, get out the knives, open the fridge, get out the bread, close the fridge, open the bread bag, lay down two slices of bread on the plate, close the bag, open the first jar, pick up the first knife, scoop up the jam, slather it on the bread, put the knife down, close the first jar- and so on and so forth. Every small step is necessary for you to understand, and to engage your readers. You don’t have to go into ridiculous detail like I just did, but even understanding that for yourself.
-See above, but it’s not a scene and a sandwhich. The scene is your whole story and the sandwhich is your plot. What small steps MUST happen to reach the climax? Does changing one of those small steps change the result? How?
-Emotions are best portrayed when you have experienced them or can get insight from those who have experienced them. Let yourself get emotional in a scene. Allow yourself to be empathetic and vicariously experience what your characters are.
-Reread your own work! Your writing style and characterizations can change over time, but if you feel like you’re losing them, don’t be afraid to look at where you started to ground yourself!
-Proofread your own work 2-12 hours after you finish a section! Not while you’re writing! Don’t let yourself get carried away with writing things ‘right’, just get the ideas out.
-Have a friend or volunteer proofread for you too! This can help pick out things you repeatedly say, words you might misuse, grammar and punctuation that might need correction, and phrases that are hard to digest or don’t make sense.
-Make sure you’re making an effort to use regionally/era specific words and slang both in dialogue and in your writing. There are plenty of websites and videos online that list and discuss regional and era slang worldwide. Not to mention, we can connect with people all over the world using the web just to ask! Using incorrect phrases can really break immersion and make characters feel- well, out of character! I.E. an 80s jock saying ‘dope bruh’, American characters (generally) saying ‘lift’ instead of ‘elevator’, so on and so forth.
-Research research research! Research bloodloss limits, research how laws and jobs operate in different regions and countries, research weirdly specific myths and biblical themes, research as much as you can! You can only build a richer environment to write in!
-If you actively want to implement themes, allow them to reflect the experiences of your character. Example character is an Italian American who was orphaned at 13 after his orthodox Catholic parents died, he has been in and out of foster care his whole life, and the moment he got out his military job became strict and he allowed himself to be blackmailed to protect a child in a similar position. This has plenty of fun themes and symbolisms, like sacrifice, fate, lack of control, love, losing autonomy, etc, all of which can be framed under the impactful history of his Catholic childhood. This evokes the imagery of farm animals, servitude, animal tags/dog tags, holy spaces being used for other purposes. Play with it!
-Build three base playlists! One for your overarching story, one for songs that remind you of the main character and their story arc, and one for how you feel when you’re writing/songs that weirdly remind you of your story. You can cycle through these to help get into your mood.
-Consume other media! If all you do is focus on writing, you WILL lose steam and inspiration. Don’t be afraid to watch new shows, read new books, look at more artwork, read more poems, listen to more music. You might get a flicker of inspiration for themes, motives and ideas, and you’ll continue to fill yourself instead of dumping your focus out on your writing.
-Understand how each major character thinks and instinctively reacts to things. Some characters can stay calm, but others might instinctively react to things ‘angrily’, others might try to run away. This is an easy way to figure out character flaws and impliment easy conflicts.
And last but not least:
-Take breaks! Don’t worry about forcing yourself to keep a posting schedule (unless you’re being paid. I’m not. I’m doing this shit for free and for funsies) if all you do is spend all your time worrying about your writing, you won’t be able to relax your brain. Spend time with friends, play games, go outside!
I hope this helps!
I am but a simple individual. I see ‘the mortifying ordeal of having a crush on your husband’ in the tags, I click on the fic.
Latest chapter of Until Midnight is up!
Chapter 4: Hour Four
Summary:
Adam and Kate arrive back at her flat to have dinner. It is a strangely intimate feeling for Kate, bringing about a myriad of thoughts, feelings, and worries.
“Eating is touch carried to the bitter end.”
-Samuel Butler II
Just putting this out there, in case anyone missed it. We now have a Dalgliesh Discord. Doesn't matter which actor you prefer in the role, or whether you prefer the books to the tv series to the radio. It doesn't matter whether you are a content creator, or consumer, whether you are active online or a lurker, as long as you are positive, inclusive, and kind, get in touch for an invite. Come join us. We encourage fiction writing, poetry (how could we not?), role play gaming, book recs, discussion, and more. If English is a second language for you, don't worry. We want everyone to enjoy the space.
(All the actors who have played the role, top row television, bottom row radio). So we have, L to R across the top: Bertie Carvel, Martin Shaw and Roy Marsden, and L to R across the bottom: Robin Ellis (perhaps best known on British tv for his role as Ross Poldark in the original series), Phllip Franks (Charley in the Darling Buds of May oposite Catherine Zeta Jones), and Richard Derrington (known for parts in a number of British tv series).
•Normalize Fanart for Fanfics Again You Fools•
It's not cringe anymore (it SHOULDN'T be cringe anymore), just do it. You're doing something you enjoy, who cares what anybody else says! So spread the words my fellow internet brethren.
Spread the Word :)
To my readers:
If your comment is long and rambling and full of quotes you enjoyed, I will love it.
If your comment is full of story related questions, I will love it.
If your comment is a single sentence, I will love it.
If your comment is a single emoji, or a string of them, I will love it.
If you comment, I will love it. It's that simple.
AO3 Comments are SO SO SOOOOOOO important because you can only leave Kudos ONCE. You add to the hit count ONCE (every 24 hours).
So whenever someone updates their fic, the ONLY way an author knows who their regular readers are is if they comment on each chapter. And we WANT to know who's still reading.
Believe it or not, some of us think about the name that pops up constantly in the comments and go "omg I can't wait to see what they think of THIS SPECIFIC SCENE cuz I KNOW they'll say something about it!!!"
Luxury in Suede
An Adam Dalgliesh x KateMiskin Fanfic
Chapter 1: It Might Go Like This
“All poems are seductions.” -Kim Addonizio
Dalgliesh was retiring.
Well, that certainly wasn’t the news she’d been expecting when she got home today. It had been a long one, like most of her days lately. There hadn’t been the chance to take holiday time; there were too many cases to work and they’d been short of staff.
A new group of police constables had taken the detective’s exam, so that should be remedied soon, but there was still more on the job training to do. It was rare for her to get home before 9pm most nights. She’d been thinking that something had to give. Then she’d found this invitation on the mat just inside the door.
Read it here on AO3:
An Archive of Our Own, a project of the Organization for Transformative Works
"why doesn't this thing in a movie/book/tv show happen exactly like it would in real life" is the most brain dead criticism the internet has to offer, and yet I see it EVERYWHERE.
because it's not real life!! because tone and aesthetics are as important as narrative!! in the immortal words of cinematographer andrew lesnie, the light is coming from the same place as the music.