Masterpieces in detail - Sex. Power. Murder. Amen
TMBGareOK. The Official They Might Be Giants tumblr
NASA
let's talk about Bridgerton tea, my ask is open
RMH
Not today Justin
Mike Driver

No title available

No title available

tannertan36
No title available
occasionally subtle

Love Begins
taylor price
EXPECTATIONS
Cosimo Galluzzi
noise dept.

roma★

pixel skylines

Game Changer & Make Some Noise

oozey mess
seen from United States
seen from Spain

seen from Türkiye
seen from Spain

seen from Türkiye

seen from Netherlands
seen from Netherlands

seen from Germany

seen from United States

seen from Malaysia
seen from Venezuela
seen from Brazil

seen from Tunisia
seen from Bangladesh

seen from Italy
seen from Finland

seen from Portugal

seen from United States

seen from United Kingdom

seen from United States
@yonoletengomiedoanada
Masterpieces in detail - Sex. Power. Murder. Amen
Julia Petrova
https://www.behance.net/suspiciousobject
Check us out on Instagram: @Lesstalkmoreillustration
Joanne Nam @shjnam
https://www.behance.net/shjnam
Check us out on Instagram: @Lesstalkmoreillustration
Raul Urias @raulurias
Check us out on Instagram: @Lesstalkmoreillustration
Gonzalo Martínez Moreno
Check us out on Instagram: @Lesstalkmoreillustration
Ikumi Nakada
John Bauer, illustration for Princess Tuvstarr, 1914.
El mató a un policía motorizado - La Síntesis O'Konor (Discos Laptra 2017) (0:00) 1 El tesoro (4:32) 2 Ahora imagino cosas (7:10) 3 La noche eterna (12:40) 4...
My Father:
“The Struggle of the Apathetic Saint”, 2016, Ballpoint Pen, Ink Pencils, Ink Wash, Graphite, Colored Pencils and Gel Pen on Mixed Media Paper, 15.75 inches by 20 inches (23 1/8 inches by 18 ¾ inches framed).
For purchase inquiries, please contact Corey Helford Gallery at: [email protected]
I know I posted this before, but here it is again:
Artist Statement:
Flesh Blood Bone:
Animals have always been an essential part of storytelling, symbolism, and spirituality. I am continuing this tradition by producing works centered around fauna to tell stories that relate to creation, mortality, the violence of nature, and my personal life.
Flesh Blood Bone is my first attempt to acknowledge, and accept, aspects of my personal history that have caused me anxiety and heartache. As in my previous work, all subjects are depicted as animals. The series of narrative works centers around my immediate family, and the interactions and emotions that occur between the four members. Recently, I felt that I could finally address these feelings on paper. I have illustrated my separation from the issues presented in Flesh Blood Bone by depicting them as otherworldly, divine animals that exist in a habitat removed from reality. The four family members, which includes myself, become abstracted versions of themselves
I plan on continuing to center my work around aspects of my life and past. I am seeking freedom from my anxiety through my artwork
Another detail of “Fall Apart Like Me”, a piece that will be included in my November solo show at the wonderful Corey Helford Gallery! I’m extremely happy with how my pieces are coming out for this show. I think they are my best pieces yet! I hope to see some of you there.
The largest piece for my show, “Flesh Blood Bone” at Corey Helford Gallery during the month of November:
“When the First Became Divine”, 2016, Ballpoint Pen, Ink Pencils, Ink Wash, Graphite, Colored Pencils and Gel Pen on Mixed Media Paper, 24 inches by 40 inches (27 ¾ inches by 43 ½ inches framed).
For purchase inquiries, please contact [email protected]
Since this piece includes all of my immediate family members, myself included, I felt it was important to yet again add my artist statement for the show below:
Flesh Blood Bone:
Animals have always been an essential part of storytelling, symbolism, and spirituality. I am continuing this tradition by producing works centered around fauna to tell stories that relate to creation, mortality, the violence of nature, and my personal life.
Flesh Blood Bone is my first attempt to acknowledge, and accept, aspects of my personal history that have caused me anxiety and heartache. As in my previous work, all subjects are depicted as animals. The series of narrative works centers around my immediate family, and the interactions and emotions that occur between the four members. Recently, I felt that I could finally address these feelings on paper. I have illustrated my separation from the issues presented in Flesh Blood Bone by depicting them as otherworldly, divine animals that exist in a habitat removed from reality. The four family members, which includes myself, become abstracted versions of themselves
I plan on continuing to center my work around aspects of my life and past. I am seeking freedom from my anxiety through my artwork.
Aleksandra Waliszewska {2014}
So this is my backyard. I guess I’ve got a lot of wishes to make
Anna Taberko @annataberko
https://www.instagram.com/anna.taberko/
Check us out on Instagram: @Lesstalkmoreillustration
Nacer, crecer y morir por todos lados. somos de ningün lugar