Take this sketch, now on to my homeworks, cya 🤣😘😊😎😎💖💕✌️🙌❤️❤️❤️
macklin celebrini has autism

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cherry valley forever
Xuebing Du
One Nice Bug Per Day

祝日 / Permanent Vacation
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if i look back, i am lost

Janaina Medeiros
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oozey mess
"I'm Dorothy Gale from Kansas"
Not today Justin
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Discoholic 🪩
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@yoocroft
Take this sketch, now on to my homeworks, cya 🤣😘😊😎😎💖💕✌️🙌❤️❤️❤️
This was an art request so I had an excuse, but honestly, it was inevitable that I would eventually put my money where my mouth is and actually start drawing my deranged niche ships
time to eat!
(click for quality)
Wakaba Shinohara, Nanami Kiryuu, Juri Arisugawa - Utena, la fillette révolutionnaire
There it is, a triptych of my favorite duels from each season, and coincidentally my favorite characters.
devotion
EYES OF THE ORDER
i know
I have mundane interests
His lore dropped and I’m feeling like killing myself so have some fluff I do not believe in angst
official art from 墙头儿儿 for bookuu
my favorite narrative long-con in 2ha is the way its pretty obvious something is up with shi mei from early on but he feels so clumsily utilized for so long that i was worried there was no way the payoff could be satisfying, but once you have all the context the way he’s used early on makes the reveal hit even harder. the fact that pretty much all of our knowledge of shi mei as a person is delivered via mo ran’s blatantly skewed perception and shi mei just straight up Doesnt Fucken Do Anything for like 2/3 of the novel but be beautiful and desired. the way shi mei is physically separated from the rest of the cast for large portions of the story due to his different skillset. the way he’s flat out disregarded sometimes like when he tries to give us a rare moment of insight to what’s going on in his head when he says he’d never leave the dream illusion of his family but chu wanning talks over him and uses him to lie to mo ran about the truth of the blood hourglass.
he’s a beautiful cardboard cutout, an object for mo ran to obsess over, a plot device to sew conflict between chu wanning and mo ran, an often sidelined member of the central sisheng quartet because his cultivation methods alienate him from the action in a way. the most impactful thing he does for the narrative at first is die for the sake of mo ran’s character regression into taxian-jun. when he’s finally uniquely situated to save the day by killing the heart drill insects, he’s immediately turned into a hostage and whisked right back out of the narrative – but not before giving an ominous little speech about how he deliberately let everyone believe things about him that weren’t true because they never really knew him beyond the surface level.
there’s this sense of the narrative itself commodifying his gentle kindness and beauty, never allowing him to have much depth but letting other characters use him as a tool to meet their own needs and tucking him away when he’s not useful. and it turns out this shallow dehumanizing treatment is exactly what he’s trying to escape from.
"My past enemies are either dead or captured, and my past friends are scattered to the winds. Now that I think about it, I am indeed an old man..."
But is it a blessing or a curse?♠️
Sunday
I want to talk about this thing
And I have a proposal:
The name of Dr Ratio's warp event is connected to this and, incidentally, Aventurine
Disclaimer: 1) I'm not normal or rational about Dr Ratio. 2) The conclusion is supported only by the English translation as far as I know. 3) Maybe the conclusion is a bit of a leap but I'm serious about everything else.
Let's go!