
祝日 / Permanent Vacation
occasionally subtle
Sade Olutola

JVL
"I'm Dorothy Gale from Kansas"

★
Misplaced Lens Cap
ojovivo

Andulka

izzy's playlists!
PUT YOUR BEARD IN MY MOUTH

#extradirty
Cosimo Galluzzi
wallacepolsom
trying on a metaphor
will byers stan first human second
Today's Document

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taylor price
No title available
seen from United States
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seen from Uruguay

seen from Türkiye
seen from Germany
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seen from Ukraine

seen from United States
seen from Brazil
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seen from United States
seen from United States
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seen from United States
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seen from United States

seen from Serbia
@yr3001
by Klekovkin Aleksey
“The eradication of the space that surrounds specific fragment I have framed is as important for me as the image being shown; it is through this erasure that the image takes on meaning, becoming measurable. At the same time, the image continues in the visibility of the erasure, and urges us to see the rest of reality, which is not represented. This dual aspect of representing and erasing does not only tend to evoke the absence of limits, excluding any idea of completeness or finitude, but also indicates something to us that cannot be delimited, namely the real.” (Luigi Ghirri, Kodachrome, 1978, p. 12). [x]
I tried to erase myself
This ‘Swim Reaper’ Instagram Account Is Absolute Gold
Flower sketches by Bernadette Pascua
https://www.instagram.com/p/BZG9k3sl0jn/
this is so great
https://www.instagram.com/p/BY8SbhlACs5/
Rusty House by OK PLAN ARCHITECTS
Built in the small town of Humpolec in the Czech Republic in 2005, the Rusty House demonstrated the possibilities of working with a relatively small and tight parcel with numerous limitations. Functional and aesthetic redesign of the interior are the focus of this intervention.
I ship myself with academic success and contentment
Yayoi Kusama (Japanese, b. 1929), Snow, 1990. Acrylic on canvas, 15.9 x 22.9 cm.