Rogan Hazard, "Sacrum", 2026, Mixed Media on Strathmore Bristol Vellum Paper, 27.9 x 35.6 cm
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Rogan Hazard, "Sacrum", 2026, Mixed Media on Strathmore Bristol Vellum Paper, 27.9 x 35.6 cm
Ferdinand Leeke
"Woman and Flowers" Lawrence Alma-Tadema, 1868
Velázquez (Diego Rodríguez de Silva y Velázquez), Portrait of a Man, Possibly a Self-Portrait, 1635 Oil on canvas, 27 x 21 3/4 in. (68.6 x 55.2 cm)
The MET, New York
Wojciech Weiss - Melancholic (1898)
The Annuciation (1892) by Arthur Hacker RA (British, 1858 – 1919), signed and dated ‘Arthur Hacker 92.’ (bottom right), oil on canvas, 91 × 49 1/2 in (231 × 126 cm), Tate Britain, London
A Woodland Hideout - Giovanni Battista Costa
Italian, 1833-1893
Watercolour and bodycolour
John Berkey, 1978.
David Hockney - Arty Sutton, 1972
colour crayons and pastel on paper 14 x 11 in.
Diana and Actaeon (Diana Surprised in Her Bath), 1836 by Camille Corot (French, 1796--1875)
I didn't realize before that Corot used such beautiful color, having seen only his almost monochrome, dark work before.
Portrait of Miss Waerndorfer, 1913, Egon Schiele
Size: 48.26x32.39 cm Medium: watercolor on paper
Arthur Rackham (1867-1939) “Enter several strange Shapes, bringing in a banquet” The Tempest: Act 3, Scene 3 by William Shakespeare (undated) Source
Con la rosa tra le labbra (With the rose between her lips) (1895) by Ettore Tito (Italian, 1859 – 1941), oil on panel, 25.4 cm (10 in) x 41.4 cm (16.2 in), Private Collection
Egon Schiele. ' Stehende Frau mit Schuen und Strümpfen ', ca. 1913.
Egon Schiele. ' Nude Bending Over, Left Arm on Hip ', ca. 1914.
Egon Schiele. ' Fräulein Beer ', ca. 1914
Incense, Fernand Khnopff, 1898