Ghosts of the Madre.
Made in Clip Studio & Blender, September 2025

roma★
wallacepolsom
One Nice Bug Per Day

祝日 / Permanent Vacation

blake kathryn
Claire Keane
ojovivo

No title available
🪼

❣ Chile in a Photography ❣

Andulka

shark vs the universe
Alisa U Zemlji Chuda
styofa doing anything
Show & Tell
will byers stan first human second
Stranger Things
dirt enthusiast
todays bird
YOU ARE THE REASON

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@zkj-coffee
Ghosts of the Madre.
Made in Clip Studio & Blender, September 2025
Nerevar Moon-and-Star prints | patreon (print club is Dark Brotherhood themed for this month!!)
We need to bring back the athletics body type post
This one
Tumblr has 10+ image limit had to add these on too
This photoshoot unlocked something in me the first time I saw it. The idea that EVERY body here is what "peak physical condition" looks like.
YALL. Holly Black has a list of resources she's used for writing her books on the fair folk. I'm OBSESSED. I love her work and world building. it's so true to the heart of faeries
Some other resources that might be worth checking out (not strictly about faeries but related):
The Corpus of Electronic Texts, or CELT, a collection of Irish cultural materials. This includes English translations of Irish myths.
Mary Jones - similar to CELT, and a resource we used for translations in the Irish mythology class I took in undergrad.
An Encyclopedia of Fairies by Katherine Mary Briggs, a British folklorist.
The Folklore of Cornwall by Ronald M. James. Unfortunately this book is harder to access and is often only in university libraries, but if you're interested in piskies it's a potentially very helpful read.
Traditions and Hearthside Stories of West Cornwall by William Bottrell.
I love Holly Black's stuff so much. 🫠
She was my gateway into modern Fae stuff.
TO EVERYONE YOU KNOW WHO YOU ARE
Zandalari Headcanon: Sacred Hair
Preface; Zandalari believe that a person's soul comprises three parts. The first, ts'ome, is located in the head and represents thought or the breath of life. The second is yalot, in the heart and is associated with emotions. The third part is naki, located in the stomach, representing desire and instinct.
Ash's Fallout AU, made by @pirate-cashoo! I absolutely love how she turned out, thank you so much!
A bad accident combining the Cloud and radiation in the Sierra Madre made sure to seal Ash's fate as a ghoul. She's not a sniper you want to get on the bad side of.
My first meme template
How I’ve been welcoming the new Fallout fans:
I see all of you emerging from your slumbers.
That Cinematic Where Uther and Sylvanas Talked in Shadowlands Plus Everything that Led Up To It Except Now I Like It
Fuck ittt, reposting this cos it's the 2 year anniversary of this wall of text hyperfixation comic I ACTUALLY DID finish, but was only an imgur link bc tumblr didn't support enough images before. putting this shit directly on the good bad site where it belongs
uh ok imagine the blades of grass things in the jailer's hand here are actually like glowing threads of her soul. i could prob color just this part to make it more clear but my body goes limp like a marionette when i think about exerting that small amount of effort to make my comic more legible
this ^ is one page i would maybe color sometime, actually one of my fave things i've drawn tbqhhh
Never tried animating before... Decided to have a go today with a sketch! Warlock from WoW.
I GOT A FUCKING RAISE THE POTATO WORKED WTF
This potato works. Every. Fucking. Time.
Reblogging because it’s a damn potato and I want to encourage people to assume potatoes are magical.
Like to think Willow would have loved shows at Karazhan...
(Some quick art today of my Warlock!)
Heh... Did you say 'teeth-ling?'
"You are no longer licensed to use the software," Adobe told them.
In other news, it is now not only morally acceptable but the morally correct thing to do to pirate the fuck out of Adobe’s software line.
Planned Obsolescence gives way to Enforced Obsolescence
[Laughs as I boot up Clip Studio Paint, which I bought one (1) time]
Here’s a list of other programs. Keep posting till it’s widely known.
https://twitter.com/Everblue_Comic/status/1124453210297520128
Good to know these thanks man.
Commission for @moosethren of their HANDSOME lad!
Tangentially related, but: I have observed that a thing a lot of a certain kind of people miss about the Sam Vimes stories is how much time in them Vimes spends:
a) Being wrong. b) Fucking up. GENUINELY fucking up. And suffering consequences of fucking up. c) REALIZING he's been wrong. d) Trying as best he can to adjust to that.
I've noted before that you could subtitle every single Vimes book as "Vimes Finds Out He's Wrong About [Blank]". "Vimes Finds Out He's Wrong About The World Not Being Worth It". "Vimes Finds Out He's Wrong About Affirmative Action." "Vimes Finds Out He's REALLY REALLY Wrong About Golems." "Vimes Finds Out He's Wrong About Klatch And International Everything". "Vimes Finds Out He's Wrong About Dwarfs." "Vimes Finds Out He's Wrong About The Past Being Better/Not Wanting To Be A Commander." "Vimes Finds Out He's STILL Wrong About Dwarfs, and Also Vampires, and Also Trolls". "Vimes Finds Out He's Wrong About Goblins and Is Really Upset About It."
And so on. And that is actually a very important part of Vimes because if he was not both able and willing to realize that he's wrong about shit he would just be a very bad person. A very self-righteous bad person. Captain Swing, in Night Watch, is utterly correct: he and Vimes are very, very similar people. It's just Findthee Swing knows he's right.
And Vimes is actually always open to the possibility he's totally wrong, even if he's not happy about that.
Vimes isn't perfect. Vimes isn't even always in the moral right - Vimes starts out Feet of Clay just as bad as anyone else in the story, Dragon King of Arms included, about golems. He starts his place in the story as casually racist, sexist and everything else ist as is standard for the society around him, and his voyage to becoming something else is through his own failures and it too is imperfect.
My absolute favourite Samuel Vimes moment is actually from Thud! but it's not the one you think it is, probably. It's this one:
The dwarfs were clustered nervously by the duty officer's desk. They had that opulence of metalwork, sleekness of beard and thickness of girth that marked them out as dwarfs who were doing very well for themselves, or who had been right up until now.
Vimes appeared in front of them like a whirlwind of wrath.
You scum, you rat-sucking little worm eaters! You heads-down little scurriers in the dark! What did you bring to my city? What were you thinking? Did you want the deep-downers here? Did you dare deplore what Hamcrusher said, all that bile and ancient lies? Or did you say "Well, I don't agree with him, of course, but he's got a point"? Did you say, "Oh he goes too far but it's about time somebody said it"? And now, have you come here to wring your hands and say how dreadful, it was nothing to do with you? Who were the dwarfs in the mobs, then? Aren't you community leaders? Were you leading them? And why are you here now, you ugly snivelling grubbers? Is it possible, is it possible, that now, after that bastard's bodyguards tried to kill my family, you're here to complain? Have I broken some code, trodden on some ancient toe? To hell with it. To hell with you.
He could feel the words straining, fighting to get out, and the effort of restraining them filled his stomach with acid and made his temples throb. Just one whine, he thought. Just one pompous moan. Go on.
[...]
"Gentlemen," he said, keeping his eye on the grag but talking to the room at large, "I know all of you, you all know me. You're all respected dwarfs with a stake in this city. I want you to vouch for Mr Bashfullsson, because I've never met him before in my life. Come on, Setha, I've known you for years, what do you say?"
"They killed my son," said Ironcrust.
A knife dropped into Vimes's head. It slipped down his windpipe, sliced his heart, cut through his stomach and disappeared. Where the rage had been, there was a chill.
"I'm sorry, commander," said Bashfullsson quietly. "It's true. I don't think Gunder Ironcrust was interested in the politics, you understand. He just took a job at the mine because he wanted to feel like a real dwarf and work with a shovel for a few days."
"They left him to the mud," said Ironcrust, in a voice that was eerily without emotion. "Any help you need, we will give. Any help. But when you find them, kill them all."
Bolding mine. There's some bits in the middle there where the moment moves from the duty room to his office, etc, but the important through line is that one and it's a double-whammy: not only that in the moment of discovering the loss that faces another father, Vimes is absolutely thrown completely out of his righteous rage and resentment of days despite it being fed by a quasi-demonic force of vengeance?
But also that the narrative does that to him. That it takes us with him in a build up of days and days and days of genuinely infuriating things and GENUINELY the unfortunate enabling of Hamcrusher's bullshit by people who didn't speak out about it (he's not wrong about that!) right up to the attempted murder of his baby and his wife to this moment and then absolutely yanks the rug out from under him and tells him - and us, the readers - that actually no.
No you don't get it that simple.
They killed my son.
Where the rage had been, there was chill.
If you're going to try to have a Vimes, as a creator, and you want them to be anything other than a self-righteous twerp in their own right, you have to be willing to do that part. To have him stumble, trip up, fall over his own feet, and be confronted by his own misunderstandings, mistakes, just . . . his misses.
If you aren't, then you're just writing another self-righteous twerp.
Sam Vimes is an interesting stalking horse - a self-unpacking teaching mechanism as much as a character. A classic white male detective antihero, he’s a POV character who starts with a mainstream relatable POV that everyone’s seen so many times before, and then goes through tests of character in a logical sequence that change his mind. At the end you must agree with him.
So Sam Vimes can be used as (say) a 20-something-insular-white-boy’s First Examination of Their Own Prejudice. They identify with him at first on the axes that they find relatable (he’s a cool older man, very like them in superficial details; he’s positioned in a classic antihero role in the narrative; he’s jaded and cynical and his thoughts are amusing) and therefore they willingly come with him on his journey.
Anyway, as a tool of writing, Vimes is a fairly unique brain-training mechanism. There aren’t many similar ones. And while his character journeys are incredibly repetitive, especially towards the end of the series - the sheer success of the mechanism, having a POV character designed to reshape the reader’s brain for the general betterment of society, makes it a technical act of prestige, even ten books on. it’s accessible to the mainstream reader! It teaches social justice frameworks while slipping under the guard of the majority, simply through planned character design! It’s funky stuff! Not many writers try it. We may not even need any more characters like them. But what a nice bit of craft.
…All of this.