Lucid Dreaming

“Every first draft is perfect, because all a first draft has to do is exist.” — Jane Smiley

[tippi1992]

Sid Vicious’ CHAOS tee. On the shirt is scrawled a list of loves - “Muhammad Ali, Bob Marley, coffee bars that sell whiskey under the counter, Lenny Bruce” and hates: “Television (not the group), parking tickets, Harper’s, Vogue, and in fact all magazines that treat their readers as idiots.” 

[egzpl-deactivated20160802]

I am a Muslim and my religion makes me be against all forms of racism. It keeps me from judging any man by the color of his skin. It teaches me to judge him by his deeds and his conscious behavior. And it teaches me to be for the rights of all human beings.

Malcolm X (via kingdom-off-heaven)

[untitled-1991]

[pagedoesntexist]

[smrynlds]

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[untitled-1991]

Visit Original Link

Omar S- Force Fed The Meds

[untitled-1991]

prada ss 01

jacquetta wheeler

[killyohji-deactivated20151231]

Visit Original Link

[moldavia]

Hermès Catalog Fall 2013

[onlinecounsellingcollege]

You build on failure. You use it as a stepping stone. Close the door on the past. You don’t try to forget the mistakes, but you don’t dwell on it. You don’t let it have any of your energy, or any of your time, or any of your space.

Johnny Cash (via onlinecounsellingcollege)

[chanelvianna]

By Vianna forlovers

This project was established with the intentions of creating art and building on our influences whilst depicting Women of Colour (WoC) in spaces usually inhibited with systematic racism. As young South-East Asian Australian women, we have become tired of seeing our instilled self-hate being projected back at us in mediums that we love and respect. Therefore, we seek to produce characters that see WoC in various forms, states and personalities in order to foster a space of creative expression for WoC. This project cultivates from a place of love and respect for WoC. We harbour an immense gratitude for fellow WoC and the collective support that radiates from this sense of community. We admire their strength and desire to see them, as well as ourselves, rise up and dismantle this imposed self-hate and, instead, embrace an individual and communal self-love.

- Vianna and Chanel

[vuls]

(1983), bookcase Trajano, table Composiciòn and chair Japan,  José Martínez Medina

[vuls]

Barbara Hepworth Pelagos (detail) 1946 Part painted wood and strings 43 x 4 6x 38.5 cm

[aqqindex]

Jay Steffy, Interior, Circa 1980

[schu-schu]

90s_fashion_designer_thames_and_hudson_sara_braddock_techno_textile

[howtobeafuckinglady]

 Sadiya Gueye, Anna Bayle, Katoucha Niane, and Amalia Vairelli, Thierry Mugler Spring/Summer 1988

[yonghoonk]

[archive-club]

Very rare footage of ”6.1 THE MEN”, the joint presentation of Yohji Yamamoto Pour Homme and Comme des Garçons Homme Plus F/W 1991 in Tokyo on June 1st, 1991.

This was the first time that both designers had presented their menswear in Japan. The shows were modeled by musicians, actors, and various other creatives - even some members of Yohji’s company, if I am not mistaken. The two men being interviewed in the video are (in order) Haruomi Hosono and Yukihiro Takahashi of the legendary electronic trio Yellow Magic Orchestra, with the famed Ryuichi Sakamoto being the third member. Below is a more thorough explanation of the show’s theme and significance, followed by an extremely valuable and hilarious first hand account of the show and a certain happening backstage, told by German guitarist Ottmar Liebert who was invited to model for the show - Courtesy of Asobu from Styleforum.

A/W 1991, as far as I know, showed in Paris at the end of January 1991 and then showed again together with CdG in Tokyo on June 1st and called “6.1 THE MEN”. Still one of the most talked about and coveted collections by Yohji fans in Japan from what I can tell, many of the pieces still catch quite large sums on the second hand market. The theme was “war”, several musicians including Charles Lloyd and John Cale (who also modeled in A/W04 btw) modeled the show and apparently sang some antiwar song together at the final part of the show (the collection was created and shown during the gulf war). Some of the signature pieces was the leather jacket with women prints on the back (he referenced this in “my dear bomb” as well, when he talked about nose art of american fighter planes being pictures of “girlfriends and sexy ladies” when heading into battle), zipper jackets and Joan Miró inspired blazers. This is a great story from Ottmar Liebert about his experience when he walked the show, well worth the read. "In 1991 the Japanese designer Yohji Yamamoto, together with Comme des Garçons, was putting on the first men’s fashion show in Japan and asked me to be one of his runway models. At the time Yohji prefered to use actors and musicians over models and he has also used athletes in the past. I flew to Tokyo from Los Angeles and was picked up at the airport and taken to a very nice hotel in Tokyo, which Frank Lloyd Wright had designed in the sixties. The show took place in the Olympic swim stadium of Tokyo, where the pool had been covered by a runway stage. On each end of the runway a huge wall was erected. Behind one wall Yamamoto was set up and behind the other wall Comme des Garçons.  Comme des Garçons : Dennis Hopper, Trumpet player Don Cherry and his son Eagle-Eye Cherry (a TV presenter in the UK and not yet the pop star), British actor Julian something or other, Keyboardist Morgan Fisher (who later produced the wonderful CD “Miniatures” to which I contributed a piece)…  Yohji Yamamoto : Charles Lloyd, Edgar Winter, a member of YMO (one of Japan’s most famous bands, which also featured Ryuichi Sakamoto)… Yohji and his people treated everyone wonderfully. And then he made a mistake on the day of the show.  Thinking we were all men instead of the stars some felt they were, he offered as part of the refreshments Japanese cans of beer. In Japan cans are tiny, they are cute and many of the guys probably thought that one couldn’t possibly get drunk from drinking tiny cans of beer….well, if you drink a dozen of them you do get drunk, you know! And then a British pop singer asked a French rapper to turn down the crap on his boom-box and the French guy responded with his fist, which fractured the pop guy’s jaw. While he was rushed to the hospital Yohji’s people frantically searched for somebody who could wear his clothes…. In the end one of Yohji’s French employees took his place and wore the clothes well. I felt terribly embarassed. Here we were in one of the great cities of the world, guests of a real artist, and these men had to get into a fight. What a way to repay Yohji’s kindness! But fame is fleeting and karma instant.. I never heard from the British pop star and the French rapper again… I remember how amazed we were at the Japanese audience. Some had waited since the early morning hours and yet, when the doors opened the first in line went to the last seat instead of claiming the best seat in the house. It was almost biblical… One thing I remember about the show itself is that Yohji, who is a guitarist himself and also produced the soundtrack, had installed sound triggers along the runway. We were invited to step on those triggers, each of which controlled a different sound that would blast over the music. Car crashes, industrial sounds, drum breaks, glass breaking, guitar riffs etc…I also remember that the Brit who was walking ahead of me was drunk or high or both and thought that the crowd’s enthusiasm was directed at him instead of the clothing…I remember three or four people helping me change into the next outfit, grabbing shirts, pulling on shoes…I remember the late Don Cherry walking around on the runway like a court jester and greeting the other Comme des Garçons walkers…”

Times when Fashion really seemed to be about the passion and love for the beautiful creative work of these designers. Inspiring.

[killyohji-deactivated20151231]

“Notebook on Cities and Clothes”, Paris, 1989