Hereās a link to the epubs for the 10 part oyster knife series as well as āA Matter of Tasteā, āTake Careā, āAvenues All Lined With Treesā and āOver the Bridgeā
Oyster Knife Fics - Google Drive
I'd rather be in outer space šø
2025 on Tumblr: Trends That Defined the Year
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Jules of Nature

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Today's Document

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Sweet Seals For You, Always

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KIROKAZE
he wasn't even looking at me and he found me
almost home
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official daine visual archive

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@zombster
Hereās a link to the epubs for the 10 part oyster knife series as well as āA Matter of Tasteā, āTake Careā, āAvenues All Lined With Treesā and āOver the Bridgeā
Oyster Knife Fics - Google Drive
s5 episode 9 26:17
Aariana Philip at Met Gala 2026
Watching the bear fall into the trap of a stubborn director who so desperately doesnāt want the fans to be right about something so they take away the core (sydcarmy) of the show and completely ruin its integrity
i watched wuthering heights and it was incredibly good omg
Akuol Deng Atem at Robert Wun Couture Spring 2026
What was the first moment you think our on-screen chemistry clicked?
i love them sm
sydcarmy doodle
done in the trainnnnnnn choo choo
Are you ever just constantly struck by how women are not allowed to have body hair in film or TV
a/n: back again with another dirty little drabble for kinktober (2/?) carmyās already in work mode, the sounds of him moving around the apartment pulling you from sleep.Ā
drawers open and close, shoes shuffle toward the door, and the click of his belt buckle echoes in the quiet. you drag yourself out of bed and lean against the doorframe, still in your sleep shirt, your hair a mess. you watch him as he finishes getting ready: dark pants on, shirt half-tucked, his hair already a little wild.
he glances over, tight little frown like heās trying to be good. āmorninā,ā he says, already reaching for his jacket.
āmorninā,ā you echo, soft, coy, and when he looks back you give him that look. one that makes his jaw clench, because he knows exactly what youāre thinking.
ānah, babe, i canāt. i really canātāgotta be on time. deliveries, new people, all that shit, okay?ā heās trying to sound firm, but his eyes already betray him, flicking down your bare legs.
you just smirk. three steps and youāre close enough that he can smell your skin, warm from sleep. you hook your fingers at the hem of your sleep shirt and tug it up, over your head in one fluid motion. for someone who just woke up, you move so fucking gracefully it knocks the breath out of carmen.
his eyes go wide for a second, then dark, heavy, glued to your tits like he never stood a chance. and you know it, too. know the way he always goes stupid for you the second you bare yourself to him. so you tilt your head, lips curving into a pout thatās more weapon than plea, using every ounce of his weakness against him.
āiāll be quick.ā
āyouāre never quick,ā he says, but his voice cracks a little, betrays him.
āthen thatās on you,ā you tease. ānot me.ā
and yeah, he should walk away, he wants to walk away, but youāve got that smile, that determination, and heās helpless against it.
youāre on your knees before he can tell you no again, fingers at his belt, tugging his pants down just enough. his half-protest dies in his throat the second you lick along the head, teasing.
itās easier now, practiced, the way you take him into your mouth. still hungry, still greedy, but smoother, and he notices it: the way youāve been learning him. and god, heās never felt heat as good as the heat of your mouth, the wet slide of your tongue, the way you look up at him like you own him this way.
he braces his hand on the wall, his other buried in his hair, dragging it back, muttering, āy'gonna make me late.ā
you hum around him, glancing up with that playful, knowing look, and his head tips back. āfuckādonāt-donāt look at me like thatāā he stammers, because it feels too good. too much too fast.Ā
he already knows he wonāt be able to think straight the rest of the day.
your own hand slips between your thighs as you work him, fingers finding that slick, aching spot. every stroke of his cock in your mouth makes your hips twitch, makes your fingers circle harder. your lips are wet, mouth stretched around him, breath hot and messy against his skin. he finally caves, threading his fingers through your hair, hips stuttering like he canāt stop himself.
āgod, baby, youāfuckāwe should stop, i have toāā but his voice is breaking apart, every moan raw and needy. he knows this is why heās lighter at work lately, why the new hires smile at him more, why sydney doesnāt have to dodge his sharpness so much. because of you. because you do this to him.
carmy gasps when you swallow him deeper, when your free hand cradles him at the base, when you moan against him like you want him to hear how badly you need it, too. his thighs tense, his head falls forward, and when he finally comes, itās with a strangled, desperate sound, hot and heavy down your throat.
you donāt stop, not until youāve swallowed him down greedy, not until you pull off with a loud, wet popāobvious, deliberate, obscene. his cock twitches at the sound, and you smile up at him, wiping your mouth with the back of your hand like itās nothing.
heās staring at you, chest heaving, hair a mess from where heās dragged his hands through it.
ābaby,ā he breathes, dazed, looking down at you. āyouāreā fuck, youāre somethinā else.ā
and you laugh, licking your lips, smug as hell. āyou should be thanking me, carm. pretty sure your whole staff should be, too.ā
you get to your feet and press the softest, most innocent kiss to his mouth ā a sharp contrast to what youād just done on your knees for him. it makes the corner of his mouth twitch, like he almost wants to laugh, and you give him a little push toward the door, sending him back out there to work.
i naturally started watching i love la because i saw ayo in itā¦.why is it so unfunny? like if you went on youtube and looked for a talk show it would have the same effect š
source : jtfirstman IG
Ayo Edebiri as Mimi Rush I Love LA, 1.02 "Roger & Munchy"
dagmar is so sexy why did she have to be so evil?? šš
DISENCHANTMENT 5.01 - Heads or Tails