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Process of illustrations which will be supported with phrases

I often notice words surround me. These words can be found on streets, stickers, movies, graffiti, dialogues, which often resonate with us.

I am passionate about typography and aesthetics. My work is the visualization in dialogues with jokes, poems, overhead phrases and drawings.

I was inspired by marginal design (flyers on street walls and dirty walls) with trash aesthetic based on accidents, humor and dirtiness. That is why my project will be based on huge collage with layering words and illustration one on top another in chaotic order.

City with William

I was thinking about text in the project

How to create interactions.

-don’t make the idea over complex

-pick the text that excites you and will surprise the viewer

- focus on big scale

Narrow phrases by

Films about hedonism

One director

Films from 1 year ?

I

Thinking about phrases in the project, trying to imagine illustration to this

Some experiments with printing, layering phrases. Looks like illustration of the dialogue, some said phrases on in the top of another

I visited Lambada market and saw this project ( I saw it previously in artplay), I really like the phrases which they wrote, they are funny and live. Made by partisan press

Cigarettes and coffee, man. That’s a combination

Coffee and cigarettes 2003

exhibition введи свой текст

Exhibition "Enter your text ..." - reflection on the role of text in the works of contemporary artists. The exhibition will feature works by 11 young authors, whose feature, in one way or another, is the use of text in visual art.

The word and the text accompany the image from ancient times, gradually connecting logically in manuscripts, books, posters, etc., but also penetrating into a seemingly alien sphere for itself - picturesque space. Taking its beginning in the experiments of the avant-garde, and having reached the highest point of development in conceptualism - the inclusion of text in painting does not lose its relevance until now. Once, in the 70s of the last century, one of the founders of Moscow conceptualism, the artist Ilya Kabakov wrote that "we all live inside a huge text." Kabakov, of course, had in mind the surrounding Soviet reality. Much has changed, however, the theme of "life in the text" may have acquired even greater significance. We can say that we all also live inside text, only virtual. The Internet has become a global text temple, people communicate through short phrases or comments.

Combining the work of different authors, the main theme of the exhibition will be the question - who are they, these young artists, for whom the text is the basis of the basics? Followers of conceptualists, reflecting on art by his own means? Growing up graffiti, who changed street walls to canvases? Modern poets who create a certain synthesis of arts? Maybe just people who keep the diary in the original way?

So it turns out that we often pay attention only to music, view, even hear, only the tip of the iceberg, but never to hear that behind the songs there can be a whole art, an idea ideologically linking the whole album.

In 2016, the British indie rock band 1975 released their second studio album "I like it when you sleep so beautifully for you, but you realize it." Different, sometimes dark, hypnotizing and very deep. This was also the visual part of the album - a joint project of photographer David Drake and art director Samuel Bergess-Johnson. A series of pictures of neon signs with the names of songs is a carefully thought out concept, a whole story with important locations for the group.

research The Happy Show by Stefan Sagmeister and Jessica Walsh

Show offers visitors the experience of walking into Stefan Sagmeister's mind as he attempts to increase his happiness via mediation, cognitive therapy, and mood-altering pharmaceuticals.

research

These neon signs are not your everyday signs that invite you in to an open shop or direct you to the nearest exit. Rather, visual artist Tim Etchells uses more complex text in the form of neon lettering to create a public deconstruction of language. Each simple, glowing phrase invites the viewer into a fragmented narrative and, “The viewer becomes implicated in a situation that's never fully revealed.”

The signs are like publicly displayed giant text messages that spark a curiosity about the author and recipient of the words. Is the viewer getting a glimpse into an intimate relationship? Is there a true need for rescue? What will the future bring? Oftentimes, the statements are irresolvable ideas that, “Seem to make sense at first glance,” the artist suggests, “but there's often something in its apparent simplicity which creates an undertow.”

I think that my artwork has to be speaking to the viewer, consists with phrases, evoke emotions. Also Im considering to create interactions. ( the viewer can write, stick etc).

research

‘Work No. 975 EVERYTHING IS GOING TO BE ALRIGHT’ is one of Martin Creed’s most iconic works. It characterises his desire to communicate and interact with the viewer – to create a reaction and stir an emotion. For Creed, experience is fundamental to understanding his work and he asserts that his art is “50% about what I make and 50% about what other people make of it.” His work is often playful and minimalist and ‘Work No. 975 EVERYTHING IS GOING TO BE ALRIGHT’, blazoned across the Gallery’s frieze, operates in a similar vein. Visually spectacular in its neon audacity, the work, however, encourages a more contemplative response. Although it is at first an overtly familiar and reassuring phrase, it plays on our personal insecurities and gently suggests that everything might not be alright.

research Nina Pró

For this project she decided to focus on a design that would treat the sense, minimalistic form and contents with the same priority.

Chosen sense of touch corresponds to the form of the project - rolling a cigarette is a very precise skill. The fragility of cigarette paper, mixed dry and wet portion of tabacco, a stiff filter and rolling- the whole process creates an unique touching experience.

"As the content I've decided to use the poetry of Marcin Świetlicki. His poetry is harsh, funny, very metaphorical. He creates poems about dirty aspects of everyday life. Let a lector get a distance to own existence. Get a break from the moment."

"So does a cigarette, if you ask a smoker. Moment of break from reality, work or social activity."

research Graanmarket13

Garden 13 is a series of plant-based products and an online shop inspired by Graanmarkt 13’s rooftop garden philosophy. These products intend to develop the brand outside of its physical location, to reach an international audience.

In their packaging design for this new range, which builds on their initial identity work for Graanmarkt 13 Base tease the reader’s curiosity. They translate the feeling and sensory experience of using each botanical product into microcopy expressed as a single sentence over a variety of surfaces. The tone of voice deliberately adapts to each product, from the light-hearted and conversational to the abstract and poetic. The taglines, which range from thirteen words to a mere five, are signed off with nothing more than the brand name. This is a confident and experimental approach in a space where packaging can often feel bland and ubiquitous.Although the design is simple and relies heavily on the words, the copy-centric approach works because these mini-stories are clever and well crafted. Sentences like, “Feel the dirt, touch the leaves, follow the colour, and smell the roots,” and “Sow some flowers, dance a little, and I will always come back to you,” are evocative, liberating, nostalgic, and loaded with visual associations.They tap into a universal feeling of freedom and of connecting to nature. It is a challenge to verbalise a sense as complex and intangible as smell, but so many of the words used in these sentences (leaves, flowers, even dancing) layer to create a vivid impression. I particularly like the playful and almost effortless line, “Salad is a wild thing.”

moodboard #2

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