OH KIYONG.
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Kiana Khansmith
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Mike Driver

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he wasn't even looking at me and he found me

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Today's Document
let's talk about Bridgerton tea, my ask is open

if i look back, i am lost
YOU ARE THE REASON
Lint Roller? I Barely Know Her

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@1nfernoh
OH KIYONG.
ABOUT. / PROFILE. / INTRO. / PLOTS. / PINTEREST. / WIKI.
@hymnosis â DRAW THE LINE
âjust⊠imagine fucking it up so bad for everyone because of a skill issue.â this time he barks out a laugh, ugly, loud and obnoxious. unsure which heâs more frustrated at: the situation, himself or heeseungâhow fucked up would it be if it was the last one?
kiyong doesnât like being inside the hotel. but heâs in it often enough that he starts feeling like one of those working dogs ill-fitted for the city, but still crammed up inside some shoebox apartment and expected to behave. heâs sort of been behaving. to the point where it makes everything worse, and heâs all snappish and angry when anyone looks at him for too long. he needs to get out. needs to find air, and then he needs to make it smoke. the air, not him. or maybe both. thatâs the reason heâs walking through the corridors on the way out through the hotel lobby. thatâs why sees jihoo. or he hears him before he sees him. if he hadnât heard him, he probably wouldâve walked right by. he doesnât know him that well, and he hadnât been making a plan on how to change that, either. so he hears him, because heâs talking to the cops and thatâs enough to make anyone pause. or at least make kiyong pause. theyâre familiar questions to everyone in the room. rote and worn through at the throat. by now and those cops just sound bored with the lack of answers to pin to their missing person's case. and then he hears him in the after, with the phone. because kiyong has to spend an extra five minutes shuffling awkwardly out of the way of those cops, and that gives jihoo enough time to dial his call out. he wouldâve kept going, pushed right outside those doors and forgotten about jihoo, but he canât keep his ears from listening. now, if he hadnât just been witness to the police circling around heesungâs memory, all vulture-ready to pick the scraps out from jihooâs mouth, then he mightâve attributed whatever he was saying on the phone to a private conversation. but he had. so it just sounds cruel. like picking up this dead thing called grief and laughing at it. kiyong's fingers clench too tight, the type of tight where nails start peeling away at skin in onion-thin layers, and then that sting of it encourages his anger. heâs got too much anger lately, and nowhere to burn it up. he wants to confront him, tell him to stop being a fucking dick right here in the middle of the hotel. but he feels the camera. no, thatâs not right. itâs not supposed to be right. he sees the camera. so he walks up alongside jihoo to sling an arm around his shoulders like a meat hook, and he drags him along outside with it. to a place where he knows there arenât any cameras or mics, a small square of a space out back behind the hotel. âitâs stuffy in here, isnât it? letâs talk a walk. talk to your friend later.â he smiles, and itâs for the camera. for all the eyes watching them behind a shiny cellphone screen. itâs caught crooked on his face, and in the low quality catch of the far-off lens probably looks friendly. thatâs because you canât make kiyongâs eyes out from that far away. because those donât look friendly. they just look mean.
@abberatiohn â UNDERTOW
âweâll find somewhere to sit and iâll wrap it. i know enough from dance classes to know that. rest and compress and⊠i forgot the others.â she takes a step forward towards the maw, and it seems as if the action wakes an unstoppable momentum that carries her to the cavernâs edge before sheâs had the chance to think better of it.
the thing about the water is that the deeper it gets, the less light it lets in. thatâs a common denominator with all things considered evil, isnât it? keeping the light out. the night swallows it up, save for that shotgun scatter of stars, and the light pollution has dulled them by now anyway. so itâs still too dark when the moon forgets to cut its way into the sky. and that cave over there, thatâs so deep it looks black. itâs like standing in front of a void and waiting to fall in. again. waiting to fall in again. lijaeâs hand gripping tight around his is more comfort than pain, even when he can feel the soft bones inside of his fingers grinding together. or maybe because of it. it keeps him in place despite the way he can feel his body shaking without his permission, even if he's so sopping wet he can blame it on the cold. but they both know thatâs not it. lijaeâs one of the only people who knows about it this far out from his home town, about the water. about how heâs scared of it still, even if he shouldâve outgrown that fear along with his braces. he shouldnât be carrying little-kid worries around with him on his back, letting them weigh him down rock-heavy. itâs with that thought in his head that he leans forward, closer to the cave. like forcing himself through the motions of it all will teach his body to behave. it doesnât work that way. he has proof of that, documented in an entire movie shot on the ocean with praise so glowing about the naturalness of his fear. wondering at why he wasnât a bigger name. wondering why he had a two-year gap after. kiyong wondering too, about why that didnât just fix him. because he didn't die on that ship, shooting that movie. and heâs not dying here, standing on these rocks. he shouldnât be scared, and he hates himself for it. he hates feeling this way most of all, but thatâs harder to admit. âpeople keep saying that, but if he was just gone, theyâd tell us. right? they wouldnât just. have the police wandering around and ban us from talking about him. theyâd be like âhe fucked off, back to seoul, because this hotel is fucking awfulââ he pitches his voice the wrong way out his throat, so he doesnât sound like himself. âi feel like i can. the same way i can tell about the cameras, when theyâre there. it feels likeâŠlike itâs empty. whatever space he was taking up.â kiyong knows this sounds jumbled and odd and he scrapes the thick of his palm into the socket of his eye, until black smears into something red-white from the pressure. he can see the indents of color left behind when he blinks his eyes back into focus. he squeezes her hand back, just as tight. âcops are cops.â because expecting them to do much of anything is the same as dreaming, as far as heâs concerned. especially here, when the boy gone missing was never a local. kiyong knows it because thatâs how his town was too, where you didnât matter there unless you were born in that nowhere. âwell, it might go higher in the back. we can keep out from the water. and itâs fine, my knee i mean. iâll be fineâ when they finally find the mouth of it, he reaches out and holds tight to that rock, sharp enough to sink into skin if he put any more pressure down into it. he uses it like a crutch to drag himself inside. âyou got your phone? i think we need a flashlight.â around him and his voice echoes. only it sounds a little wrong, like before, when heâd done it on purpose. just pretending at himself.
@phantaisms â LIGHT THEM UP (IN FLAMES)
"so." she blinks and mirrors innocence, as though she is not complicit to the idea of playing with fire, "what's the plan? burn and say bye? or do we make a whole campfire experience out of it, because i have marshmallows in the trunk."
âitâs not, count me as your personal poison tester, because that was ass.â he heaves himself out from the car before she has any time to argue about that, the door cracking shut behind him loud despite all the nothing to swallow it up. he leans the weight of himself against the top of the car, arms folded up against the metal, hot and sun-baked from the drive. he wants to watch namraâs answer on her face, even if he can hear the words of it easy. she looks like sheâs telling him the truth though, and he hums along with her in assent. âcome on, driving isnât that bad.â it feels like running away too fast from all his problems. he couldâve sat in that car for two hours longer without thinking of stopping if namra hadnât started hinting at it. at least it means sheâs happy to let him slide behind the wheel whenever theyâre going off together somewhere. if he had his own car, heâd likely be spending a fortune on gas and for no reason besides avoiding the discomfort of sitting still in one place for too long. sheâs moving before he is, so he waits there against the roof of the car. keeps himself still as she shoves a hand into his pocket, because jostling around wonât do anything more than get his shoulder slapped. he doesnât mind it anyway, itâs not like heâs using it. âyou know, i hardly ever go into things with a plan. it sort of just happens.â thatâs the truth of it, everything to do with the fires. that compulsion setting like a flame in him, too-hot and growing hotter. itâs the kind of thing you canât ignore, even if you want to. a hand to a lit stove, and you have to pull it back before it eats into you, give that heat its head just like a horse pulling at the bit. thatâs how it happens, he gives in. only itâs not to pull back, itâs to pull closer. the smattering of burns stuck to his hands and fingers and arms like hot wax are evidence of that. âif you wanna roast marshmallows i wonât object, but weâll probably need more kindling for that.â he laughs then, and it sounds loose in his chest. the expectation of whatâs to come is relaxing him, soothing him in a way that it shouldnât. itâs even better than running, burning up the past.
@liveformebaby â RED LETTERS, BLACK SKY
"just... it's been a lot to handle." she leans towards the lighter still in his hand, two curved fingers around the stem of her unlit cigarette to prompt him. once it's lit, she takes a deep breath and turns her head to blow it away from him, leg bobbing. "i've barely had any cell service. i haven't been able to get in contact with my manager for days."
the gulls are cackling to themselves, just over kiyongâs shoulder. a constant outpouring from their throats, because they all cluster together in a group that mimics those schools of fish that they hunt. so when they laugh together, dancing on rust-coated handrails and waiting to see if food drops out from either of his or seraâs pockets, they sound bigger. an annoyance, thatâs how he should think of them. but the gulls have always made kiyongâs skin crawl in the way that spiders and snakes and innate-generational fears never have. so he keeps his back to them and the ocean and he finds seraâs face instead. up this close and heâs probably making himself the target of at least three fanclubs, but he canât bring himself to care when thereâs no camera pinned to his body and tracking his micro-expressions. she takes that smoke and he hides the last of them in his pocket, like heâs worried the gulls might snatch the box off of him and take up with his bad habit. heâs not waiting for the thank you, once some people get to a certain point of famous the basics of humanity start leaving them, like geese from the winter. only they never come back again in spring. a mass extinction of empathy all inside of one personâs body. so he wouldnât have been all that offended if she hadnât, heâs been in the industry long enough to see all sorts of people who have forgotten that everyone else around them still matters, too. but he nods when she does, because itâs nice that she hasnât yet let that part of herself go. kiyongâs not so sure where he lands on that matter, but he does know heâs not famous enough that anyoneâs wondering about it. and that means it doesnât matter. itâs an offering, that empty space she makes for him, and kiyong hesitates over it for a minute that feels too long before he turns and sits down next to her. it probably looks like heâs nervous over being filmed, or seen by someone with a grainy iphone camera and a desire to get pann-famous for posting it. but really itâs because heâs not in the mood to look at the ocean, to watch the skinny silhouettes of the gulls as they dive down and skim the surface of it like itâs easy. so when he sits he tips his eyes up toward the sky, that electric-slush blue of it, and lets the corners of the sun blind him. âyeah, i know. were you guys close?â heâd have guessed no, but then, despite figuring he was close to heesung himself, heâd never really bothered in finding out who else he hung around with. that wasnât part of things, bleeding into each otherâs friend groups. so now kiyongâs just left with the gore of the situation and nobody to point the finger at. he flicks his thumb against the sparkwheel until catches, one hand bracing it from that water-soaked wind, too humid for the fire to breathe properly. âcanât you talk with the, you knowâŠâ he waves a hand, like that might summon the right title into his mouth, âexecs or whatever, have them call up your manager for you?â kiyong figured that some of the bigger-named celebrities on the show wouldâve been allowed that, anyway. âif it makes you feel any better, i bet theyâre on higher alert now than before.â kiyongâs not so sure he actually believes that himself, not with the amount heâs still been able to slip off without anyone noticing. but itâs the sort of thing youâre meant to say, and kiyongâs learned a lot about doing that over all the years heâs been living. lying in the right places that make people consider him in a better light than he deserves.
@velveteenr4bbit â
"hey kiyong. it's totally not what it looks like, except it absolutely is." minji laughs under her breath, dragging a hand down her features. "what are you up to?"
he feels like something caged and in a zoo as he paces the outskirts of the hotel. an animal without enough space, with too many eyes, relentlessly pacing. a back and forth seesaw, as pointless as the real thing because heâs not actually going anywhere. not unless you count ânot back to his roomâ as a destination. maybe it looks like exercise, boring enough for everyone to leave him alone. around another corner, seven steps in and he pauses for the first time in, what? he hadnât actually been keeping track of the time. but that doesnât matter anyway, because minjiâs in font of him and apparently fighting the camera. not that he blames her. heâs been thinking about it lately, too. âme? just walking.â he eases in a little closer, behind the camera from itâs hidden position and heâs not too worried about being filmed, but he does want minji to see him when he mouths 'are there any mics around?' because he really would like to help her in the desecration process of the camera, but they could probably desecrate a whole lot more of them if they didnât know who was doing it. kiyong wants to desecrate a whole lot more of them very, very badly. he tips his head to the side, glances up toward the edges of the building where they mightâve tucked a stray mic or two, but he canât spot anything obvious. but then, the mics have been harder for kiyong to figure out than the cameras have.
@abberatiohn â UNDERTOW
âdo you really think heâs in there?âshe murmurs, squeezes his hand lightly before she glances back over their shoulders at the lapping waves. âwonât it be -â she trails off, nodding towards the obvious elephant in the room. âdangerous?â
âi was being careful, until you came along and un-carefulled me.â he sounds the same as before, a distinct lack of anger where it shouldâve been. it takes him a minute to reorient himself, to track down all the parts of his body and how theyâre turned the wrong way. getting up is easier after that, except for the way his leg aches when he leans his weight down against it. tenderized meat under the bone of his kneecap, beat-swollen. heâs not looking forward to the walk back up the cliff. and heâs not looking out toward the water, at the way it creeps toward them with the kind of measured slowness youâd expect out of a predator, hungry and hunting. he tries to brush some of the salt-stuck water off of him, but it's soaked into his clothes. âiâll bet you a hundred-thousand won you fucking donât.â he knows for a fact that lijaeâs been shoved into all sorts of nonsense classes, but wilderness survival wouldâve been low on the list. he remembers the inside of her familyâs place, a bunch of art kept tidy in ornate frames and a piano that he always thought looked too expensive to touch. knowing what kiyongâs house had looked like though, well, youâd realize he thought a lot of things looked too expensive to touch back then. he hides his wince when he starts walking by turning his face away from her and back toward that cave. thereâs a couple of emotions that, when people have them, you can sort of feel them in the air. theyâre heavy, the kind of primal feelings that animals keep. unease, thatâs one of them, and he feels it behind him, because that feeling is climbing out from lijae and taking up too much space. it almost turns kiyong guilty, because heâs not feeling it in the same way. not when itâs bracketed between two things that are so much more enormous to him in their terror. the ocean on one side and the cameras that are perched up on top of that cliff on the other, waiting to zoom in and watch and stick to his skin. he knows, logically, that the cave is a bad choice. thatâs because the rocks heâs standing on are greased with brine and they belong to the ocean when it remembers how to swallow up the land again. then that cave will close itself with with a water-tight door and they both donât know whatâs inside, except for all that dark. âpretty sure the cops here want us dead, too.â heâs only exaggerating a little, they all look around at the crew like theyâre angry everyone got the bright idea to start existing. thatâs how kiyong thinks of it, anyway. âi mean, maybe? he couldâve got washed inside of it or something, and thatâs why they didnât find him out on the beach.â water stops scent hounds from sniffing people out, doesnât it? swells up around the leftover sweat and life and blood and swallows them. itâs like the ocean keeps discovering new ways to be worse. âi mean. itâs just rocks, isnât it?â he squints, takes a step, and hisses at the way pain gnaws at his joint. itâs an overeager dog of a thing, the way it nearly feels like teeth under the chip of bone. âand anyway, not so sure we can make it up the cliff in time before the tide comes in, on account of you maiming me.â he says that after he slides his eyes away from the cave and re-finds all that water. in the gathering dark and it starts looking deeper, the waves sloshing up brutal and heavy. kiyongâs hands are shaking, and so are his elbows. theyâre knocking into both their sides, because kiyongâs moved closer and closer to her without realizing it. like the size of her might protect him from the swells.
@8ractured â
"like someone trying to talk. butâ" he stops himself. but what? but it sounded like it came from the walls? but it said something it shouldnât have known? the thought rots in his mouth. he looks away, fingers curling into the cuff of his sleeve. he shifts his weight and exhales like it might loosen the grip the place has on him, but it doesnât. the hedges still feel too close. the air still feels too aware. and somewhere, distant but insistent, he swears he still hears static folding under itself. ânever mind.â
heâs stuck in here, technically. the too-tall walls of shrubs are boxing him in tighter and tighter with each right turn that he takes. kiyong keeps looking up though, toward where the birds should be flying, his shoulders left loose and without that curl of something wrong bunched up in his expression. heâs trapped, technically, but it doesnât feel like it. a hunted animal thatâs gone and run itself into a cage for protection against creatures with bigger teeth than the trapper's. kiyongâs not even really thinking through things that hard, he just lets himself settle in the relief of it for this brief moment. a space without cameras. and anyway, itâs just a bunch of bushes. in his ranking from most to least disconcerting things around the hotel, this is slotting itself pretty low. for a minute and heâs willing to reorient that ranking, and it's for no real reason, because footsteps have never come packaged with anything that or wrong or terrible in all his time here so far. but it does anyway, his pulse pounding against his wrist like a headache that's found the wrong spot. and then he feels stupid all over again, because itâs just yeqing there, even if he does have a weird look in his eyes. glassy, maybe. or vacant. âheard something like what?â kiyong asks him outright, thumb tracing over the engraved divots of his lighter still hidden in his pocket like a ritual. some kind of talisman, though itâd be a misnomer to say itâs for protection when so often kiyongâs going around and destroying with it. âwell if you heard just someone, then how dâyou know it wasnât me?â kiyongâs not so sure heâs in the mood for cryptic, the last few days have left him sleep deprived, the kind of sleep deprived that makes him go all angry or panicked and wanting to set a flame to something thatâll make it grow brighter. a personification of those feelings leaping up and consuming everything he sets it too. but he canât here, really. or itâs hard. so he just has all that anxiety boxed up in his chest, and itâs proving to be corrosive with the way it leaks out and into the rest of him. âtrying to talk from where?â kiyong tips his head back again, like this time he might find a parrot displaced and circling above them, cackling like a ghost. itâs still empty though, just clouds colored so neutral a gray they look devoid of color. âfrom the hedges you mean?â kiyong looks back toward them again, and he reaches his arm in to see just how deep they go. up to the shoulder and heâs still feeling the sharp bite of twigs and ridge-edged leaves. heâs not so sure anyone could force their body through it all that easy. âwe could burn it, you know. the maze. nobody would have to know, really. there are no cameras here.â this is the kind of talk that comes from too long without setting a fire, pitched hypothetical but not. pitched like yeqing might be losing it at the same velocity kiyong is. that he might think itâs a great idea too. kiyong smiles just in case, laughs like itâs a joke even though it doesnât sound anything like levity. it doesnât even sound like a laugh.
@abberatiohn â UNDERTOW, H4
"âyou canât be serious,â she points out, gaze cutting meaningfully towards the waves crashing against the shore. her brows lift skeptically, thumb drawing an arc against the stark line of his collarbone beneath thin cotton. âyou gonna go in there for real?"
for a boy who hates the water, he hasnât been shy around it. not lately. that doesnât make him any less scared though, it just makes him stupid. heâs been on edge and being down here by the ocean just makes it worse, but heâd already started his heart up fast like one of those rev-up lawn mower engines earlier. had the foresight to knock back a couple of energy drinks. now and he canât tell the difference between fear and the chemicals in his gut playing at adrenaline. thatâs what he tells himself anyway as he walks across the rocks. theyâre slick with sea-grime and he almost loses his balance on the incline down. itâs like natureâs version of those no trespassing signs, or the kind of dogs people buy who bark deep and snarl with all their teeth. he gets the warning, the ocean saying: this is mine, every water-stained rock stacked up in their tombstone rows. maybe heesungâs sitting underneath one. kiyong shudders and he pretends itâs because of the wind. the waves are louder down here, their roaring runs angry across the lengths of cliff wall and that just echoes back down on him. it feels like jeering. kiyongâs walking slower, that careful way that people do when they get too close to the edge of someplace high, wobbly-kneed and acting like something small and new to the world. he doesnât have an an excuse though, because the high is up above him, and all heâs doing is walking across wet rocks while the tideâs gone out. itâs because of all the oceanâs screaming that he doesnât actually hear lijae coming up behind him. his eyes are roaming up ahead, like heâs expecting to find a body tangled in seaweed, or in some darkened gap of a cave, and then thereâs a hand jamming down on his shoulder and he jumps. jumps is a kind way of putting it though, because heâs already on that edge and the rocks are still slick so itâs more of an uncontrolled startle, an unbroken horse out from a starting gate, scared and tripping all over itself. he jerks himself back so quick his neck snaps like whiplash, but he canât focus on the hurt of that because his hand is caught like a vise in her hoodie, and the rockâs still slick, so heâs going down and heâs pulling her down with him. thereâs too many words that all sound like something bad coming out of his mouth, so it all just ends up intelligible. his elbowâs throbbing, but so is his knee and they somehow cancel each other out. âwhat the fuck, lijae?â heâd like to imagine he sounds angry, but he mostly just sounds scared and that makes him snap his jaw shut. âwell, i was thinking about it. but maybe now i have to learn how to fashion a splint out of driftwood.â heâs being dramatic about it, probably. he can still stretch his legs out once lijae takes her weight off them. âand anyway, nobody else is down here looking for him.â he wipes the residue of what must be algae off his palms and onto the heavy damp of his jeans. âwouldnât you come down here for me?â he says it in that unfair way, where thereâs really only one option youâre allowed to answer back.
@liveformebaby â RED LETTERS, BLACK SKY
"fuck," sera curses under her breath; kwon sera, smoking and cursing â a career-ending combination. in a mild fit of frustration and amplifying anxiety, she throws the empty box to the ground before the wind quickly picks it up and blows it down into the tracks. she feels her heart start drumming through her chest as reality settles itself miserably into her already lacking headspace. "fuck. fuck. fuck."
Kiyongâs walking, ask him why and heâll say heâs out of cigarettes. He wouldnât even be lying, he nearly is on account of all that chain smoking heâs been doing recently, like itâs possible a seance in his lungs could invite Heesung back to life. He thinks of Heesung like that, in the past tense. It doesnât matter how many dispassionate cops leading around dogs with their noses stuck in the dirt he sees. It doesnât change his mind. Heâs pretty sure heâs not the only one thinking it, either. Kiyongâs walking, but the cigarettes are only a part of it. It lets him go deep into town, where the people who stick to the land barnacle-stubborn live. The kind of places that Kiyong assumes wouldnât ever let in a camera for some convoluted reality show. He doesnât like it in town, but he does like being off camera. So heâs walking. Itâs a chance that he notices her. Maybe itâs the jacket, something bright against the sky. He usually wouldnât, because sheâs up near the ferry and ferries float. Kiyongâs not too keen on floating off to anywhere at the moment, so heâs been sticking his eyes to the asphalt and ignoring the sting of salt and brine on his way to the mart. But itâs the jacket. Thatâs what makes him look up when he gets close enough pass her by, and by then heâs recognizing the face on the inside of that jacket. He pauses, his back to the water, and makes a slow loop with his eyes from Sera to her suitcase to the the out of service sign. He almost laughs. âIâm gonna go off on a limb and say you didnât float this one past your manager.â He tips his head toward the sign as he talks, like he even needs to make that point. âEither that or you have a real terrible manager.â Could be either, Kiyongâs never had one to give a personal anecdote about the level of competence one could expect. It's not like Kiyong can really blame her, heâd like to leave too. The unfortunate part of it is that Kiyongâs too broke to even consider it. Heâd blocked off such a large chunk of time, and whatever fees they would make him pay back would likely bankrupt him for years. So heâs stuck like a fly to a glue trap. All he'll get for his struggling is even more stuck. âYou want a smoke?â He asks mid-nod down to her empty pack. It feels like deja-vu, but it isnât, because heâs pretty sure this actually happened. Back on set, during the movie's filming, the air a little too humid with a palm that stung like a hornet had made a good time of it. Heâd lent her a cigarette then, and theyâd smoked them half-hidden out back, behind some set piece, maybe. Itâs when Kiyong tries to picture things properly that they become blurry and stretched and wrong. It makes it hard to come up with the details of the moment, all that he knows for sure is that it happened. That she was frowning at him then like she is now. He shakes out a couple, only one left tucked in the half-crushed box of it. They get jammed back down into the pocket of his jeans after Sera takes one. Kiyong eyes the bench as he lights up, but he doesnât sit, just rocks back on his heels and exhales out toward the sky. Against that thick gray and nobody can tell Kiyongâs polluting it. âSo, is there a reason for the worldâs worst escape plan?â
@8ractured â
one moment, there's nothing there, and then the next, there's a figure standing just beyond the next bend â partway obscured by the hedges, somehow seeming too still. yeqing blinks once, twice, pulse stuttering, convincing himself that whoever is standing before him must be real. " . . . did you hear that?"
Thereâs a difference between a labyrinth and a maze. A labyrinth has exactly one path that snakes through the foliage nice and easy until someone can find their way out the other end. A maze is all jumbled up on purpose with dead ends. This should be a labyrinth. An extension of the garden, something peaceful for tourists. The more Kiyong walks, the more heâs sure it isnât. Thereâs not even a real reason for him to be here, which makes it even more annoying, the way heâs starting to feel all turned around. The way the path in front of him sometimes seems like itâs opening itself up into two even thought thatâs impossible. And anyway, when he blinks a few times itâs all the right way round again. Itâs probably the lack sleep. Or the over-consumption of caffeine. Or Heesung being missing and presumed dead. It keeps distracting him from the point of this though, which was to see if, somewhere along the way, the crew got tired of planting cameras in the middle of shrubs. He can feel them when he walks into their line of the sight, the cameras. Lately anyway. Not like before, like shooting a movie and knowing that his face would eventually be transported behind a screen. Itâs different, and itâs like theyâre getting better at it. The cameras. At touching him. Or not touching exactly, but something like it, something he swears he can feel. Insistent and skittering and wrong, like so many spiders all bunched up and tightrope walking across his shoulders. Around the next corner and the feeling vanishes. Alone again and, Kiyong assumes, not being filmed. So there are probably blind spots out in the labyrinth-maze hybrid but heâs not so sure itâs worth the long walk into it to find them. Especially when thereâs no clear land marker to where those blind spots are. Just long stretches of green. The sort of green youâd find printed on a poster for children learning their colors. Maybe itâs manufactured, this whole thing, picture perfect and without the need for upkeep. Kiyong turns, moves in closer. Close enough to trap a leaf between two fingers and pull until it snaps off at the joint of the twig. It looks real, and he almost goes to pull off a bigger piece of it when he hears something crunching. Gravel bunched up tight underneath the feet of something bigger than a rabbit. For a minute, his heart picks itself up and starts running off ahead of him. It doesnât have any reason to, itâs in the middle of the day and heâs on site filming something. Itâs a distinct and obvious possibility that someone else is out walking. That they sent someone else in after him on a suggestion, looking for sound clips. That doesnât stop the uncomfortable thrum of it that he can fear beating away in his ears. But then, a body eventually follows the sound and thereâs Yeqing talking nonsense out at him. Itâs still a relief. Yeqingâs alright. Heâd rather be in the middle of a labyrinth-maze with him than a lot of other people. âHear what, you? Yes.â Kiyong scuffs a clump of gravel up, an imitation of the noise Yeqing made on the way over. âWhatâre you doing out here anyway?â Kiyong asks him, one hand shoved deep into his pocket to toy with his lighter. Usually it helps him re-find the doctor recommended beats per minute of his pulse.
@cr4shc0urse & @draed â LOST AND
"or another room, at least? that's got to be fucked up, if they're making you stay in yours." she wonders if police have confiscated anything. does kiyong have a bunch of yellow tape around his bathroom now? she's surprised it took him this long to come over if they just left all of heesung's stuff in place.
It could be that part of the problem with relaxing is that everything looks identical. Wonshikâs room, mapped out like Kiyongâs own, and the bathroom with the same pale tiling that hints at a pattern without committing, like whatever nondescript hotel designer they hired to construct the place was concerned about pleasing everyone, and by the end of it pleased no one. Thatâs how it works, people pleasing, and even knowing this Kiyong canât say anything about it because that about sums up his entire personality on this show. Placidly neutral and smiling when he feels the camera lens zoom in on him, nothing going on behind his eyes. And lately Kiyongâs been feeling the camera looking him, a near-physical thing. But he doesnât talk about that right now, because it sounds insane, and then theyâll think heâs having a mental break because of Heesung and heâs not. He kicks the counter harder, âLook, Iâll kiss you but Iâm not shoving your toothbrush in my mouth, if weâre sharing bacteria it at least has to be fun.â Does Kiyong actually care? Maybe to probably not, but Sunhee opening up her door helps him dodge at suspicion, so he turns and grins her way instead. Thatâs how you make it look like youâre not in mourning, Kiyongâs pretty sure. Smile a whole lot. Even though it stops feeling like a smile and more like a mask that takes too much effort to keep in place. Like the one he wore on set, only worse, because this oneâs made out of his own skin. âWhat am I, a raccoon?â he uncaps Wonshikâs cologne left out on the counter and smells it anyway, not because he actually cares, but because heâs still got that jump of static in his limbs, like he needs to keep jerking himself into motion or else heâll collapse. Some awkwardly put together marionette doll. "Are they letting you stay with wonshik now?" She says it so easy itâs a little unfair. âNope.â Kiyong sprays some of the cologne on his wrist instead of meeting the look Sunheeâs pointing at him. âI think I heard some people, production crew? Talking about cleaning it out in case, like, someone needs a spare, so. I think where Iâm sleeping is low on the priority list.â He recaps the bottle and slides it back into place. âAnd itâs whatever. It doesnât matter, itâs just a room. A room that has my toothbrush. And so much soju.â Off the counter again, and heâs moving. Not out the door, not yet, Wonshikâs blocking one end and Sunhee the other. He settles on moving his hands instead, fingers tapping in something that looks almost agitated. âLetâs justâŠgo get wasted, yeah? Unless weâre thinking trapping me in the bathroom to talk through my feelings is gonna help with much of anything.â It wonât, by virtue of Kiyong believing most of the feelings that crawl through his body are the kind of things that people would prefer to look away from. Like a monster under the bed, or roadkill. Kiyong does want to get wasted, but he also wants to go back upstairs without being alone. Because heâs not so sure whatâs behind that door, but he really wants to know, in the same way someone really wants to know whether thereâs someone breaking in through the window. That is to say, not at all, but in a way where youâre propelled forward and into it. An inevitable dread.
@velveteenr4bbit â SMOKESCREEN
a beat, stretching long. figures fuck it and asks anyways. "have you.. seen or felt anything? weird, i mean?"
Kiyong laughs as she falls, itâs choppy behind his teeth. He hears her join him when she rises back up from that fake-death like a miracle worker. Right now and death doesnât feel like a real threat, call it foreshadowing. âYeah well, who do you think is liable to talk?â Kiyongâs not actually sure he could figure out if anyone would be willing. Sure thereâs a whole lot of nobodies, himself included, but who wants to get famous off of people calling you insane? Probably not many. âMaybe we should plan out a story, start feeding it to âem in bits and pieces. More and more stupid until they realize theyâve wasted a bunch of time on us.â In reality and Kiyongâs not sure he could sit still and earnest enough in front of the film crew to pull it off. He likes the idea of wasting someoneâs time though, in theory. She keeps talking, and everything starts snowballing up and into something serious. Unavoidable. And thatâs all Kiyong ever wants to do, avoid. âYeah.â he agrees, only it doesnât sound heâs agreeing. He lays himself back onto his own rock and ignores the way a jut of it digs into his spine, bending it the wrong way up. âDo you really wanna know though? Like, actually?â Because Kiyongâs not so sure he does. Had been pointedly doing his best to sidestep something he couldnât even put a name too after the movie had stopped filming. Not that it did him any good. âI feel like Iâm not all that exciting to be hanging around.â He keeps smoking down his cigarette, and itâs mostly gone by now. He wants another, but theyâll probably start wondering where theyâd gone off to soon. Kiyong had technically promised an interaction, someone looking for her. Maybe there's an intern cycling through camera streams trying to pin down where theyâd gone off too. Or maybe not. Maybe they were still getting lucky, everyone busy with the top-billed names of the cast while everyone's still new. âHow many spare cameras you think they got?â The way Kiyong says it makes it seem like he might do more than blacking them out. He wonât, though. He wonât. âYeah, weâd be shark bait.â Kiyong agrees with a stretch that does nothing but dig the rock harder into his spine. He almost wants to wait, see how long he could take it before the pain propels him up. But thatâs the kind of thinking thatâll lead him toward more bad decisions. So heâs up, elbow skinned on the way. âProbably itâs going to be fucking weird. But I only brought so many cigarettes, so.â Itâs not too long after he says it that heâs finishing up his own. He drags it across the rock next to his thigh to put it out. Traces out his initials in an ashy mess. âIâŠâ he starts and thatâs it. It takes him a while to find more thoughts to add on after. âNot, like, technically I mean. Just. I feel like thereâs eyes. Everywhere. Especially behind the cameras. They wonât stop looking. Not even when I sleep. I think they watch harder when I sleep.â It sounds stupid, little kid kid stupid. He mangles the filter of his used up cigarette between his fingers instead of looking at her. âYou?â Thereâs a stretch of time, enough to fill an answer with before the sky starts crawling towards night. Thatâs when he gets up, offers Minji a hand with a nod back toward the hotel. It feels harder walking back toward it than it had leaving.
LOST AND â @cr4shc0urse & @draed ROOM 316 (NOT FOR LONG) - BORDERING ON NIGHT WONSHIK'S BED LOOKS LIKE A BURIAL MOUND AND SUNHEE'S ON THE OTHER SIDE OF THAT DOOR, (JUST LIKE HEESUNG WAS ON THE OTHER SIDE OF HIS DOOR)
Heâd come here to run away. Kiyongâs always been good a that. It just turns out that Heesung is hard to run away from, even if he doesnât even have any legs left to chase him with. Not working ones, at least. Thatâs what everyone thinks. That he must be somewhere gone and dead, littered on the ocean floor with all those old soda bottles and chipped seashell. Kiyong canât imagine a worse grave. Heâd thought a floor down and maybe Heesungâs memory wouldâve gotten all turned around and left him alone. But it didnât. He just keeps thinking about him. It. The situation. Thatâs what someone had called it, one of the PDâs, maybe. It all came down too fast and too hard, like a concussion. It left him just as disoriented. The situation. Which really just means âshut up about it, because this is a real horror and not the kind of make believe noise marketing we actually wanted to film.â This is worse than letting them mop up his grief with a camera lens, the being forced to pretend that Heesungâs either fine or that he never existed in the first place, when he very much did. Right on the other side of Kiyong's bathroom door, actually. Heâs taken over Wonshikâs bed for the past, well. Hours. Some amount of them. But he canât bring himself to actually care, because of the situation. Was it just the PD, or had the cop told him that too, when they were interviewing him? Kiyong canât even remember how heâd answered them. If he did. Part of the problem could be that Kiyongâs never actually experienced a death like this. Sure, older relatives have gone, but those are expected deaths. Life worn out from the spine until they're stooped down and reaching toward that grave, calling it a comfort. There were a couple of younger ones, two maybe, people he sort of knew from back home. But that was said to him second hand and after the fact, so it felt like an echo. Heesungâs was a scream. Not a Wilhelm scream, from all those horror movies. The kind of scream that forces itâs way up and out of you, choking and guttural. An animal scream, where it sounds all wrong and unnatural. Because thatâs what this is, wrong and unnatural. Heesung shouldnât be dead. Kiyong knows this like he knows his bones. An innate understanding that he doesnât have to see to know is real. âI give up on sleeping.â Kiyong pulls himself up from the wadded mess heâs made of Wonshikâs sheets. Heâs close enough that Kiyong can throw an arm around his shoulder. He tucks his chin in against the other side of his neck, can feel the sharp angle of his collarbone against his jaw and ignores it. Ignores that he hasnât actually made an effort to sleep in the first place, heâs still got his jeans on and the grime of an energy drink sits stale on his tongue. Maybe the caffeine is still sitting inside of him too, because heâs up, climbing over the heap of Wonshik and bypassing him into the bathroom. He leaves the door open and clatters around inside, one foot kicking at the other door of that bathroom as he sits up against the counter. Was it premeditated and louder than it needed to be? Maybe. âYou donât have an extra toothbrush?â He calls that out too loud, too, even if heâs pretty sure he can hear Wonshik following in after him. It's for more than just Wonshik's ears. From his experience, Sunhee's easier to talk into things than Wonshik is.
@draed â UNDERCURRENT
"it's gonna be easy work. no lines to learn, go home with a decent paycheck. and you know what, i'm happy you showed. i'm sharing with sunhee, y'know?" he's talking about the bathroom between their bedrooms, connecting them and, hopefully, the booze they're going to carry up. "we'll have some fun, even if this place is fucking bleak."
They weave across the sand, but not the uniformed weave of knitting needles against yarn, its like the weaving of an injured animal, an ungainly gait half a step out of sync. A rock back and forth that follows the pull of waves, retreating from damp sand until the unleveled shifting of it leads them right back down again. Kiyong tries forcing himself to relax as Wonshik walks them farther away from the ocean, and he should relax. He should find this calming. Most people find this calming. Heâs not even in the water. Heâs been around the ocean before. Heâs filmed in the ocean before. It feels worse here, somehow. On this island. Like heâs trapped by it. Like it wonât let him out again. âLots of people talk about things that donât need to be talked about.â But he only says this because heâs frustrated, and he canât actually pinpoint the exact reason for his frustration. Itâs easy to just say this reality show, that he hadnât expected how much he would hate play-acting as himself, but heâs not even sure if thatâs really it. Because he was frustrated before this, had felt like some aspect of himself had been unspooling for a while, until he was nearly threadbare. There was even this dumb idea in his head that coming back to the cast, the memory of the movie, this fucking island would help himâŠwhat? Collect himself like so much string left loosened and figure out how stitch everything back into place? Standing here now, on the beach, on this island, makes it seem ridiculous. He almost laughs. âMaybe you should start pretending you had a girlfriend lost at sea, really get that sympathy footage going.â Itâs another joke, because Kiyong doesnât want to keep himself stuck down in this unsettling rut where it just feels like heâs shoved deep in a giant hole carved out from wet sand and threatening to collapse on him. âWell, I guess youâll have to move to lunch and get them real wound up.â Kiyong wears a smile that only fits on half his mouth, the other half could even be called a frown if anyone wanted to get technical about it. It looks odd, wobbling, and only sits in place for a brief moment before his face auto-corrects itself and heâs smiling like he would for a camera, script reading: SMILES NATURALLY, a flash of teeth straightened by too many years wearing braces. âIs yours still on your ass? You seem to be doing pretty good. Like, genuinely, I mean.â He tacks on that bit at the end, because he feels like heâs repeating himself. But he means it, Wonshikâs career does seem to be climbing that upward trajectory so many hopefuls dream of. âEasy for you. Pretending to be someone else has always been easier for me. But yeah, the paycheckâs nice.â Kiyong kicks at more sand, heâll have to upend his sneakers and pour out all the grit from them by the time they finish their walk, but he still doesnât stop doing it. âYeah? We should hang, like old times. Get just a little trashed, you know?â Not drugs, thatâs not what he means. But too much soju or vodka or whatever they could find that Kiyong likes to mix up with an energy drinks until heâs awake. Buzzing veins and jittery hands sort of awake. He could use a bit of that now, he thinks.
@phantaisms â LIGHT THEM UP (IN FLAMES)
"anywhere's fine as long as there aren't any eyes around, kiyong."
He likes the wind when it howls like this, guttered in through the car windows that help it find a mouth. It makes it easier to drown out his thoughts, the white noise. Lately all Kiyongâs been wanting to do is drown in white noise; funny, because Kiyongâs not usually one for drowning. But ever since that movie finished, stopped filming, whatever, all heâs been wanting to do is clutter up his mind with a frenzy of nothing, if he couldâve shaken up his skull like a snowglobe and left those gritty pieces of plastic pretending at a blizzard to take up all the room he wouldâve. Covering up what is another question entirely, because he canât actually remember what it is heâs trying so hard to avoid. Just that he should. Like taking an out of the way and hardly used side road because the radio informed of a three car pile up down the main avenue that promises the trouble of gore and police sirens. Kiyong blinks and refocuses on the road in front of him, a disorienting moment of autopilot where everything slots back into place and he recognizes heâs been driving too long without realizing heâs doing it. He flexes his fingers tighter against the steering wheel of Namraâs car until he feels like heâs in control again. The musicâs constant, familiar, and he uses that like an hook to latch him to reality. Heâs been doing that a lot lately. A grounding method, thatâs what the article heâd read online had called it. He doesnât actually have enough money for a real therapist. He doesnât actually want to see a real therapist. Sometimes talking feels dangerous. More dangerous than a fight or a fire. He doesnât jump when Namra talks, he almost doesnât hear her at first, over the music. It can be hard to distinguish the start of a conversation when she plays her own albums, like the track might be looping back on itself. He figures it out toward the end of the sentence, that sheâs talking. His eyes move fast from the road to the dash clock and back again. âThere could be eyes around.â It seems like a joke, because a whole lot of nothing is sprawled out around them. Dried out fields and forgotten farmlands. That and heâs not sure he can remember the last time a car passed them in the opposite direction, but then, heâd been zoning out. Itâs not a joke though, even if it sounds like one, because lately he keeps seeings eyes where there arenât any. In windows and the backs of phones, where beady lenses sit accusatory in their beds of plastic, threatening to film. Kiyong shakes his head back and forth a few times, tries his best at being a snowglobe again. Still, the next by-road he sees, he turns onto. Itâs more of nothing, but the grass starts growing taller and when he pulls the car into a clearing he can make out the idea of a forest up ahead. He turns off the car and steals a sip of Namraâs lukewarm coffee instead of climbing out. âHowâs this, your highness?â He asks her before draining the rest of it, which is honestly more a favor than theft with how it tastes. Itâs over-bitter and the residue of coffee grounds finds a home on the back of his tongue. Then, quieter, âdo you feel any better when we get out of the city, or no?"
@phantaismsâ â
a small black box, tied together with black ribbon, sits by kiyongâs door, almost anticipating to be picked up and inspected. once opened, a lighter, glistening under the harsh glows of ceiling lights, greets him. the image of the butterfly on it should be enough for kiyong to realize the identity of his not-so-secret admirer. on the back of the lighter, there is also an inscription engraved into it that says: âborn to burnâ. he should also recognize that handwriting; one that he knows all too well.Â
underneath the lighter, a small note peeks out and calls for his attention:Â
âto make sure you donât forget me. canât get rid of me that easily.Â
 see you when i see you.Â
- namra"Â Â
Itâs over now, the movie, but he feels it still on the inside of his skull. Itâs a scratch he canât reach, something he wants to scrape away with the blunted edges of his nails. He keeps sitting at home, even though heâs broke. He keeps ignoring the pinging chime of kakao messages on his phone; even the others whoâd been ingested by that movie. Itâs the knock that snaps him out from staring blank at the wall, the quick one-two rattle and squeak of sneakers turning heel tells him itâs a courier. So he picks himself up for the first time in, what? Minutes, hours, days and opens his door.
It takes him another day to open that package, wads up the bundle of ribbon and rips the edge of the box on the way to opening it. Inside and he finds a lighter, the immediate reaction is the kick-up of his heart before he notices the butterfly and the note, and words he feels before he sees as his thumb catches the gouge of an engraving. He swallows his heart back down and flips it open. On the third try of that sparkwheel the flame catches. He watches that too, for minutes, hours- and then cuts himself off. Thatâs when he finds it in himself to figure out where his phone is, dying its slow death at fourteen percent battery, he scrolls to Namraâs name and calls her.