late summer / early fall thoughts

Product Placement
will byers stan first human second

pixel skylines
Jules of Nature

if i look back, i am lost
ojovivo

JVL
Lint Roller? I Barely Know Her

bliss lane

Andulka
Sade Olutola
tumblr dot com
Noah Kahan
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Not today Justin

oozey mess
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tannertan36
Keni
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seen from Malaysia
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seen from Türkiye
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@37burning
late summer / early fall thoughts
i have such a big issue with andy serkis saying that his casting for the hunt for gollum will be all white because he views middle earth as white. i think that comment and the backlash to it merits serious introspection from him and the producers on WHY you feel that way. comfortability in whiteness and surrounding yourself with other white people doesn't equate to middle earth being entirely white. tolkien described multiple characters as brown skinned, curly haired, tanned, and whatever other adjective you could throw out there. the assumption that all characters in the legendarium are white due to tolkien being inspired by norse mythology is just false and tells me that he hasn't read the books or has blocked out portions of it to make himself more comfortable. it's emerald fennel with heathcliff all over again. and i'm personally disgusted by the comment and probably will not be watching the movie. the original peter jackson movies were all white 20+ years ago and with all the love i have for those films, that fact is one of my biggest gripes with it. lord of the rings is not real, it is fantasy, so there is literally zero reason to exclude poc. and people have different colored skin due to fucking sun exposure. are we saying that these people who have mostly evolved outside all their lives and till the fucking earth outdoors all their lives wouldn't even be tan? like holy shit what kind of cognitive dissonance are we dealing with here
I'm trying to give Serkis the benefit of the doubt so far, but man is it getting harder and harder.
He was specifically referring to the Shire being mostly white, I don't think he elaborated on the other regions of Middle Earth, because I think anyone with rocks in their head would know that it wasn't entirely "Nordic", but why are we using this terminology in 2026???
JRRT HIMSELF rejected the usage of the word because he thought it was associated with RACIALIST THEORIES. This was back in 1967! Like are we really jingling the keys for white supremacists right now?? Serkis what the HELL are you saying.
"..And as she knelt before him her tears fell upon his feet like rain upon stone; and Mandos was moved to pity, who never before was moved, nor has been since."
-Of beren and Luthien
From inside the Shamans' Cave as the Moon lights the Sedona area pre-dawn.
The living daylights, Peter Bialobrzeski
Once when I was in undergrad, someone described something as “problematic” in class and our professor was like, “That’s cool, but ‘problematic’ doesn’t really mean anything. It means that the thing you’re describing has a problem, and in and of itself that’s not bad. Art, especially, should always have problems, or else it’s not interesting and not art, either. It sounds like you’re trying to say that this is bad, but you don’t want to say ‘bad.’ Is that right?”
So from then on whenever one of us called something problematic, he would make us talk it out until we could name the “bad” thing we were hinting at. In this particular class, 7/10 it was some type of oppression, and the remainder was like, “I’m uncomfortable because this is very new/confusing/pushing boundaries that made me feel safe.”
Once we stopped calling things “problematic” and stopping at that, class got way more interesting and... we all had to say, like, “that’s racist” or “that’s misogynistic” or “ew capitalism gross” out loud, which a lot of us had never done in a classroom before. Or we had to be like, “Uhhh... I’m not sure what’s so bad?” and confront our own beliefs and that was maybe even more useful.
Anyway. Whenever I see the word problematic, I can’t help but think of this professor being like, “Good starting point, now let’s get specific.” I think when we have to commit to saying “that’s ___” it requires a lot more careful thought about the truth and impact and complexities of whatever we’re claiming. Sometimes there really is some bullshit afoot, and also sometimes it’s art, and it should be full of problems, because that’s what art is.
Residential building H1,
Bulevardul Socola 18, Iași, Romania,
built 1963.
Architect: Gh. Hereș et al.
(c) BACU
i get that americans love their cultural imperialism, but it really does piss me off that june is “international” pride month just because something happened in the united states.
in aotearoa, june isn’t our pride, it’s theirs. marsha p johnson and sylvia rivera are their historical figures, not ours. the phrase that “you owe your rights to Black trans women” is true there, but here we owe our rights to (mostly) Māori historical figures. i have the freedoms i do because of the legacy of an entirely different set of people operating in an entirely different context at entirely different times.
But because of american cultural imperialism, most queer people in Aotearoa don’t even know our own queer history. Carmen Rupe, Ngahuia Te Awekotuku, the Dorian Society, Gillian Laundon, Georgina Beyer, and the Wolfenden Association are some of our queer history. We should know their names! we should know what they did for us! but because of the power of the american imperial machine, we don’t.
our national pride month should be july, the month that the Homosexual Law Reform Act passed in 1986. our two largest cities hold their pride festivals in february and march, respectively. american queer history has very little (or nothing, depending on who you ask) to do with our queer history. anecdotally, from my own queries, queer youth in aotearoa know more about american queer history than our own.
anyway, happy pride, americans. i’m truly sorry that most of you don’t see the negative impact your nation’s culture has on the rest of the world. and to the rest of the world reading this, try searching for your own country and culture’s queer history, don’t accept the american narratives as your own. we deserve our own histories divorced from the cultural hegemony of the USA.
ɪᴛ ʟᴏᴏᴋꜱ ꜰᴜɴɴʏ, ʀɪɢʜᴛ?
i think one of the worst things the left wing internet ever did was push the idea that oppression is basically a virtue, and being oppressed is a sign of your morality. it has made it like…impossible for some of you to hold the idea that most people are privileged in some ways and oppressed in others. AND a lot of you seem to have it in your mind that terrible people cannot be oppressed, and that oppressed people cannot do terrible things, which is a dangerous rhetoric to hold imo.
video game and film fandoms will come and go for me but the Silmarillion fandom will never die. because that book came out like 50 years ago and we're all still trying to figure out what the hell is going on there.
Average Silmarillion fan:
as tax for enjoying this cute little drawing, you will now be enduring my THOUGHTS and TAKES.
Okay so I’ve been finding Faramir a very interesting figure recently when looking at the racialisation of the Haradrim through a ‘shadow of Gondorian imperialism’ lens when researching for my fic. Which is to say, in the context of race-in-Tolkien and the context of what is coming in the Fourth Age, I actually find him one of the most ominous figures looming over the upcoming Fourth Age conquest/enforced surrender of Harad/taking of Umbar… not because he’s bad or villainous, but because he manifestly is not, and is kind and good and gentle.
Because the argument for empire is always most dangerous in the mouth of its kindest defender, and a reading of his ‘I do not love the arrow for its swiftness etc etc, I love that which it defends’ quote is just… so intriguing when thinking about what happens afterwards, when the orcs will very soon be all gone yet the Haradrim continue to live, have children, maintain economically useful territory (Havens of Umbar) that in the eyes of Gondor ‘needs’ to be taken. And Faramir’s choices in the Fourth Age could have consequences that are either incredibly devastating or, potentially, somewhat hopeful.