another writer lost in the crowd

Melissa McBride and memes. Follow for pop culture references, political revolution, and general irritation. Feminist. Fangirl. Writer.

[ormundshightower]

SANSA STARK + cinematography

[catchymemes]

[catchymemes]

[alleycatboy]

i am doomed by the narrative. ignore that i am also the author of the narrative

[lolwtfmemes]

[mysharona1987]

[iusedtoknowwhatawishwasfor]

This is ridiculous. Beyond ridiculous.

[mysharona1987]

When the truth is staring you in the face.

[canticleofcanticlesforleibowitz]

We need more visual aids showing which books are being banned. You already know, but seeing it is a extra layer of appalling.

[catchymemes]

[nadjasnandor]

wwdits + text posts

[tinktoks]

[carbomcoco]

I find it so strange that we seem to all see the same advertisements on here. We all see sword lady, right? That is not how other sites work.

[snugglebunchesofeyes]

they paid for one ad at a time.

[andrewhozier]

Michelle Yeoh for GQ

[lolwtfmemes]

[mwagneto]

im so glad almost all detective media seems to recognise the very important fact that being a detective is inherently homosexual

[yume-fanfare]

[inkskinned]

i think one of the reasons glass onion is so fun is that it just... loves the audience back.

so many popular movies and shows these days thrive on a sort of bitter engagement with their fans - where the fans are dismissed as being stupid, annoying, and needlessly angry. we are constantly positioned as being less intelligent as the writers.

so much of "spoiler-free" movie-making relies on writers getting away with one twist in their work, regardless of if that twist was earned. the work doesn't actually have any rewatch value or interesting writing - because they think "good writing" is about "pulling one over" on the audience. they don't focus on making interesting characters or storylines or good endings - they focus on fooling you. glass onion, meanwhile, has faith that the audience has figured the ending out, and that we'll watch anyway, because we love the characters.

so many adaptions of older works... kind of seem to hate the original work. they're done without passion. they're done almost as if checking off a box. so many of them openly mock the audience for enjoying the original, almost directly telling us that we are fools for ever having loved something.

but glass onion. loves the audience. it knows that many of the people watching are mystery-lovers. it is an homage that feels love towards the original works it references. it knows we also love those works; and instead of trying to disparage those works, it allows us to celebrate them.

one of my favorite things about it - and maybe why i found it so satisfying - is that this movie isn't trying to tell you it's the smartest, bestest, most-clever detective story. instead, it asks itself what is satisfying and exciting for the audience? and actually gives us that payoff. it's bright, colorful, and fucking fun.

just... more of this please. i'm very bored of nihilism and grittiness and "shock value" writing. put the love back in. let us love unironically. have your work say i love you too. thank you for sharing this story.

[dontbeanassbutt]

everyone say thank you greta

[spinchs-field]

love how when i get a new interest, i’m like “oh god it’s happening again” and i’m stuck like that for about a week until everything explodes and any interest i’ve had prior is completely dwarfed for an unknown amount of time

[saintacephale]