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hi!
this is my main account. I mostly just reblog stuff on it though
i have a strawpage!

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Not today Justin
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Color Me Curious
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bliss lane
I'd rather be in outer space 🛸

shark vs the universe
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$LAYYYTER
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tannertan36
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NASA
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@a-kawaii-pikachu
pinned post
hi!
this is my main account. I mostly just reblog stuff on it though
i have a strawpage!
bringing this over from twitter bc this person literally gets it. watching su for the first time i was literally shocked by how wonderfully toxic the yuri was there. thank you women 🙏
THANK YOU WOMEN. god bles
Hyperbonkers Toxically Yuri basically drives the entire show. Pearl/Rose is 60% of Steven's Issues; the first big event episode climaxes with a paean to the power of nontoxic yuri but then ends with other characters EXTREMELY MISSING THE POINT to the point they emit nightmares; there's a whole arc about Pearl repeatedly tricking her friends into a threesome; the movie is the vengeance of a dumped manic pixie clowngirl; and the Diamonds (WD in particular) definitely have some kind of oneesama shit going on.
Pearl/Rose is enough toxic yuri (I will create a new identity for you! I will compel you to keep our secret forever! I will fuck around on you but don't worry I'll always come back to you until haha I kill myself and leave you the baby to raise!!!!!!!!!) for six shows. But it's not a show about emotionally healthy people doing healthy things! Steven repeatedly tries to kill himself!
I also want to point out the het stuff is similarly deranged. Lars/Sophie is "what if the chubby girl fixated on the bad boy who impliedly fucks her on the sly (!!!!!) but is embarrassed to be seen with her and got so frustrated she made a big-deal punk band about it (so she's completely over him when he gets a glow up to UNDEAD CAPTAIN HARLOCK(!!!))" Greg breaks up a 5000 year toxic Yuri situationship by being the scrungliest hair metal guy in history. Steven gets a somewhat-requited crush and Pearl immediately projects her "what if I was a knight and I was willing to put my life on the line for you and it was kind of sexual" deal on to them so hard she creates a child soldier. Then Steven, to prove he's NOT his mom, tries to die for her without letting her die with him and she's so mad about not being allowed to die with him they break up for a bit.
Frankly the sheer density of characters eager to die for each other is somewhat alarming.
all of this of course forgetting the one "Stable" relationship is two small lesbians who are so attached at the hip they literally fused into one person, and have their own princess/knight dynamic [wow the diamonds sure love that one, wonder what thats about] and any time they have a MINOR disagreement about a major problem they usually cope by literally exploding apart, doing a shit ton of property damage, and then tearfully fusing right back together again, which is gorgeously juxtaposed by the fact that they can literally see the branching timelines of the future and so can TELL that there is literally no reality where this doesnt happen if they're fucking paying attention. which they usually arent. because they're too busy focusing on keeping steven alive
TENNA'S SELF-OBJECTIFICATION
Chapter 3 reveals, despite its obviousness, that darkners are objects given form by the dark fountains. And this is present throughout the chapter, but it's especially represented by the chapter's main antagonist, Tenna, who perfectly embodies the problems that come with being an object.
But despite this, it's emphasized that they are people, that is, their pain, feelings, and emotions are real. They are real, they are people, yet what they are in the lightworld continues to influence their history and identity. However, Tenna, as a character, carries this influence to the point where it encompasses almost everything about him, from his personality and design to his motivations and goals.
Tenna is a person, but it seems he's really just trying to be just a TV. He exists in this weird place, where he objectifies himself but at the same time wants to be part of the Dreemurr family, which is itself something more than being an object
And it's very interesting to compare this with the other two bosses from previous chapters. First, regarding their designs, if you told someone who knows nothing about Deltarune that these three characters represent real-life objects, I assure you it would be very difficult for them to say what Queen represents, and to a lesser extent, King. However, they would probably immediately know WHAT Tenna is, since everything about him screams "tv"
Like he is a TV Head, his face is literally TV, TV pin and TV buckle lol
Now, comparing their respective Darkworlds, we also see this: King's Darkworld is a medieval fantasy realm, Cyber City is a futuristic city, while TV World is a television studio. It's worth noting that Tenna built this studio, and TV World is full of televisions or has many allusions to television.
Even their roles in the Darkworld we can see this. Queen, another electronic device like Tenna, is uhh a queen, while Tenna is a TV show host.
And finally, their goals. I've already discussed this in another post, but in short, what King and Queen wanted transcended their nature as Darkners, while all Tenna wanted was to be used again as the object he is and what pacified him was Susie promising him another family to see him.
So we have darkners like Queen and King, whose nature as objects influences their design, personality, and goals; however, they have something more beyond that. And we have a Darkner like Tenna, whose life seems to revolve around what he is in the lightworld. Everything about this character screams "TV" in a way not seen with any other character. And this is probably an intentional decision by Toby, because, as I mentioned before, chapter 3 is the one that introduces the problem of the Darkners' "unreality" and their nature as objects, and what better way to represent this than by having the chapter's antagonist embody it?
And it's not just this, it's as if Tenna himself sees himself more as a television than as a person. In other words, Tenna self-objectifies.
Self-objectification is seeing yourselff as an object to be used instead of as a person. Which is funny to say about literally a television in a living room, but bear with me, even though Darkners are objects, it has been said over time that they are People. And that their nature as objects is an influence on their character, but it's NOT EVERYTHING. However, when one sees oneself primarily as an object, as in Tenna's case, one's value is tied to how useful one can be to others, which often has devastating effects on self-esteem and self-perception. Which is precisely what happened to Tenna.
Tenna is very insecure about what he is: a CRT TV, which is currently considered worthless and obsolete. Tenna has internalized this fact so much that at the end of his battle he calls himself "junk" and throughout the chapter he tries to get you to tell him he has worth in various ways. For example, all the times he asks you to say "I LOVE TV."
You could say that "I LOVE TV" means "I LOVE TENNA" because he is, uh, a TV. However, in this part, during the fight with the Weather Duo, we see that "I LOVE TV" refers to "I LOVE WATCHING TV."
Which is, literally, the function of a television, literally, the sole purpose of a television is to be watched. Saying you love TV doesn't mean you love Tenna as a person, but rather that you love what Tenna can offer you as an object. This purpose and function is what he has invested all his self-worth in. He can't see his own worth, so he desperately needs you to tell him, to confirm that he has it, because he can't see it himself.
And this is worse considering that Tenna can't do anything to change the fact of what he is. Tenna can change as a person; however, absolutely nothing he does will change what he is in the Lightworld, so the fact that he bases so much of his identity on what he is is incredibly damaging to his self-perception and self-esteem.
Other instances where I think Tenna objectifies himself are how sometimes instead of saying "me" he says "TV"
And all of this affects how he interacts and his relationships with other Darkners: if you see your worth in how well you can serve your purpose to superior beings who don't even know you exist, it's a perfect recipe for becoming obsessed with fulfilling that purpose.
We have very little information about Tenna's relationship with the Weather Duo, even though they're supposed to be old friends, and with the Mikes, most of what we know about their relationship is from what they themselves tell us. Tenna, in general, speaks very little about things in the Darkworld; he speaks very little about himself, because when he does talk about himself, it's usually about the "Dreemurr television" and the moments he "spent" with them. Almost everything we know about him, other than this, is because other characters tell us.
The only exception I can think of where Tenna speaks about events in the darkworld is the contract with Spamton.
So his relationship with the darkners closest to him is generally complicated and distant, and his relationship with his employees isn't the best either. It's not surprising that the most important people in his life are probably the Dreemurrs, whom he basically considers family and lives to entertain.
This, I believe, caused a cycle where Tenna prioritizes the Lightners, and this prioritization leads to his estrangement and isolation from other Darkners. This causes Tenna to feel alone and seek comfort in that connection with his family. However, the only way Tenna can connect with them is by being a television. Ultimately, due to his lack of connection with other Darkners and lack of self worth, Tenna feels that his only way to be loved is by the Dreemurrs, by being nothing more than a tv. That is the only way he can be “worthy”
And all of this culminates in Tenna not wanting to be in Castle Town and wanting to be given to someone else, where he will be used as a television again. And again, compared to the other bosses, he is the only one who doesn't want to be there.
In summary, Chapter 3 tells us that darkners are objects, and the main antagonist of that chapter, Tenna, represents this since his life revolves around what he "is" in such a way that his worth is linked to what he is and how well he can serve his lightners, which has had a bad impact on his self-esteem and relationships with others.
nobody parties like they used to.....
Having multiple social medias is so funny ngl. I cant bring myself to post the same thing on all of them, so tumblr ppl are completely missing out on my doll tenna obsession rn. Its so bad like genuinely, ive bought a doll body off etsy and have been drawing a ton of lolita tenna, im even considering turning this into some dumb au.
when I first watched Turning Red I was younger than Mei, now I'm Devon's age. waow
Turning Red fucking rules
Brush brush
hey did anyone notice this sucks ass?! :D do we feel the eventual contempt i had for this idea in that last panel?
anyway bonus yellow
“On social media you only see people’s highs and not their lows so you get the impression that everybody else only experiences highs which can lower your self esteem” idk what social media you’re on but it isn’t like that for me
sometimes you just gotta fuck up your sleep schedule by reading all 100k words of a fic you're not even enjoying, and don't ever let anyone tell you otherwise
nobody talk to me, i just found out the person making all those Jessie x Delia comics is ALSO the creator of 'pretty please I don't want to be a magical girl' ???????????
oh my god????????????
(thats so cool)
hehehe
That is an extremely specific scenario, why is Apollo your neighbor? How bad is the Olympian housing market?
Mt. Olympus has seen a soft reformation due to mounting criticism of new alter regulations. Zeus has been under pressure to reduce the amount of working gods who have free room and board at the newly erected high rise, Olympus II: electric boogaloo. Apollo got etched out by Dionysus because only one who can get a god drunk and Zeus likes to have at least 3 birthday celebrations a week for himself.
derailing posts AND greek mythology, waow. that's like 2 squares on the tumblr bingo card
On tumblr, you can say "don't stick a fork in that electric outlet in the wall, getting electrocuted that way is really bad for you", and people will reply with "but what if I use a knife? Is that dangerous too or am I allowed to do that?" And another one is like "op is lying it's actually 100% safe fun and cute uwu" because they live in a house with the electricity cut off. A third one goes "oh my god I had no idea I've been risking my life every single time I poke a fork at the wall. I just like the way the wallpaper feels when I puncture it. No wonder mom yells at me every time I do it! D:"
And then it explodes into an argument concerning whether or not getting electrocuted is inherently, ontologically bad for you or not, because someone shared their story of how getting electroconvulsive therapy cured their depression and saved their life, and therefore OP is wrong for implying that going out of your way to get electrocuted is always wrong and bad in every situation.
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What are Jax's true thoughts on Gangle? Like i know she likes to bully Gangle in particular but we see moments where it seems like she actually thinks that they're friends almost (like when she says "what? She likes it when i'm mean to her") and ofc the scene with her in Jax's mind
I think Jax takes his complex feelings on his mother out on Gangle, but tries to justify it to himself through delusions that it's not ACTUALLY abuse, even though it is. Most abusers don't ever think of themselves as abusers, and tend to make up a reality in which their abuse is either not that big a deal or it's somehow warranted.
And from Gangle's perspective, she was at a very vulnerable place when she joined, and Jax took control of their relationship. She formed a bit of a codependent bond with him even though it just mostly caused her pain. Losing a friend who frequently hurts you can fill you with complex feelings that are really hard to make sense out of.
girls when they're in love with a memory and not a person