a-zine

A Melbourne based online collective about a little bit of everything... https://www.a-zine.net/

[nyctaeus]

Photographer Dillon Marsh has photographed a number of mines in South Africa and digitally added computer-generated visualisation of the amount of copper extracted there

[a-zine]

back in week 1 I loved this image from Marsh and I really set the tone in my mind for the expansive nature of the subject and endless options for data art vis, now when I look at my final work it bears some resemblance - both geometric spheres depicting narrative about the environment in a surrealist way

[moviebarcode]

The complete Austin Powers (1997-2002)

[nyctaeus]

Solange Ferguson, “Metatronia (Metatron’s Cube)”, 2018

[maybethereissomething]

PETER BONDE, Mannequin 1 is back in town, 2016

[antiutopic]

Anish Kapoor

[aoca]

https://www.instagram.com/p/BujTjfNhLiN/

[y0ungd0ve]

gucci, embroidered tulle gloves.

[bruwho]

Cindy Crawford seen at @elvvyra

[huthor]

[photosbygy-deactivated20200605]

[tkkatherineblog]

Inst @barbarakristoffersen

[lizpurr]

Kelsey Brookes

[lizpurr]

Kelsey Brookes

[mojobecameinvisible]

Infinity Mirror Room by Yayoi Kasuma

[ferdionotebook]

Data is imperfect

Let’s just stop thinking data is perfect. Data is primarily human-made. “Data-driven” doesn’t mean “unmistakably true,” and it never did. That’s why working with data and communication data requires an even greater sense of responsibility. Treat data with respect and remember that it’s not perfect.

[moma]

Information designer and Dear Data co-author, Giorgia Lupi, talks with us about how anyone can use data visualization techniques to create radically intimate encounters with art and others. Read it here.

[Drawing from Dear Data. Courtesy the artist]

[finehoney]

when the sky is liquid gold