i can’t believe this is a real thing adam scott actually said tonight at the DGA Awards while presenting with rhea seehorn

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i can’t believe this is a real thing adam scott actually said tonight at the DGA Awards while presenting with rhea seehorn
Lovro listening to O Jednoj Mladosti in his room (or Nora’s room)
vickie is winning the most relatable character award by assuming right away that robin is on drugs and asking if the air of the ud is safe to breath. girly was not joking around and locked in the second shit got serious. bi woman excellence right there 🙏🙏
Sorry if I seem too obsessed with robin's dick joke, but that's been the most in character thing I've witnessed her do towards Steve this whole season. She WOULD say "That's what she said." whenever she could, and you can't convince me otherwise. And I do think Steve would usually find the joke hilarious. Unfortunately, the timing was a little off this time.
That's a best friend if I've ever seen one.
ok but robin actually needs to be with steve at all time bc tell me why does he regress back to being a little jealous bitch everytime she's not with him???
SPOILER LEAK STRANGER THINGS 5!!!
SPOILER LEAK STRANGER THINGS 5!!!! READ AT YOUR OWN RISKS!!
people saying they made robin dumb in s4 like she isn't the one who figured out they could save people from vecna with music. like, without her max would've been cooked IMMEDIATELY.
They love their blorbos too
so that was a fucking lie.
Big fan of media that makes you feel like this
Rovickie fans trying to figure out where she is in promo for this season
God this just reminded me how much I hate when people talk about this scene they only focus on how great of a friend Steve was for being so accepting and shit but ignoring how brave Robin was to not only politely reject Steve’s interest in her but also come out as a lesbian since she live in a small town in the 80s. This scene is about Robin but nah, let’s ignore that and praise the man instead.
Just needed to get that off my chest quickly lol
Actually, I’ll never get over the Absentee Father parallel between Cas and Dean. Because, at the end of the day, God is John and John is God. Season one is quite literally the search of the Father Figure that will make sense of the horror: they follow his guidance through a book (the Journal, or the Hunter Bible in a way), he is the voice on the phone that answers once every five months. An unreliable saviour that puts you in the first line of danger but that you are expected to follow faithfully, blindly. Dean, who never truly questions, is the Holy Son, the Righteous Man, the Micheal Sword, while Sam, who ran away, who disobeyed, is Lucifer’s Vessel, the Cursed One, the Boy with the Demon Blood. It makes it even more ironic that, between the two of them, Dean is the one that doesn’t think God is real, when Sam is the one that prays and believes in angels. Dean doesn’t need God, he already has his Dad. Dean, through his relationship with his Dad has become Jesus on the Cross that asks “Why hast thou forsaken me?” without any answers.
Castiel is exactly the same. Hunter or soldier, the difference is minimal, he is the Dean to God’s John. When we meet him he follows blindly the orders of a Father that has left the building a long time ago. God is also on a hunting trip, God also hasn’t been home in a few weeks. When Dean is left hanging on the phone, Cas prays into the void. While Dean searches for his Father all through season one, Cas goes on the same goosechase in season five, following useless clues, distressed and alone. And both times those father figures aren’t even gone. John is at a bar or in a shady motel filtering Dean’s calls and sending him and Sam on random hunts when he feels like it. God is a shitty writer with a laptop and a glass of whiskey, doing conventions and watching the world crumble in front of him. They’re both shit fathers who leave their sons break themselves on the wall they made up. And even when those fathers appear it’s to make them suffer a bit more: another hunt for Dean who spent his life saying he wants to stop, a new resurrection for Castiel who says himself “I see now it's a punishment resurrection, it gets worse every time”. Jesus on the Cross. “Why hast thou forsaken me”. Being brought back to life just to die all over again.
And what makes me even more crazy is how this parallel participates in the mundane/holy aesthetic and ideology of the show and connects Cas and Dean so deeply. Cas just wants his Dad, Dean just wants his God. It emphasizes the mundanity of Cas’ relationship to God, and the holiness of Dean's relationship to John. So when at the end of day you get this all-powerful Angel, soldier of Heaven, and this Hunter who drinks too much and smiles at pretty waitresses, of course, of course, they are the same, of course they’re just two sons with a father that doesn’t respond to their calls. So when Castiel is devastated by the absence of God in the neon lights of a motel, what can Dean say except “I’ve been there. I’m a big expert on dead-beat dads”. And so Castiel, the angel, the all-knowing creature from Heaven asks the man “How do you manage it?”, Dean can only leave a silence because you don’t, you don’t manage it, you just do what you can, but you’re still the son that was left behind. And for one of the first times in the show you see how alike they truly are.
do you have any posts about lesbians that were alive in the 1800s, I’m interested in that era and have been looking for some <3
Those actually labelled as Lesbian (I also have some bisexuals and *trans people from that era as well if interested):
I'm not counting anyone born after 1880 as they most likely didn't get well known in that era etc.
After 1800
Emma Stebbins - Born 1815
Charlotte Cushman - Born 1816
Rosalie Sully and Anne Hampton Brewster - born 1818
Matilda Hay - Born 1820
Rosa Bonheur - Born 1822
Adelaide Anne Procter - Born 1825
Emily Blackwell - Born 1826
Louisa Baring - Born 1827
Emily Dickinson and Harriet Hosmer - Born 1830
Felicita Vestvali and Amelia Edwards - Born 1831
Margaret Macpherson Grant - Born 1834
Octavia Hill - Born 1838
Emma Crow - Born 1839
Sophia Jex-Blake - Born 1840
Maria Louise Pool and Ella Wesner - Born 1841
Maria Konopnicka - 1842
Anna Yevreinova and Sarah Bernhardt - Born 1844
Annie Hindle - Born 1845
Rose Cleveland - Born 1846
Josie Mansfield - Born 1847
Edwina Kruse - Born 1848
Marie Fillunger - Born 1850
Eugenie Schumann - Born 1851
Sophie Elkan, Isa Asp and Louise Abbéma - Born 1853
Mary Garrett - Born 1854
Palmire Dumont - Born 1855
Louise Catherine Breslau, Anna Elizabeth Klumpke and Elisabeth Marbury - Born 1856
Ika Freudenberg, Lilian Welsh, Selma Lagerlöf, Eleonora Duse and Ethel Smyth - Born 1858
i'm not used to posting here but this is my last hope (dramatic yes).
So. i have the memory of someone asking Maggie for an explanation on why ronan got angry in the church at adam after he dreamt a version of himself dying (it's in blue lily, lily blue) and then Maggie made a full analysis of the scene that i can't remember exactly. i was sure i had it in my reblog but apparently no, and i can't find it anywhere, so if someone has it (screenshot or link) i would be forever grateful!
i love how all of dream thieves ronan is laboring with this second secret that he can't even admit to himself and it takes the whole book for him to be like "yeah i'm in love with adam" and then not even half way through BLLB adam is like "yeah i know ronans in love with me that's so embarrassing for him"
sometimes i’m normal but then sometimes i think about the endless religious symbolism and parallels in the raven cycle and i want to chew on glass. like something something cabeswater and eden. adam’s name, his being made ‘from dust’, his pursuit of knowledge beyond the circumstances of his birth. ronan being referred to as ‘the snake’: the one who always tempts adam into recklessness. ronan and declan and cain and abel (i wash my hands of him) (i am not my brother’s keeper). gansey’s resurrection, his third birth. ‘important things come in threes?’ ‘or sevens’. ronan and joseph kavinsky and joseph the prophet with their strange dreams that overlap into the real world. dreaming as a form of blasphemous creation. the three fox way women and the holy trinity. aurora lynch and the virgin mary and matthew lynch and the infant jesus - immaculate conception, pure souls without sin. absent yet overly mythologized fathers. i am going to throw up
taylor swift will literally do anything to have her songs in queer tv shows, like: killing eve, the wilds, dickinson and now heartstopper?? she's like TAKE THEM ALL.