Joy Harjo, Perhaps the World Ends Here
"I'm Dorothy Gale from Kansas"
Cosmic Funnies
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almost home

izzy's playlists!
trying on a metaphor

Love Begins
2025 on Tumblr: Trends That Defined the Year
Stranger Things
d e v o n

Kiana Khansmith
YOU ARE THE REASON
will byers stan first human second
icyghini twinkie
Claire Keane
One Nice Bug Per Day
Noah Kahan
we're not kids anymore.

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I'd rather be in outer space 🛸
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@abbeymp3
Joy Harjo, Perhaps the World Ends Here
Im doing a fundraiser for my 10,000 dollars electric bills/rent i just got my elec… Jermaine greaves needs your support for Help Cover Elect
Please support this go fund me for Jermaine, it's almost 70% of the way funded and he really needs the money
Reblogs>likes
your straight boyfriend is not FRUITY he is not a TWINK he is not GAY FOR THE STRAP he is a 25 year old heterosexual man named TYLER and his favorite hobby is playing MARVEL RIVALS
you literally just have to go outside.
i love listening to the same 6 artists over and over. #music #mymusic
when england lose, women bruise
and this isnt even an english phenomenon, it is worldwide
The connection between football and domestic violence isn’t uncommon. A study shows that police receive increased calls reporting domestic violence every Sunday during football season [iii]. Researchers analyzed over 700 cities and counties using data from the National Incident-Based Reporting System (NIBRS) of police reports, revealing that these spikes are linked to teams losing a game [iii]. In fact, domestic violence incidents rise by about 10% on days when NFL games are played, usually occurring in family homes and most of the time affecting women [iii]. This shows that the outcomes of football games can have a real impact on people’s lives off the field. It’s important for fans, teams, and communities to recognize these patterns and work together to raise awareness and prevent domestic violence from happening, especially during football season.
NFL games bring people from all over the United States together to show their love for the game, creating an atmosphere where diverse cultur
when i say the sports-industrial complex should be destroyed im not indulging in goofy hyperbole
i have somehow never seen The Architect And The Builder reposted to tumblr so i have to do that shit myself
THE BEAR 5.06
If we're gonna invite people in our home, we are gonna look like a fucking family.
often you will see things online where you just have to be like "what a strange thing to say" or "i don't think that's true :)" to yourself and try to move on or you will lose your mind
https://www.reuters.com/legal/litigation/muslim-man-stabbed-multiple-times-utah-over-his-religion-police-say-2026-07-15/
I had to do a little digging for this. The article leaves the victims name out but mentions a go fund me.
I was able to find an article mentioning his name that directly linked to his gofundme https://www.the-independent.com/news/world/americas/crime/larsen-sohail-muslim-utah-stabbing-b3015105.html his name is Sohail if you have any money to help his recovery
https://www.gofundme.com/f/support-sohails-recovery-after-hate-crime-attack please keep him in your thoughts and donate if you are able
Sohail is a devoted husband and father who has always worked hard to supp… Luna Nunez needs your support for Support Sohail’s Recovery After
Thank you! I am kinda pissed off that the news outlet leave out the gfm link but i guess that's their SOP over there
We're at the "JK Rowling is personally funding litigation to try and destroy AMNESTY INTERNATIONAL" stage of rabid UK terf brain.
Screenshot via Alejandra Caraballo @esqueer.net on bluesky
Tldr Amnesty International, global human rights organisation, published a report called 'A growing threat: the anti-rights movement in the UK'. In it is detailed, amongst others, a whole bunch of transphobic groups and organisations, including Beira's Place, JK Rowling's trans exclusionary sexual violence support service. JK Rowling threw a shit fit and got Amnesty to take the report down by threatening libel. This was obviously not enough, because you can't appease a fascist, so now she's going to bankroll a bunch of lawsuits anyway through the JK Rowling Women's Fund.*
You can read an archived version of the report here, please save it and share it.
*Not so friendly reminder there is no way to engage in the wizard books without enabling this shit.
moar film (expired gold + hp5)
The thing about American "leftist" comedians is that they aren't actually leftist, they are the Imperial Court Jesters. They stand on a stage, point directly at the blood-soaked gears of the war machine, make a little tee-hee noise, and the crowd erupts. Not because they are critiquing the machine, but because the laughter is a pressure release valve for the people inside it. Take the video of that stand-up asking the defense contractor if she helped Trump bomb those 160 Iranian school girls, and everyone laughing, including the contractor herself. That laughter is ritual absolution. The contractor laughs because she knows she will never face a tribunal. The audience laughs because they get to feel "self-aware" without having to actually stop anything. The joke doesn't condemn the contractor; it humanizes her, turns her into a lovable scamp who just happens to have a job graphing the velocity of shrapnel through children's bodies. By making it a punchline, the comedian sanitizes the atrocity. The blood is scrubbed off the stage. The audience gets to say "wow, we are so edgy for talking about it" while the person who builds the bombs gets to chuckle and order another drink. It is not satire, it is a team-building exercise for the empire.
Then there is the YouTuber talking about Transformers, casually dropping the "Iraq war aesthetic" like it's a color palette. Desert punk. Military core. A vibe. This is what happens when your country hasn't had a war on its own soil in living memory; the violence becomes media, a backdrop for childhood toys. The explosions are no longer the sound of mothers screaming; they are cool action sequences. They are digesting the visual debris of massacre as a nostalgic fashion choice, scraping the trauma off and compressing it into a genre for their retro-futurist fantasies. The apocalypse becomes a mood board.
And finally, the girl recounting celebrity love triangles from her childhood, flippantly mentioning how the U.S. was "busy with the Iraq war or whatever." Or whatever. That single phrase is the thesis statement of American innocence. Over a million dead, a region destabilized for a century, an endless river of grief; and for her, it was the commercial break between pop culture segments. It didn't raise her rent. It didn't stop her Wi-Fi. The violence is geo-locked to brown skin and distant deserts, just background noise like a refrigerator humming. She has the luxury of forgetting because the machine doesn't eat her children, it eats yours.
Americans don't hate the machine; they love the output. They hate the mess of it. So they turn it into jokes, into aesthetic, into "whatever." Because if they stopped laughing, if they stopped scrolling, if they actually looked at the 4K drone footage of the aftermath instead of the cool explosion CGI in their movies, they would have to realize that the lithium in their phones, the gas in their tanks, and the comfort of their suburban cul-de-sacs are all greased with the fat of foreign children. And they can't handle that. So they laugh. They turn it into a vibe. They call it "the Iraq war or whatever." You can't deconstruct the master's house with the master's jokes, especially when the punchline is the corpses holding up the floorboards.