is anyone feeling doomed this morning.... is there doom in the air rn....

roma★
Cosmic Funnies
RMH
trying on a metaphor

oozey mess
Not today Justin
cherry valley forever

Kiana Khansmith
art blog(derogatory)
$LAYYYTER

❣ Chile in a Photography ❣

titsay

Love Begins
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styofa doing anything

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noise dept.

Andulka
Misplaced Lens Cap
AnasAbdin

seen from Australia

seen from Japan

seen from Türkiye
seen from Pakistan
seen from Bulgaria
seen from Australia
seen from United Kingdom

seen from Germany

seen from Colombia
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@acheronist
is anyone feeling doomed this morning.... is there doom in the air rn....
The X-Files – 5.19: Folie à Deux
Left: Girdle corset by Worchester Corset Co., 1900.
Right: Corset, 1922.
From Augusta Auctions.
Ed Ruscha (American, b. 1937), Etc., 1990. Acrylic on museum board, 20 x 30 in.
knuckle tattoos that say PUPY DOGY
making stuff is one of the best parts of being alive
Time for Breakfast - Kate Jarvik Birch , 2024.
American , b. 1977 -
Goache on paper , 6 x 5 in.
okay dude whatever, you're just jealous of the ghostly apparition that follows me around like a foreboding warning
Phantom Thread 2017, dir. Paul Thomas Anderson
National Weather Service just said to watch for grave and ghostly apparitions of omen, misery and suspense between noon and 12:05 PM tomorrow
You guys are always like "being crushed by 10,000 tons of rock probably feels good as hell" or "being torn to pieces by hunting dogs would low key fix me" and I feel like those things would actually be unpleasant.
How about "Drinking an ice cold strawberry milkshake probably feels good as hell". Do you guys like that one.
Little boys. 💕 Postcard from my collection, unsent, 1902.
(Manet’s Bar at the Folies-Bergere (Getty Center Exhibitions)から)
[…] the conversation that many have assumed was transpiring between the barmaid and gentleman is revealed to be an optical trick—the man stands outside the painter’s field of vision, to the left, and looks away from the barmaid, rather than standing right in front of her. The barmaid’s frontality is also deceptive. Rather than standing parallel to the bar and looking straight ahead, she stands slightly askance, facing the offset viewpoint.
Most ironically, the reflected edge of the bar, which in an offset view would tilt more acutely to the right, is revealed to be a visual decoy, leading us to believe that the vanishing point lies directly behind the barmaid. Thus, the paintings most obvious perspectival clue turns out to be its most subversive perspectival violation.
Dr Malcom Park