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d e v o n
wallacepolsom
"I'm Dorothy Gale from Kansas"

izzy's playlists!

PR's Tumblrdome

Discoholic 🪩
trying on a metaphor

oozey mess

Product Placement
2025 on Tumblr: Trends That Defined the Year
Today's Document
cherry valley forever

Andulka
Three Goblin Art
Sade Olutola

if i look back, i am lost
tumblr dot com

Kiana Khansmith
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@acissejxd
So to those that might not get many asks or just dont know what pose they might want to do here is the Palette-Pose Maker!!
Palette: [x] Poses: a/b/c/d/e/f/g/h
And I think it goes without saying that if you get a number+letter that dont exist pick again!
PLEASE DO NOT REMOVE THE TOP PART OR THE CREDITS
that fuckin ridiculous
oh my GLOB!!!!!!!!
Hell yes
Oh lord, for the love of god don’t ask me to do any of these, I’m just reblogging for pose references.
I’m making Demon and Girl character sheets using this. Have fun fellow arteests
Was feeling myself today, excuse me-ow 😍
HAPPY NEW YEAR EVERYBODY
(Let’s celebrate with some fireworks shooting out of Connor’s crotch)
Is already new year, there?
Not yet, I’m just posting stuff for people in different time zones
he killed her
Person filming: “So I’m sitting there…barbecue sauce on my titties.”
Person in pink: [cracks up; rolls on the floor cackling]
it’s that time of the semester, may our favorite egghead bless us and make everything in our favor
Just in time for the holidays! The steven universe vinyl Pop! figures are now for sale on the Cartoon Network website (Link HERE) and look for them at your local HotTopic in the near future.
We got a chance earlier this week to sit down with these guys and we’re really thrilled with how they’ve come out! Special thanks to our Lead Character Designer Danny Hynes for helping to refine these designs to what you see here. Heads up, more merch is on its way!
It’s true! Please show your support for SU toys! Thank you so much in advance if you get a chance to grab these!
Squad Goals #Cosplay (X)
[ Follow SuperheroesInColor on facebook / instagram / twitter / tumblr ]
#getting anon hate like
Welp....I know what I'm doing on my days off. *(see last reblog)*
Webcomics w/ Black Leads
I was wondering how many webcomics there were out there with black protagonists (for my own reference). Then I figured plenty of other folks would love to see a list. So heeeeere we go! (Please reblog and add more!)
AGENTS OF THE REALM by Mildred Louis
NIBI by Gyimah Gariba
DEMON STREET by Aliza Layne
VIBE by Dan Ciurczak
BALDERDASH by Victoria Goog
STAR TRIP by Gisele Jobateh
SCHOOL SPIRIT (FRESH ROMANCE) by Kate Leth & Arielle Jovellanos
ALL OUR CUTS AND BRUISES by My Sjögren Blücher
STEVE’S STORY (KHAOS KOMICS) by Tab Kimpton
DEMON HUNTER KAIN by Burrell Gill Jr.
SAFE HAVENS by Bill Holbrook
THE SUBSTITUTES by Myisha Haynes
VALOROUS TALES by Dashawn Mahone
M.F.K. by Nilah Magruder
THE IMMORTAL NADIA GREENE by Jamal Campbell
PRINCESS LOVE PON by Shauna J. Grant
AS THE CROW FLIES by Melanie Gillman
SHADOWEYES by Sophie Campbell
CAN’T LOOK BACK by Sophie Campbell
STREETCROWS by Dieselhands
ORDER OF THE STICK by Rich Burlew
DOLLHOUSE by Ray Nadine
BASEMENT DWELLERS by Leland Goodman
SNAKES AND LADDERS by BriAnna Haley
ARCHIVAL QUALITY by Ivy and Steenz
NAMESAKE by Isabelle Melançon and Megan Lavey-Heaton
MAHOU JOSEI CHIMAKA by KaiJu
MISSING MONDAY by Elle Skinner
CRASH AND BURN by Finnaeus
OLYMPUS OVERDRIVE by Milky and JoJo
TODD ALLISON & THE PETUNIA VIOLET by Nozmo
GLOOMVERSE by L.O.P.
PRETTY HEART BOUQUET by E Hetrick Jackson
RANDOM BATTLES by J.D. Benefield
BAJO-MANO by Talula Bertram
FASCIST FRIENDS by Erin Lux
Mosscreek Divide by Jake Myler
GALAXYS FOR HIRE by Shawn DePasquale, Sherard Jackson, Whitney Cook
OUTGROUP by Maddie Chaffer
MONSTER LANDS by James Nelson
BOUNCE by Chuck Collins
SEVEN by Davis Ketterer
RUTH & ANNABEL RUIN EVERYTHING by Chelsea McAlarney
Deak Sledge by Mike Williams
DICEBOX by Jenn Manley Lee
ENDLING by Jonathan Larsen and Cecilia Latella
LOVE! LOVE! FIGHTING! by Sharean Morishita
RESCUE ME by Sharean Morishita
THE WYVERNS by Dragon Bros Media
GODSLAVE by Meaghan Carter
ERSTWHILE by Various Creators
ROCK AND RIOT by Chelsey Furedi
SCARFS by Mike Kirby
ANIMOSITY SONATA by Olivia Smith
KAMIKAZE by Alan Tupper, Carrie Tupper, Havana Nguyen
Reblogging again for the extended list!
OH MY GOD!!!
When the VMAS were something to look foward to!
VMAS 1999 : TLC - No Scrubs
Yes! Yes!
This was such a good song and video. I miss them.
This was poppin
got bored..random sketch
Beating Brush Lag in Manga Studio
Booooooooo… what is this, Photoshop?!
Lagging brushes are an occasional problem in any illustration software. Here’s a troubleshooting guide for Manga Studio if your tools are acting like molasses. (Some settings may be different on Windows or if you’re running the Clip Studio Paint branding of the software. For what it’s worth, I’m running Manga Studio 5.0.3 on Mac OS 10.7.5. Yup, I’m behind the times.)
There are a few options to beat the lag:
1. Quit Stuff Bye bye, YouTube. See ya, Skype. Later, Tumblr.
Save your computer’s processor by quitting RAM-hogging apps and tasks while painting. Streaming audio/video will drastically reduce performance, but even leaving browsers open can slow things down, so best to just close it up. Guess that rules out Spotify, but then there’s always ye olde Zune. Gotta love cringing through those high school playlists while working.
2. Change Preferences Easier than changing your mind, and quicker too.
Check under the hood of Manga Studio’s Preferences for a few speed boosts. Do the following in these sub menus:
Preferences/Tablet/Tablet Settings: Change from 1 to 6 (I believe this option is Mac only).
Preferences/Performance/Undo: Lower the Undo count. Try taking it down 10-15 notches from default. You could also turn up that long-titled setting (“Delay before recognizing new object…”) by 100 ms, but I haven’t figured out what that does exactly…
Preferences/Cursor/Display Position of Reversed Cursor: Make sure to check “No Delay”.
After changing preferences, it’s a good idea to close and reopen Manga Studio.
3. Modify Brush Tool Settings Your brushes may take it personally, but remember you’re in charge here.
The Tool Settings window is a wealth of options for customizing brushes. Some are more processor-intensive than others. Here are a few of the best ones to modify: (Note: the look and behavior of brushes may be affected. You may want to duplicate and/or export a brush before changing its settings.)
Tool Settings/Anti-Aliasing: Turn down to “Little” or “None”
Tool Settings/Brush Tip: Reduce the number of materials on your brush.
Tool Settings/Stroke/Space: Increase spacing, but not too much. Brushes are essentially a string of material stamps. A low space setting means a smoother brush, but more work for your computer. Picture it frantically scrubbing a rubber stamp across your canvas. On that note, also make sure Continuous Spraying is not on.
Tool Settings/Watercolor Border: If your brush uses this setting, turn on the “Process After Drag” option. This renders the effect after each brush stroke and saves computing power.
Tool Settings/Correction: Turn off (or decrease) Stabilization, Post Correction, and Brush Stroke.
Tool Settings/Starting and Ending: Turn off all this stuff. Pfffft, who needs it, right?
Here’s a speed test after fiddling with some settings:
Woooooooo! We’re getting faster! Still a bit laggy, which leads to one last tip:
4. Rework The Canvas Might as well rework my life goals too.
Okay, disclosure: The two gifs in this post were recorded on a 4500x3000 canvas at 300dpi with a size 500 brush to emphasize lag. This third one is recorded on a 1080x720 canvas at 72dpi with a size 100 brush:
Yes! We’re cruising now!
Canvas sizing and resolution has a big affect on brush performance. It’s a bit of a conundrum. Getting the best image quality means working at a minimum resolution of 300dpi, which can be taxing for brushes on large canvases. So what to do? Just like traditional paintings start with thumbnail sketches, digital work can start on a low-resolution canvas. Here’s the method:
Set up your canvas normally at the full target resolution. But before drawing anything on the canvas, use the handy tool under Edit/Change Image Resolution. Reduce Resolution to 72dpi. Use this smaller canvas for rough sketching, background filling, blocking in large areas of color, etc. Then increase resolution to 144dpi for building up the body of the painting, still keeping it loose. (I’d recommend switching Interpolate to Hard Outline when increasing resolution.) Finally, blow it up to full resolution and get into the nitty gritty of rendering. This is where you’ll do the crisp line work, highlights, details, etc.
The idea here is to work big to small. This will keep away brush lag by using large brushes on small canvases. As the canvas resolution increases, decrease brush size and work smaller, tightening things up in the process. NOTE: Increasing canvas resolution causes pixilation. Don’t worry about it. This can be cleaned up in the final stages of painting.
Hope this guide is helpful! If lagging persists, remember to check drivers and tablet settings as well. If all else fails, Google’s a good friend ;)
-Armin
anyone please ask your crush out like this
The thrilling answer
no they need to kiss out behind the school!!!!
oops my hand slipped
nexttttt pleaseee :D
Come on guys add on to this tumblr needs this to be a comic series
I was asked for doing this, so I did
BAM!
I’m out of ideas! XD
next?
THIS IS TOO CUTE I CAN’T LEAVE IT ALONE I’M SORRY
OHHHHHHHHHH MYYYYY GOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOODDDDD!!!!!!!
LOOOK ATT THIIIIS!!!!
LOOOOK ATTT THIIIISS!!!!
80
NEEEXT!!!!!
IT HAD TO BE DONE:
AAAAAAAAAAAAAAAAAAAAAAAAARRRGHHHHHHHH!!!!!!!!!!!!!!!!!!!
*O*
OH MY GOOD!!!!!
ThAT’S IT!!!!
#0o0#
so yeah
WORDS CANNOT EVEN DESCRIBE HOW MUCH I LOVE THIS
And all the people that collaborated on this!!!
Your linework is simply amazing- do you have any tricks or tips on how to improve someone's lines because I have a lot of trouble with it. Oh and your Portfolio-page seems to be down.
Thanks for the heads-up about the portfolio website! I’ll look into that.
Anyway, uh, lineart tips-n’-tricks:
1) Find a brush/tool that makes you comfortable. Inking digitally was miserable for me until I found Frenden’s Brushes.
2) Don’t treat your inks like you’re just tracing over your rough. I hear a lot of people complaining about how their roughs are so full of life, and then once they ink everything flattens/stiffens out, and this is why. Think of your inks like an entirely new drawing, with your rough as a scaffold behind it. Don’t be afraid to go beyond the scope of the rough. Remember: when you complete the final product, nobody’s seeing your rough. But they will be seeing your inks.
3) In both inking and color, the greater the contrast = the more the viewer’s eyes will be drawn to that area. Large spaces of black, thicker outlines, or areas clear of detail in an otherwise highly detailed area are a great way to get the viewer to look where you want.
4) Turn that canvas/paper!
5) If you’re using photoshop, and you can’t draw a circle, screw it – just use the damn circle tool. If it looks out of place compared to your other inks, erase and re-draw portions of it. Same with straight lines – use the damn line tool. Or if you’ve got a wicked curve, pop out that pen tool. Don’t hinder yourself because it’s cheating. Art is entirely constructed on lies, and when people look at your final product they’re really not going to care if you hand-drew that circle or used a tool.
6) When you get to color, remember that your lineart isn’t set in stone. Paint over it, erase portions of it, color it! Everything in your picture, including your lineart, is just blocks of color forming a lie. Use that to your advantage. Don’t think of your picture as just lineart -> shading -> color, look at it as a unified, final product. Or do challenge mode and straight up merge your lineart layer into all of your other layers (note: when I do this, I usually copy all the layers, then merge so in case I wanna undo I can).
7) YEARS WILL BE SAVED OFF OF YOUR LIFE IF YOU FIGURE OUT HOW TO SKIP THE PENCILING PHASE. I started teaching myself how to do this to get out comic pages faster, and holy shit. These were literally my steps with that Papyrus picture. There wasn’t any inbetween.
First step:
Second step:
It takes confidence and practice, but not having to go through a pencil phase basically cut down the time it took me to get to a more finished state in half. It’s SO relieving.
8) Personal preference: I hate inking in black. Black on white is literally the highest contrast between “colors” you can get, and after a while it makes my eyes hurt. I enjoyed working a lot more when I switched to browns/reds.
9) You don’t NEED to ink. It’s not a requirement. If you hate inking: don’t do it. Softer lines work great with color.
Anyway uhhh this got long, but those are all the tips I can think of for now!