Inconvenient Exit , Detail - Simon Bang , 2026.
Danish , b. 1960 -
Acrylic on canvas , 54 x 95 cm.
TVSTRANGERTHINGS
Misplaced Lens Cap
Cosmic Funnies

if i look back, i am lost

@theartofmadeline
i don't do bad sauce passes
RMH
Aqua Utopia|海の底で記憶を紡ぐ

ellievsbear
Claire Keane
$LAYYYTER

⁂

★
🪼

pixel skylines
YOU ARE THE REASON
almost home
No title available
Sweet Seals For You, Always
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seen from Germany

seen from Germany

seen from Sweden

seen from Hong Kong SAR China

seen from Italy

seen from United States
seen from Spain
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@acousticallycomposed
Inconvenient Exit , Detail - Simon Bang , 2026.
Danish , b. 1960 -
Acrylic on canvas , 54 x 95 cm.
the two headed calf smoking twice as many marlboro red core packs as usual
Siggraph '85
Vogue Taiwan January 2026 photographed by Manbo Key
E. M. Carroll, A Guest in the House (2023)
last night like 4am I still couldn’t sleep so I wrote a song while tired as death. will probably take this down tomorrow when better judgement sets in.
Home sweet home
Artefacts
The embrace that feels like home
Whale bone bird sculpture by Inuk artist Joseph Saimut
did some timber hearth celebration paints because midterms are over and im freeee 🥹 (for like, 1 week, but ill take what i can get).
now i can draw more :p
Lark and Bower / Sarah Ward - 2020
During lock down, without a loom or studio, she started stitching small woven patterns by hand, using leftover yarn and a lot patience. What began as a way to keep going became a way of working.
Now, even with her full studio back, she still creates these tiny, time-consuming pieces. They're not made to be worn or sold fast, they're made to be seen, to remind us that weaving is an art, not just something for clothes. She uses waste yarn, old stock, and plant fibers to avoid adding more to the pile of fast fashion.
via @arthunter.me and @larkandbower
Sun and Moon Window Details - Cesky Krumlov
4 on stage sketches
running thru my mind
prints • insta • twt
rhian teasdale (wet leg), coachella day 3
One more for #NationalPigDay 🐖:
Child’s Collar: Pig
China, 1st half 20th c.
Silk & cotton embroidery w/ appliqué
Photographed on display at The Textile Museum (DC) in 2023.
“Infant mortality was high in pre-modern China, so families dressed their children in clothing with propitious motifs thought to repel evil and attract good fortune. Since a child's head was thought to be a particularly vulnerable area of their body, hats and collars often featured auspicious imagery. An important food source and one of the twelve animals of the zodiac, pigs symbolize prosperity and good luck.”