Sadly, the Wuthering Heights furor has also led to people (many of whom, let us be real, simply dislike the book or otherwise only think of it when it's brought up) to discourse about the content of the novel versus the wrongness of Emerald Fennell's choices with regards to the movie, which of course, has opened up the classic "IT'S NOT A ROMANCE! IT'S NOT A LOVE STORY! BAD PEOPLE! HATE STORY!"
... Which is... also a bad take.
First off, to be very clear, "Romance" is not inherently "genre romance", which is the thing I blog a lot about that was solidified in the latter half of the twentieth century (and which, no doubt, was influenced on some level by WH as much as Jane Eyre, Austen novels and so on). Wuthering Heights is a romance, it's just not a genre romance/romance novel. And indisputably, Wuthering Heights is a love story.
It may not be a love story you like. It may not be a love story with a happily ever after (though I will say—this is one of the few books where I think it's pretty debatable, as "wandering the moors as ghosts", if that is what happened, is kind of... what Cathy and Heathcliff would've wanted... and their ultimate desire was to be TOGETHER, regardless of whether or not it damned them, so is it an HEA in their freaky minds? Maybe so lol). It may ALSO be an abuse story in which the lovers act horribly to each other.... though, I gotta say, MUCH WORSE to literally everyone else in their lives than they do to each other...
But it's a love story. That is one of several things it happens to be. The entire novel is driven by this central love story between Heathcliff and Cathy—a love that is, contrary to what a surface-level reading or reading by word of mouth would imply... very much mutual. I've already gone on about how Cathy Earnshaw is not Heathcliff's victim the way Isabella Linton is, and how Cathy is very much as involved in the love affair as he is. But truly, while their individual internal struggles are the framework and what keeps them apart in many ways—Heathcliff being a man of color and subject to racist abuse, Cathy conforming to society and classist pressures when her natural temperament is very much not of society—what propels the story is this romance.
Because they are supposed to be read as extremely similar, and as two people who do not truly identify with anyone but one another. They're supposed to be read as like minds. They're supposed to be read as thwarted. Some of the things those two say about each other and to each other are legitimately some of the most romantic lines I've ever read.
I mean, are they also kind of sick and wrong? Sure! But I do find it kind of rich to see people who are totally fine with reading dark romance wring their hands over the public at large interpreting Heathcliff and Cathy's relationship as an epic romance. I don't have an issue with anyone enjoying either! But. Let us be real. Part of why y'all are even enjoying work like that is the standard that books like WH set, and the fact that WH does speak to the lure of the dark and the tragedy of people who are super imperfect... and also super in love... continuously fucking up their own lives (and the lives of basically everyone around them) in this push-pull of denial and desire.
When people say "HOW COULD ANYONE EVER INTERPRET THIS AS ROMANTIC?" I just have to question... did you read the book? Because even if it's not for YOU, if it's not romantic TO YOU, surely you can see why other people (me and mine lol) read lines like these and go, "Wow, romantic":
“Catherine Earnshaw, may you not rest as long as I am living. You said I killed you--haunt me then. The murdered do haunt their murderers. I believe--I know that ghosts have wandered the earth. Be with me always--take any form--drive me mad. Only do not leave me in this abyss, where I cannot find you! Oh, God! It is unutterable! I cannot live without my life! I cannot live without my soul!”
(fun fact: I do have a part of the above quote tattooed on my body and I'm very happy about it)
"My great miseries in this world have been Heathcliff's miseries, and I watched and felt each from the beginning: my great thought in living is himself. If all else perished, and he remained, I should still continue to be; and if all else remained, and he were annihilated, the universe would turn to a mighty stranger: I should not seem a part of it."
"Hush, my darling! Hush, hush, Catherine! I'll stay. If he shot me so, I'd expire with a blessing on my lips."
[said when her damn husband is almost at the door lol]
"I’m not wishing you greater torment than I have, Heathcliff. I only wish us never to be parted: and should a word of mine distress you hereafter, think I feel the same distress underground, and for my own sake, forgive me!"
"'Heathcliff, dear! you should not be sullen now. Do come to me, Heathcliff.’
In her eagerness she rose and supported herself on the arm of the chair. At that earnest appeal he turned to her, looking absolutely desperate. His eyes, wide and wet, at last flashed fiercely on her; his breast heaved convulsively. An instant they held asunder, and then how they met I hardly saw, but Catherine made a spring, and he caught her, and they were locked in an embrace from which I thought my mistress would never be released alive..."
"Kiss me again; and don’t let me see your eyes! I forgive what you have done to me. I love my murderer—but yours! How can I?"
[Read: she is the murderer he is talking about. He's saying she doomed herself to death a long time ago, and he hates her for it. While also crying and kissing her lmao]
They're sickos! Nobody can argue otherwise. But that does not mean they're not in love, and it doesn't mean this isn't a love story, and wagging your fingers at people who read this as the obviously destructive love story this is and find it romantic... doesn't change that.
And the thing is that the book makes it pretttyyyy clear that even if Heathcliff and Cathy has assholery programed into their personalities, WITHOUT the contexts of how they were raised and the society that expects them both to conform to prescribed roles, they would probably just... be together. Like, they victimize people, especially Heathcliff. But they are also victims. The book isn't about a critique of two people Emily Bronte dreamed up; it's a critique of the CIRCUMSTANCES by way of Gothic, subversive melodrama. At the end of the day, their feelings, however passionate they are, are not inherently subversive. Their feelings are NATURAL. But they're twisted and contorted into something ugly through circumstance and the characters' responses to those circumstances.
For Heathcliff, A LOT of those circumstances that did twist him are in fact out of his control. Which is why we hate that casting, right?
But all that said, a love story being dirtybadwrong and about Bad People doesn't mean it isn't a love story, lol. Again—we don't even expect genre romance to be about good people.
Like. Yeah. We know Heathcliff and Cathy are assholes. You're not breaking new ground with that take. The book is still, in many ways, about those assholes being in love.
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