Patchouli's radiation

Don't tell me that I won't, I can Don't tell me that I'm not, I am Don't tell me that my master plan Ain't coming through, yeah Don't tell me that I won't, I will Don't tell me how to think, I feel Don't tell me 'cause I know what's real What I can do

[starrymar]

[zquadlocks]

[fridaencoyoacan]

[ohmanis]

[kyileyjenner]

$

[modelsoffthecatwalk]

[modaoperandi]

Marco Di Vincenzo SS17

[nwfcs]

Dilia Martins (A Models Amsterdam)

[noirisbeauty]

[pashionforfashion21allday]

[catigrun]

[nevver]

Hangin around

[pir-ado]

x nature blog x

[pir-ado]

x nature blog x

[urbanoutfitters]

Via uodallas 

[crfashionbook]

This month, the Locarno Film Festival will celebrate Jane Birkin

[artruby]

Felipe Meres.

[whitneymuseum]

Annette Lemieux’s Left Right Left Right consists of thirty photographs of raised fists—ten different images, each printed three times—nailed to wooden poles like poster placards. Some of the fists belong to famous political and cultural figures, including Martin Luther King Jr., Richard Nixon, and Jane Fonda. Others are anonymous: the fist of a sailor, a preacher, a concertgoer at Woodstock. Together they suggest the united front of a political demonstration whose cause remains unspecified. Taken out of context, the individual fists could be raised in celebration, anger, or solidarity.

Annette Lemieux (b. 1957), Left Right Left Right, 1995. Photo lithographs and pine poles, dimensions variable. Whitney Museum of American Art, New York; purchase with funds from the Print Committee 2001.176a–dd