75% of writing is convincing yourself that your story is worth it
It is. In case you were wondering. Your story is worth the effort you are putting into it. It’s an amazing thing because you are writing it.
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@adventurebeneaththewords
75% of writing is convincing yourself that your story is worth it
It is. In case you were wondering. Your story is worth the effort you are putting into it. It’s an amazing thing because you are writing it.
Please send in your questions about:
How to write a book
How to edit
How to self publish
And whatever else you may have questions about!
Also... if you personally don't know where to start when it comes to writing your book, DM me (if you feel comfortable). I want to help!
Fuck AI, you are more than capable of writing that book yourself and I want to help you get there!
YOU can write whatever you want whenever however forevrr. i have to write something perfect and earth shattering and i have to do it perfectly the first time or else
writing dialogue? easy.
describing where everyone’s standing during that dialogue and adding action tags? impossible.
Don't call me out like this.
You are a villain, but not by choice. Your goals are generally condemned as evil without ever even listening to your reasoning, so when the hero offered to talk with you before your big fight you eagerly accepted, much to the hero's surprise.
i hate how you get desensitized to the cool stuff in your WIP if you've been writing it for a long time so when you read back over it you're like "this isn't as cool as i thought :(" but it still is! you just read it too many times
Gotta recirculate this post periodically just cuz
Just don't read the post too many times.
Oh god oh fuck
Initiation Well Location: Sintra, Portugal
A pair of wells, called the Initiation Wells, spiral down deep within the earth, like inverted towers. The wells were never used to collect water. Instead, they were part of a mysterious initiation ritual within the Knights of Templar tradition.
There used to be a lot of activities that took place around a populated area like a village or town, which you would encounter before you reached the town itself. Most of those crafts have either been eliminated in the developed world or now take place out of view on private land, and so modern authors don't think of them when creating fantasy worlds or writing historical fiction. I think that sprinkling those in could both enrich the worlds you're writing in and, potentially, add useful plot devices.
For example, your travelers might know that they're near civilization when they start finding trees in the woods that have been tapped, for pitch or for sap. They might find a forester's trap line and trace it back to his hut to get medical care. Maybe they retrace the passage of a peasant and his pig out hunting for truffles. If they're coming along a coast, maybe your travelers come across the pools where sea water is dried down to salt, or the furnaces where bog iron ore is smelted.
Maybe they see a column of smoke and follow it to the house-sized kilns of a potter's yard where men work making bricks or roof tiles. From miles away they could smell the unmistakeable odor of pine sap being rendered down into pitch, and follow that to a village. Or they hear the flute playing of a shepherd boy whiling away the hours in the high pasture.
They could find the clearing where the charcoal burners recently broke down an earth kiln, and follow the hoof prints and drag marks of their horse and sledge as they hauled the charcoal back to civilization. Or follow the sound of metal on stone to a quarry or gravel pit. Maybe they know they're nearly to town when they come across a clay bank with signs of recent clay gathering.
Of course around every town and city there will be farms, more densely packed the closer you are. But don't just think of fields of grains or vegetables. Think of managed woodlands, like maybe trees coppiced-- cut and then regrown--to customize the shape or size of the branches. Cows being grazed in a communal green. Waiting as a huge flock of ducks is driven across the road. Orchards in bloom.
If they're approaching by road, there will be things best done out of town. The threshing floor where grain is beaten with flails or run through crushing wheels to separate the grain from its casing, and then winnowed, using the wind to carry away the chaff. Laundresses working in the river, their linens bleaching on the grass at the drying yard. The stench of the tanners, barred from town for stinking so badly. The rushing wheel-race and great creaking wheel of the flour mill.
If it's a larger town, there might be a livestock market outside the gates, with goats milling in woven willow pens or chickens in wooden cages. Or a line of horses for the wealthier buyer or your desperate travelers. There might be a red light district, escaping the regulations of the city proper, or plain old slums. More industrial yards, like the yards where fabric is dyed (these might also smell quite bad, like rotting plant material, or urine).
There are so many things that preindustrial people did and would find familiar that we just don't know about now. So much of life was lived out in the open for anyone to see. Make your world busy and loud and colorful!
You mentioned coppicing:
The coppice and pollard systems are one of my favorite pre-modern things, it's just so visually unique and sensible, but most people haven't heard about it.
When you coppice, you cut the tree close to the ground, so only the trunk is left, then the tree puts out fairly straight shoots that are great for firewood. They would typically have these trees harvested on rotation so new trees would be ready every year.
This is a coppiced tree:
When you pollard, you cut the tree to the trunk, but higher, and let the branches grow for longer. They'll be be nice and straight (depending on species) with fewer knots, and suitable to various crafts without much need to work the wood. Sadly seems to be etymologically unrelated to "pole", though the branches from these trees were used to make poles. Part of why you do this instead of coppicing is that the shoots are out of reach of animals.
This is a pollarded tree:
It's very likely that you'd see something like this as a sign of civilization as you came toward a town or village, depending on the species of tree that they have available, though note that this is something you do when you have a timeline of many years, rather than something you set up for the year after.
Since this topic came up while I was live, I decided to look into the NaNoWriMo controversy more thoroughly and fully explain why I stopped participating in NaNoWriMo.
https://www.theguardian.com/books/2025/apr/02/creative-writing-nanowrimo-to-close-after-20-years
Authors who self publish on Amazon, GO CHECK YOUR ROYALTIES FOR YOUR PHYSICAL/PRINTED BOOKS
Amazon notified me a while back that prices for paperback would be going up.
"So is everything else" I thought. "Not a big deal"
I also double-checked that I was still within the minimum listing price for Amazon. Yup! All good! (Trying not to charge my readers an arm and a leg for my books)
Well, I went to check today (admittedly, it's been a while since I've had a sale, but I saw that someone bought my full trilogy and I was excited!!)
Guess who went from making $3.50 a book to making only 6 cents?
Don't believe me? Have a look:
(Also please tell me why it costs $5 to print, I'm charging $10 a book, and I'm still somehow only getting 6 cents? Why is Amazon taking so damn much?)
I thought they would increase the cost of printing and adjust the overall cost on their end so I still made 30-50% royalties
NOPE.
So, in case you're dumb like me (and trusted Amazon), please go check your listings!
This has been a PSA
Great writing advice from a master. CHARACTER IS EVERYTHING
writing tip #3733:
"he was just feeling a lil spicy" is always good justification for your protagonist's behaviour
if it's good enough for you, then it deserves to be made. don't let anyone else decide if your story is worth it or not.
Preach I guess
OH I HAVE MISUNDERSTOOD
official linguistics post
This is definitely more of an opinion/vent, so don't take it as fact, but I just wanted to say:
If you're writing a show or book or movie, or something with multiple parts, where your audience is going to become invested in your characters over the course of YEARS, please don't end your story by taking away everything your characters have been working toward.
If you're writing a story where your characters whole goal in life is to survive and live, please don't kill them off in the end
If you're writing a story where your characters are trying to stop the villain from destroying the world for 5 seasons, please don't let the villain win in the end
If you're writing a story where your characters have had the same goal since the beginning and that goal hasn't changed the entire time, please don't change it or take it away last minute
I'm tired of everything ending on a "bitter sweet" or even just a "bitter" note in the end. If I'm going to be investing years of my life buying every book, watching every season, catching every movie, please don't rob me of a satisfying ending
I still think these types of endings can work well if: it's in a shorter-form of media, if it's not happening to a main character, or if you write your character developing to have a different want from what was initially proposed and they end up giving up what they originally wanted in order to achieve a new goal (over time, and not just at the very end, leave us bread crumbs)
That's my opinion. You're still free to end your story however you please, I'm just putting my thoughts out there to get them off my chest
Should I edit/update my books?
yes, why not?
maybe wait a bit longer
no/not sure
So, I self-published my first book in 2019, and I was really proud of the amount of work I put into it, but I also knew with my limited resources at the time that it wasn't as polished as it could have been.
I published book 2 in 2020 and book 3 in 2021.
As more time passes, I've begun to wonder if it would be a good idea to go back and edit these books! But I don't want to just do a proofread, I want to go in with fresh eyes and polish scenes, really give the original story the justice it deserves. I feel like if I were to go back, I'd like to give some scenes more details, maybe rewrite some things to better communicate my ideas, etc.
But I've also been wondering: is this a fair thing to do to the people who bought the original books? I'm not expecting anyone who bought the first ones to pay for another copy, but part of me feels weird releasing a "better version" or an "update".
Another question I have is do I pull the current version from Amazon/make it unavailable while I work on updating the books?
I could really use another opinion. What do you guys think as both writers and readers?
Thanks!
The tiny perfectionist in me, who would want the same thing, is screaming, "Yes! Do the thing!"
But she's a gremlin and frequently gets me into trouble for over-editing until it has lost all meaning.
So we're ignoring her.
Those books are written, loved, purchased, probably reviewed. They're done. You finished them. And they were your firsts...which, on the whole, people assume will not be as good as later work. Even when it's part of a series and you're improving as you go, it is expected that the first book or two will be rougher than the rest.
Going back and editing them now would be unnecessary work and stress for you, as well as (possibly) inconsiderate of those who already own them.
Now, if it is a completed trilogy, you could wait a few years (or more) and go back to edit and re-release them on an anniversary as special editions (maybe include some extra things, like a map if there isn't one, or as hardcovers with pretty dust jackets). Make it a celebration. But they're done, you did em, let them be what they are.
Honestly this is a pretty good response, thank you! I appreciate you taking the time to give me your thoughts!
I was honestly thinking about doing an anniversary edition at some point... so maybe I'll wait until the books are older and then give them a light proof-reading to get the little things I might have missed (spelling, etc).
But I do have thoughts about making a special hard cover edition, especially since that's something new that didn't exist on Amazon when I first self-published. And I really love the idea of adding maps or special drawings or something. I'm sure I could commission some of my artist friends for help with that!
Thank you again 🥰