Jens Lekman - Your Arms Around Me
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Jens Lekman - Your Arms Around Me
when will your faves be this iconic
Today, 11 Jewish people, my people, were shot dead by a man shouting âAll Jews must dieâ simply because they were jewish and celebrating the birth of a child on their day of rest
Anti-semitism is always happening. High school boys drawing swastikas because they think itâs funny. People dressing up as Hitler for halloween. People profiling such as making fun of curly hair and large noses.
And when our own get blatantly murdered, I only see jewish people talking about it.
The leader of our country blames the synagogue for being attacked by an armed gunman.
People try to turn this into an anti-gun argument.
This was a hate crime that resulted in the loss of 11 human lives. Please acknowledge this. Please let this have some impact. Do not let this be forgotten or slip by unnoticed. This was a horrible event that should not be discarded
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April 20, 2017
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Mr. Rogers had an intentional manner of speaking to children, which his writers called âFreddishâ. There were nine steps for translating into Freddish:Â
âState the idea you wish to express as clearly as possible, and in terms preschoolers can understand.â Example: It is dangerous to play in the street. ââââââ
âRephrase in a positive manner,â as in It is good to play where it is safe.
âRephrase the idea, bearing in mind that preschoolers cannot yet make subtle distinctions and need to be redirected to authorities they trust.â As in, âAsk your parents where it is safe to play.â
âRephrase your idea to eliminate all elements that could be considered prescriptive, directive, or instructive.â In the example, thatâd mean getting rid of âaskâ: Your parents will tell you where it is safe to play.
âRephrase any element that suggests certainty.â Thatâd be âwillâ: Your parents can tell you where it is safe to play.
âRephrase your idea to eliminate any element that may not apply to all children.â Not all children know their parents, so: Your favorite grown-ups can tell you where it is safe to play.
âAdd a simple motivational idea that gives preschoolers a reason to follow your advice.â Perhaps: Your favorite grown-ups can tell you where it is safe to play. It is good to listen to them.
âRephrase your new statement, repeating the first step.â âGoodâ represents a value judgment, so: Your favorite grown-ups can tell you where it is safe to play. It is important to try to listen to them.
âRephrase your idea a ïŹnal time, relating it to some phase of development a preschooler can understand.â Maybe: Your favorite grown-ups can tell you where it is safe to play. It is important to try to listen to them, and listening is an important part of growing.
Mr. Rogers Had a Simple Set of Rules for Talking to Children - The Atlantic
Rogers brought this level of care and attention not just to granular details and phrasings, but the bigger messages his show would send. Hedda Sharapan, one of the staff members at Fred Rogersâs production company, Family Communications, Inc., recalls Rogers once halted taping of a show when a cast member told the puppet Henrietta Pussycat not to cry; he interrupted shooting to make it clear that his show would never suggest to children that they not cry.
In working on the show, Rogers interacted extensively with academic researchers. Daniel R. Anderson, a psychologist formerly at the University of Massachusetts who worked as an advisor for the show, remembered a speaking trip to Germany at which some members of an academic audience raised questions about Rogersâs direct approach on television. They were concerned that it could lead to false expectations from children of personal support from a televised figure. Anderson was impressed with the depth of Rogersâs reaction, and with the fact that he went back to production carefully screening scripts for any hint of language that could confuse children in that way.
In fact, Freddish and Rogersâs philosophy of child development is actually derived from some of the leading 20th-century scholars of the subject. In the 1950s, Rogers, already well known for a previous childrenâs TV program, was pursuing a graduate degree at The Pittsburgh Theological Seminary when a teacher there recommended he also study under the child-development expert Margaret McFarland at the University of Pittsburgh. There he was exposed to the theories of legendary faculty, including McFarland, Benjamin Spock, Erik Erikson, and T. Berry Brazelton. Rogers learned the highest standards in this emerging academic field, and he applied them to his program for almost half a century.
This is one of the reasons Rogers was so particular about the writing on his show. âI spent hours talking with Fred and taking notes,â says Greenwald, âthen hours talking with Margaret McFarland before I went off and wrote the scripts. Then Fred made them better.â As simple as Mister Rogersâ Neighborhood looked and sounded, every detail in it was the product of a tremendously careful, academically-informed process.
âI know a lot of people but I donât fuck with a lotâ