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@agentsassydirewolf
Reblog if you're a fanfic writer and you wanna know what your followers' favorite story of yours is ❤
"officially decided the hottest frank langdon has ever looked To Me was 2x15 when he rips robby a new one" - rosie @treeinthepond, 2026
“Only queer people should tell queer stories!”
The assumption of normative heterosexuality this rule rests upon reinforces the very social forces that create the metaphorical “closet” in the first place.
The only reason you—a stranger—would know whether they’re queer is if they are broadly, publicly out. This “rule” you’ve created is, realistically, “Only OUT queer people should tell queer stories.” This rule will always force closeted queer people to out themselves.
This rule that only OUT queer people should tell queer stories would hamper new queer talent from emerging. “Outness” is an ongoing process; not everyone is Jonathan Bailey, so there will always be a new audience to “come out to.” To avoid speculation publicity, companies will choose bigger names with more established careers.
Holding this energy forces someone to out themselves despite the risk this poses to nascent careers. Or it forces someone to constantly reinscribe themselves in the dramas of heterosexuality, cissexism, and patriarchalism to avoid “speculation.” Your rule essentially forces someone to live within a panopticon to maintain any semblance of privacy. Or, again, it forces closeted queer people to out themselves.
This rule discourages straight people from expressing creative solidarity with queer stories and voices.
If only queer people can tell queer stories, you create a reality that pigeonholes queer people into certain niches. It keeps companies from seeing queer people outside queer stories, and queer people being seen as broadly capable people, not just queers, is essential for our career mobility.
You do not know these people, you are not entitled to personal details of their life; It’s none of your fucking business. Consider something new and radical: privacy.
The answer to a question of queerness may change over a person’s lifetime.
This sort of rule also discourages exploration of identity. If the story resonates with them, why not let them tell it?
The metric should always be whether the story is told faithfully and without prejudice; having a protected class behind a story is not guaranteed to ensure this (there are plenty of homophobic gay people, for example).
You are not asking about queerness in good faith.
.
Kermit the Frog would be an ideal assassin because if caught he would need to be tried by a jury of his peers (Muppets) and you would not be able to find a Muppet who does not have a pre-existing opinion on Kermit the fucking Frog. case thrown out. kermie can kill again. it's easy being green
It's not just to have a "do over" that doesn't involve the original cast, it's to cut them out of the royalties. Literally the entire point is to make sure all the money made by Harry Potter goes to transphobes or people willing to work with transphobes.
If you watch it, you are supporting bigotry, hate, and oppression. That's just objective reality. All for a story that you probably have already seen in movie and book form.
#the last point is especially true since the old cast receives royalties for anything with their likeness on it#meaning the original trio still gets money for every mug with their 14 year old faces on it#if they stop making those and replace them with the new cast which they will the old cast gets cut off completely#which is again exactly what rowling wants because she cannot stand those 'ungrateful brats' as she would likely put it#and as she has last say in anything that gets made in harry potter paraphernalia this might also explain the decrease in faces on products
via @discipleofkleio
I hate Rowling so much.
Likewise, the new all-star audio books featuring people like Keira Knightley, Riz Ahmed, Michelle Gomez, Simon Pegg, Nick Frost and more, only seem to have happened because Stephen Fry - who did all the original audio books - said he thought she radicalised and "was a lost cause" (x)
Oh my God people have book clubs reading books together and making commentary about the books all the time they do not put George RR Martin on the phone so he can hear their chats please please get over yourself
(Anon is responding to this post in which I talked about my complicated feelings about a discord book-clubbing a fic of mine without actually sharing any of their thoughts with me.)
Thank you, Anon, because this made me laugh and feels like an easy set up for rage bait, but in case you're serious:
I can actually understand why you might confuse me and George RR Martin -- we both have a writing pace longer than the average life cycle of the North American Cicada and it is dubious whether we will ever actually finish our series, but!
There is one notable difference between me and George: he is getting paid for his labor and I am not. There is no reason or incentive for me to post my work for others to read except for the joy of sharing it with a community and having that community share their joy with me (assuming they have any joy about my work, which you are absolutely correct in pointing out that I am not entitled to).
We may be violently agreeing with each other: no one is forcing me to post my work publicly. I don't have to do that. Likewise, no is forcing anyone to read my work or to comment on it. They don't have to do that.
However! The point is not that I am insatiably greedy for comments -- I have comments on my fic and I am so incredibly grateful for each and every one of them and for every person who took the time to engage with me!
But if the consumption of fic continues to be so divorced from the fic writers and their labor, then writers will stop posting their work for others to read because readers aren't commenting or showing they're engaged with the work, and then...we don't have fanfiction. Are you picking up what I'm putting down here?
Do you want ants no more fandom? Because this how you get ants no more fandom.
Hey, fandom pals, Genie is correct and the anon is a dipshit. Fandom runs on community, which includes communication. Fic writers, fandom artists, meta theorists are creating things out of excitement and love of (some aspect of) the original work - all of those stories, drawings, illustrations, canon analyses, etc. are shared FOR INTERACTION. When that fades, so does the fandom, and all the transformative works.
There’s no rule that anyone reading fic MUST send feedback to the fic writer. (I’m actually on record that negative feedback is not appropriate in fandom spaces unless expressly welcomed by the creator.) But fannish writers and artists aren’t sharing their work for money; our “payment” is in the form of likes, bookmarks, shares, comments, or recs. So if you like stuff and would like to continue to see new art and read new stories, be part of the community and share your reactions when you can.
Superman desperately scanning the street during a fight to find the most morally acceptable car to throw at his opponent, knowing that not everybody has insurance, and loss of transportation can ruin a life -
A wave of incredible relief washes over him as he spots the hard geometric lines and silver paintless sheen of a Cybertruck.
Listening to a podcast
"Let's take a word from our sponsor."
*Skip ahead a minute* "You can-"
*Skip ahead a minute* "Use code-"
*Skip ahead a minute* "300,000-"
*Skip ahead a minute* "300,000-"
*Skip ahead a minute* "T-shirts-"
*Skip ahead a minute* "Motherfuck-"
*Go back 15 seconds*
Oh we're all feeling this one aren't we?
Monster Is A Relative Term
Chapter One: Hurricane
A/N: So I have a well-documented thing for vampires—actually to bastardize a Nic Cage witticism, I’m a vampire super-freak—so when I saw vampire as one of the prompts…here ya go. And it would also qualify for living in New Orleans and family shenanigans too, because, well…you’ll see. ;-)
This is a no-mutants AU, so abilities are all magic and/or creature-based. Preemptive apologies if I butcher the French and/or German languages, I relied upon Google.
Rating: Teen (some salty language that I’ll keep under the read-more just to be safe).
——
“He who fights with monsters should take care lest he thereby become a monster. And if you gaze for long into an abyss, the abyss gazes also into you.”
—Friedrich Nietzsche
——
Remy LeBeau slouched low in a corner booth of Hell’s Belles, a hole in the wall nightclub on the outskirts of the French Quarter. His sunglasses were still firmly on despite sunset being hours ago, going for a hungover tourist vibe as he nursed a tumbler of bourbon, not suspicious or worse, creepy. But he was—suspicious, not creepy. The sunglasses were a necessity on the best of days—his eyes were best suited to low light, and had an unfortunate tendency to freak out the uninitiated—but tonight his needs were two-fold: inconspicuousness and to keep the woman he’d followed from knowing he watched her. She didn’t give any indication she’d made him, but this was the third night in a row he’d tailed her from the big, old house in the Garden District to various locales around New Orleans.
He’d be getting bored of the rather tame routine—bookstores, clubs, home, lather, rinse, repeat—if the view weren’t so good. Tonight she wore a silky emerald green tank top and black cutoff shorts so tight they looked painted on her pale, toned curves, with black fishnets and worn cowboy boots to complete the southern goth look. Her wild auburn hair fell in loose curls down her back, that distinctive shock of white framing either side of her face. And what a face it was: pale like the rest of her with a dusting of freckles across the bridge of her nose and cheeks that gave her an air of innocence, but that was immediately belied by those mischievous green eyes heavily lined in kohl and the grin curling her full lips. Everything about her drew him in, and that was the point, wasn’t it?
Remy gripped his glass tighter as he took another sip, gaze tracking her steps from the bar to the dance floor as the band started up a new song, and slow, sultry guitar strains filled the room. She apparently favored live music and crowds, weaving her way through the throng of bodies easily. Her eyes dropped shut as she lifted her arms above her head, her entire body moving in time with the music, a bluesy cover of The Band of Heathens’ “Hurricane.”
She swayed in place, seemingly oblivious to all the attention on her as she danced. He dropped his gaze when those green eyes opened, flashing in his direction. When he glanced back up, she’d turned and started dancing with another woman, the two of them an arresting tangle of wandering hands and curves. He gave up the pretense of not openly watching her now—as it seemed like the entire room was equally transfixed, and it would be more conspicuous for him not to be—her head tipping back on her shoulders as her dance partner trailed her hands along her pale neck. This time their eyes met and held before she returned her attention to the other woman, leaning in to nuzzle her ear, lips moving to her neck. The music crescendoed, nearly drowning out the thudding of his own heartbeat in his ears.
High black water, a devil's daughter
She's hard, she's cold and she's mean
But nobody taught her, it takes a lot of water
To wash away New Orleans
Remy froze, even his heart seeming to stop a moment as he stared, hand clenching hard around the tumbler as it vibrated against his palm with a telltale whine, but she merely kissed the other woman’s pulse and stepped away with a wink as the song came to a close. She turned and applauded the band along with the other patrons, her dance partner looking a bit disappointed as his quarry returned to the bar alone.
He threw back the rest of his bourbon to cover the relief washing over him as he rose from the booth, watching her collect her long coat from the bar. She slid it on over her shoulders and flipped up the hood despite the night being clear and too hot for the garment—although he supposed he couldn’t talk what with his ubiquitous trench coat. Remy slipped his hands casually into his pockets and waited until she’d exited the bar and nearly turned the corner to follow, keeping his strides slow, quiet, and in the shadows as she started the familiar trek back to the Garden District. She never looked back or changed her pace, the clomp of her cowboy boots on the sidewalk the only sound until she rounded a corner shadowed by a large tree and a gust of wind sent the leaves rustling. He followed only to find an empty street yawning before him, frowning as he strained his eyes and ears for any sign of where she’d gone. His hand tightened around the blade stashed in his right pocket, muscles bunching in anticipation.
The tree branches shifting and creaking overhead was all the warning Remy got that he wasn’t the proverbial cat anymore, but the mouse.
——
Amber Heard had her career and life ruined so much she moved to europe and changed her name. Blake lively's career is virtually over. Kevin spacey is getting standing ovations at cannes. Ezra miller is being cast in projects again. Woody allen is still alive.
idc about two rich white blonde women having careers or not like there are literally more important things going on
Those two rich white blonde women have had their careers destroyed by armies of lawyers, paparazzi, entertainment news anchors, and influencers, and their “crimes” of being around when a man decides to be abusive and sexually harassing have turned a whole nation against all women as a whole. Johnny Depp’s career is now being bankrolled by a Saudi prince. That is not a coincidence.
There is a perfect line connecting Taylor Swift’s public AI twitter gang-bang to female students getting ai porn made of them by their male classmates (who face no consequences) and then those male classmates turning 18 and voting for male strongman politicians.
You might not be able to see their cases as a symptom of a wider culture that is becoming more violent against women, but we can.
also like im sorry but this "i dont care because they're blonde white women" is ridiculous can people think?? even if your empathy is so small that you refuse to give it to all victims of abuse and sexual harassment under the guise of some individualistic bullshit that frankly won't help anyone but whatever... if they're treating skinny rich blonde white women, the top of the pyramid in terms of privilege for women, THIS badly and they've made it THIS easy for them to be ostracized, mocked, villainized, and harassed by everyone, if they've made it THIS easy for them to be the face of evil just because they didn't just sit down and remained quiet when they were abused and mistreated, do you think it's going to be flowers and rainbows to women of color? are you stupid? do you think ignoring what's happening to them just because they're privileged is going to help women of color in any way? those two skinny rich blonde white women, with all the privilege in the world, are still being treated like they're the source of all problems in the world, what do you think is going to happen to women without all that privilege if they speak up?
do you not think there's a connection between how amber and blake are being treated to the way women like meg the stallion, halle bailey, fka twigs, etc get treated? what about non-famous women whose abuse gets dismissed, blamed on them, laughed at, thanks to the way women like amber and blake are being treated is being normalized? what about all the men who are seeing the rhetoric being used against those two mega famous rich skinny blonde white women and then turn around and use it against their victims who are not famous, who are not rich, who do not have the money or the resources or the emotional or psychological strength to fight their abusers back? who are about to lose everything, not only their careers but probably their friends and families too, maybe even the roof they live under, because men learned how to further abuse their victims by following a book that was established by amber and blake's abusers and publicized for all the world to see and learn and repeat? but whatever man, they're just two blonde women, there are more important things going on. surely.
#I’ll worship like a dog
Cannot believe he fucked a couch and killed a pope
Some vintage ROMY
do you know where "no beta we die like x" comes from and how it is used?
The term "beta" in this context is short for "beta reader" - a person who reads a fic while it's still in the editing stage and helps the writer get it ready to post. Some betas check grammar. Some check canon compliance. Some are sensitivity readers. There are lots of things that betas can do.
So functionally, saying "no beta" means that the writer didn't get this checked by a second person before they posted it. It's a warning that there might be errors or typos etc. It's mostly used when an author has written something quickly and is posting without doing a lot of (or any) edits first.
As for where it comes from? It all started with a bumper sticker.
This image was an internet meme at one point, and it got meme'd on in the form of "no ___ we ___ like men"
Here on tumblr, one of the versions that got really popular was from now-deleted user @grec1a who created this version:
From there, it migrated to AO3 as the "no beta we die like men" tag, and very often the word men is replaced by the name of a character who dies in canon.
I did not know this, but it makes so much sense, and it's SO good to learn fanfiction history.
Is THAT where "No [X], we die like men" comes from?????
SEBASTIAN STAN as James "Bucky" Barnes THE FALCON AND THE WINTER SOLDIER | 2021
@sergeantbarnessdoll
Old man Bucky is my favorite Bucky
happy valentines day to them and them only 💚🩷