Imaginary Roundtree & Yorke briefs photoshoot outtakes.

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Imaginary Roundtree & Yorke briefs photoshoot outtakes.
Sudden Onset MPB
Tom had spent eleven minutes on his hair that morning, which was ten minutes more than usual, because he had a date that night with a woman named Priya from the dog park who had complimented his part exactly once, six weeks ago, and he had been thinking about it ever since. He'd gone with the side part instead of the usual brush-back. He'd used the good pomade, the one that cost too much and smelled like cedar. He'd checked it in the elevator mirror on the way down and thought, not bad, Tom. Not bad at all.
None of that mattered by 10:47 that morning, when a scheduling coordinator two departments away typed the wrong four-digit code into the wrong field, and Tom — who had shown up for what his intake letter called a "routine dermatological assessment" — was redirected instead to Room C, where a very calm technician named Kyle asked him to please step into the unit and remove his shirt.
"This is for the mole thing, right?" Tom asked, already halfway out of his tie.
"Says here full-body protocol," Kyle said, not looking up from the tablet. "Won't take long."
It would, in fact, take an extremely long time, in the sense that Tom would be thinking about the next eleven minutes for the rest of his life.
Tom hadn't really registered how little he was wearing until Kyle asked him to step out of his trousers, too — not just the shirt and tie, apparently, everything except his socks and his dress shoes, which Kyle waved off with a "those can stay" like it was a kindness — and by the time he'd folded them onto the growing pile on the bench (badly; the pile did not look folded, it looked abandoned), he was standing in the middle of a room full of fully dressed professionals wearing nothing but his white briefs, his dark socks, and his black dress shoes, which somehow made it worse, not better. There is a specific kind of undignified that comes from keeping your shoes on with no pants. It says I meant to wear pants, and also, somehow, I got dressed for the office this morning and this is as far as we got.
Nobody in the room seemed to notice. That was almost the worst part. The older doctor at the monitor didn't look up. Kyle continued speaking in the same even, procedural tone he'd use to explain a parking validation, glancing at Tom's near-naked body with all the interest of someone checking a delivery manifest. To them, evidently, this was Tuesday. To Tom, this was the single most exposed he had felt in a professional setting in his adult life, and he was standing there, sock-clad and open-mouthed, waiting for someone to acknowledge that this was strange, that this deserved at least a flicker of embarrassment on someone's face besides his own.
Nobody gave him one. And Tom — who had a lunch meeting after this, who did not want to be the guy who caused a scene over a paperwork mixup, who kept thinking it's fine, it's fine, they do this all day — just stood there and let it happen, because making a fuss felt like it would take longer than just getting through it.
"Alright, step on in," Kyle said, gesturing at the tall steel unit like he was holding a door for someone at a restaurant.
Tom stepped in. His heels clicked on the metal floor. Kyle knelt and did something at his ankles — a click, then a second click — and Tom looked down to find his feet fastened to two low points on the enclosure wall, just enough give to stand normally but no more.
"Hang on, what's that for?"
"Just keeps you from shifting around mid-scan," Kyle said, already standing and reaching for Tom's wrists. "Totally routine. People move more than they think they do — throws off the imaging."
"You didn't mention that on the form," Tom said, watching his own wrist disappear into a padded cuff at roughly waist height.
"It's on the form," Kyle said, the way you'd correct someone about a typo. "Page four."
Tom had not read page four. Tom had signed page four the way everyone signs page four, and now here he was, tied at four points to a steel box, being told this was all extremely normal by a man who had not once made eye contact with him since the shirt came off. Somewhere in there it also occurred to him, with a fresh little jolt of horror separate from all the others, that he was standing on full display in the middle of a working medical office in plain tighty whities he'd grabbed from the drawer without thinking that morning, cuffed at four points so there was no shifting his weight to hide anything, no crossing his legs, no casual hand-in-front. Just Tom, entirely visible, in the underwear he owned nine of and had never once expected an audience for.
He didn't even see the technician move for the glasses. One second they were on his face and the next Kyle had reached in through the open front of the unit and lifted them off, almost as an afterthought, the way you'd grab a stray Post-it off someone's desk on your way out of a meeting.
"Oh — almost forgot," Kyle said, already turning away with them, not really looking at Tom at all. "Need these out of the way. Can't have anything metal near the Unit."
"Wait—" Tom's hands came up instinctively, the automatic reach of a man about to catch his own glasses — and stopped dead at his sides, the cuffs holding him back. He hadn't fully understood what the restraints meant until that exact moment. Not inconvenient. Not routine. He genuinely could not stop this from happening to him. He could not even reach up and rub his eyes.
The room went soft and formless around the edges the second the glasses came off — he'd worn them since college, he didn't do anything without them, showering barely counted — and for one absurd second the loss of his glasses felt bigger than the loss of his pants had. At least he'd expected the pants.
"You'll be fine," Kyle said, already walking away with them. "Two minutes, tops."
Tom blinked hard, like that might bring the room back into focus, and said nothing, because there was nothing left to say that anyone in that room seemed remotely interested in hearing. It was fine. It was probably fine. He told himself it was fine right up until the machine turned on.
The first pass took the crown. Tom felt it before he understood it — a cool, precise pressure, like someone tracing a line with the flat of a spoon, and then, underneath that, a thin buzzing hum against his scalp that made him flinch — and by the time he'd craned his neck up to see what in God's name was hovering over him, there was already a bare strip running front to back where ten minutes of careful pomade work had been. Somewhere above him a second attachment kicked on with a sudden, ugly roar — a vacuum nozzle, mounted just behind the shaving head, sucking every clipped strand away almost before it hit the air, like his hair was debris, spill, something that needed to be cleared off a work surface rather than the exact hair Priya had complimented six weeks ago.
"What the fuck!" Tom yelped.
"Hey — hey, hold on—" That was Kyle now, and something in his voice had changed, gone up half an octave, no longer procedural at all. He was jabbing at the tablet with two fingers, fast, the kind of fast that meant he was hitting the same button over and over hoping it would take effect on the third or fourth try instead of the first. "It's not — hang on, it's not responding—"
The older doctor had abandoned his monitor entirely and was now at a second panel on the wall, flipping something, then flipping it back, then flipping it again like the problem might resolve itself out of sheer repetition. "Kill the power, kill the—"
"I'm trying, the breaker's not—"
"I don't think this is the mole thing!" Tom said, to no one, since no one was currently in a position to agree or disagree with him.
The arm did not care whether it was the mole thing. It went back and forth with the calm, unhurried confidence of a machine that had never once been told it was doing anything wrong, and Tom watched clumps of his own reddish-brown hair — the hair that had been his pride and joy, that he had specifically engineered forty minutes ago — drift down past his face and land somewhere he couldn't see. It didn't hurt, exactly. It was more of a persistent, ugly discomfort, the buzz of the clippers vibrating straight down into his skull, and Tom grimaced with every pass, jaw tight, waiting for it to actually hurt and having that expectation confirmed only partially, which was somehow its own kind of awful. He tried to duck. The cuffs held. He tried reasoning with Kyle, then with the doctor, who was now on a phone with someone, saying the word "override" in a tone that suggested the person on the other end did not know what an override was either, and finally Tom just watched, open-mouthed, as the last strip of hair on top of his head disappeared and the machine — with what Tom would later describe, in a deposition, as "a little hum, like it was pleased with itself" — switched modes.
Nobody had mentioned the second mode. The second mode was not a shave. It came with a new sensation entirely, a fine, prickling sting spreading across his bare scalp, dozens of tiny points of heat blooming and fading in sequence, uncomfortable in a way that made him hiss through his teeth but that never quite crossed over into pain — and it was permanent.
By the time the cuffs released, Tom's head was smooth from hairline to crown, with a fringe of hair remaining stubbornly intact around the sides and back, and it was staying that way. Forever. His hands went straight to his own scalp — free now, finally free — and what he felt there, the bare dome up top and the strip of hair still clinging on around the sides and back like it had missed the memo, was somehow worse than either sensation alone.
"I'm fucking bald!" Tom said, loud enough that the doctor actually flinched. He had one hand pressed flat to the smooth crown and the other clawing at the fringe above his ear, like he could confirm by touch that this was really happening. "You made me into an old man! Look at this — look at me!" He didn't have his glasses, couldn't fully see himself, but he didn't need to; he could feel the shape of it perfectly well, could feel exactly what kind of man was now standing where he used to stand. "This is what old guys look like! This is an old man haircut, this is — I'm thirty-four!"
Tom became painfully aware of the way he must look in that moment. Making angry protests in nothing but his white briefs, nylon dress socks and his favorite pair of black dress shoes he'd had polished at that little shoe place this morning on the way to the office because he had wanted to look extra nice for Priya.
Nobody answered him right away, which somehow made it worse.
The doctor, clearly at a loss for words, stammered something about "targeted follicular ablation" and trailed off, Tom just stared at him, hand pressed flat against the top of his own skull, feeling for hair that a piece of medical equipment had decided, on its own initiative, he no longer required.
"I had a date tonight," he said, to nobody in particular, as he angrily pulled his clothes back on, not bothering to fully button the shirt or tie the tie. He was not going to the office today. Tom had a few calls to make.
He canceled the date. He canceled several other things that week too, but the meetings that replaced them were almost all with lawyers, and to the hospital's very sincere credit, they moved fast — faster than Tom had known hospitals could move — because nobody involved wanted this story anywhere near a local news segment. Within nine days there was a settlement, an amount with enough zeroes in it that Tom's own lawyer had said the number twice just to make sure Tom had heard him right, and a clause, gently worded, acknowledging that this sum would "reasonably accommodate restorative procedures, should the client elect to pursue them."
Tom did not elect to pursue them.
There was a stretch, somewhere in the shock of the first few weeks, when he'd seriously considered just shaving the whole thing — the fringe, all of it, down to skin, clean and deliberate instead of accidental. It seemed like the more dignified option: own the bald spot by removing the ambiguity entirely. He could have done that himself at home any time. But something stopped him. He obviously never went back to Ray, who had cut his hair for eleven years and who Tom could not, under any circumstances, imagine sitting in front of trying to explain what happened.
One day, Tom was walking around two neighborhoods over and saw an unfamiliar barber shop window, the kind of place with exposed brick and a vinyl record spinning and a guy behind the chair with just the right tattoos and, Tom noted with chagrin, a full head of well-pomaded hair. Like Tom used to have. But something in the guy's slight smile as he glanced at Tom through the window felt inviting. So Tom walked in.
"Just shave off the sides, I guess," Tom had said, gesturing vaguely at the fringe, bracing for pity.
The guy — Dov, according to the name stitched on his apron — had tilted Tom's head this way and that with real professional interest, the way you'd examine a car you were thinking about buying. "Nah, man, keep this," he'd said. "This is a whole look. My roommate would kill for this."
"It's not really a choice," Tom had said, meaning it more literally than Dov could possibly have known.
Dov had waved that off with the clippers, not unkindly. "Hey, man, MPB comes for everybody eventually. My uncle started going at like twenty-six. It's genetics, there's nothing you did wrong." He'd said it with the easy confidence of someone repeating a fact he'd absorbed from somewhere and never had reason to question, and for one hot second Tom had wanted to grab him by the collar and explain, in detail, exactly how untrue that was — that this wasn't genetics, this was a machine and a clerical error and eleven minutes he hadn't consented to, that there was nothing natural or gradual or earned about it, that a robot arm had done in one sitting what was supposed to take a decade of quietly making peace with it.
He didn't say any of that. He sat there instead, jaw tight for a second, and then — for reasons he couldn't fully account for, then or later — he just let the anger go. Let Dov believe the ordinary version. Let it be genetics, uncles, twenty-six-year-olds, the whole unremarkable machinery of getting older that happened to millions of guys with no lawsuits and no settlements attached. It was easier. It was, weirdly, kind of a relief, being filed under normal instead of incident report.
"Yeah," Tom had said instead, exhaling. "Guess it just runs in the family."
"Doesn't matter how it happened," Dov had said, already reaching for the clippers to tidy the edges rather than remove them. "It reads intentional. That's the whole game."
Tom thought about that the entire walk home — it reads intentional — turning it over like a coin he wasn't sure was real.
He told himself, at first, that this not going for a hair transplant consultation was still just indecision — he hadn't gotten around to booking it because life got busy. Then, about four months in, he caught his own reflection in the elevator — the same elevator, same mirror — on his way to meet someone new, someone who had messaged him first, unprompted, and he stood there for a second looking at himself: the bare crown, the fringe at the sides, the jaw he'd never really noticed before because there'd always been a haircut competing for attention above it.
Not bad, Tom thought. Not bad at all.
He saved most of the settlement money and never again considered trying to get his old hair back. He noticed, over time, a certain look people gave him — a half-second flicker of surprise, and then something else, something more interested — and he decided, privately, that he liked that look considerably more than the one Priya used to give his part.
Great job. Got any with nude men?
Thank you! I'm not really turned on by nudity and the good AI tools won't render nudity anyeway.
Five Blocks Home
This is a continuation of Officer Dan's story, a few months later. Something about doing that run while stripped to his underwear wasn't humiliating, it was freeing. He's slowly becoming aware of things he'd been ignoring in his life. Amber texted from her sister's around eight: miss you, don't wait up, love you. Dan sent back a heart and put his phone face-down on the counter, the way he always did, like the conversation was a door he was closing gently.
He stood in the bathroom a minute before getting dressed, just in his skin, running a hand over his stomach the way men do when they're alone and no one's counting it against them. He liked what he saw well enough. Thirty-six and still built like he used to be, mostly — a little softer at the edges than the version of himself from the track, but not a stranger.
He pulled on his briefs, then his undershirt and jeans, then stood at the sink combing his hair the way he had every night for twelve years, and caught his own eyes in the mirror a beat longer than he meant to.
There was a version of getting dressed that used to be about gearing up — the uniform, the belt, the badge, all of it armor for a version of himself the job needed him to be. This wasn't that. This was just a Tuesday, just a man putting on a plain white shirt to go sit at a bar he'd sat at a hundred times. And yet something about his own reflection asked him a question he didn't have an answer for, and he looked away from it the way he'd learned to look away from most things, and finished getting ready.
Finally, the flannel over his undershirt, because the nights had started turning cool. He grabbed his keys off the little table by the door, took one look back at the house — dark, empty, waiting — and let himself out.
The bar was the same as always — same neon, same guys, same particular Tuesday quiet. Jake was there, a couple beers in, laughing at something Dan didn't catch the start of. A few people at the bar had clocked Dan when he walked in — but Dan didn't catch that either. He'd known Jake long enough that conversation didn't need much of a reason.
It was warm inside, warmer than the night outside had let on, and by the second game of pool Dan had had enough of the flannel. He shrugged out of it between shots, and rather than walk it over to the hooks by the door, just balled it up and tossed it to Jake without looking — the kind of easy, unthinking gesture you only make with someone you've never had to be careful around.
Jake caught it out of reflex, and instead of just dropping it on the stool beside him, hung it carefully over the back — smoothed a sleeve, even, without really thinking about why. Dan went back to the table in just his undershirt, chalking his cue, oblivious to the fact that he'd just handed a piece of his clothing to a man who would spend the rest of the night a little more aware of where it was than he had any reason to be.
By the third round Jake was pleasantly overserved, not sloppy, just soft around the consonants. Dan hadn't touched anything stronger than a Coke — he never did anymore, not since the academy, not with the truck in the lot — and it gave him the small, familiar clarity of being the only sober person in a room full of buzzed men.
"C'mon," Dan said. "I'll run you home. Watch the second half at my place first, though — no point going home to an empty house too."
Jake didn't argue. They didn't talk much in the truck, just the radio low, the dark fields going by. It wasn't an uncomfortable silence. Dan had known a lot of silences in his life — the kind that meant something was wrong, and the kind that just meant two people didn't need to fill the air. This was the second kind. Mostly.
At the house they settled into the couch the way men do — a little too much space between them at first, then not quite as much. The game was on. Neither of them was really watching it. Dan had a beer bottle of his own on the table, three sips in, mostly a prop.
At some point his arm ended up along the back of the cushions. He didn't remember deciding to put it there. It just happened, the way his hand had found the back of a hundred other couches in a hundred other rooms, except this time it was close enough that if Jake leaned back the wrong way, he'd feel it.
Jake didn't lean back the wrong way. He also didn't move away.
Dan looked at the side of his friend's face — the stupid game flickering blue across it, the little laugh lines by his eyes, a face he'd known for years without ever really looking at it — and thought, unexpectedly, of himself in the mirror a few hours earlier. Some old feeling had surfaced there, unbidden, something he hadn't given a name to in fifteen years. He'd been someone else once, a long time ago, before he'd folded himself into a uniform and a house and a life that fit fine, mostly, the way a shoe fits fine even when it's a half size off.
He didn't know what any of it meant. He wasn't going to figure it out tonight, on his own couch, with a beer he wasn't drinking and a friend who probably didn't notice his arm was there at all.
Jake sobered up slow, the way tipsy people do — not a switch flipping, just gradually becoming more himself again. Around eleven he stretched, said something about needing to be up early, thanked Dan for the ride and the beer and the game he hadn't watched.
They walked to the front door together. It was only five blocks for Jake — Jake didn't need a ride the rest of the way, just needed his legs back under him.
At the door, Dan didn't say any of it. Didn't say I don't know what that was on the couch or I think something happened to me a few weeks ago that I can't explain or I've been married twelve years and I've never once asked myself this question and I don't know why not.
He just bumped Jake's fist, easy, the way he'd done a thousand times before.
"Get home safe," Dan said.
"Always do," Jake said, and smiled that soft, private smile, the one that didn't quite match the loud one from the bar, and let himself out into the dark.
Dan stood in the doorway a second too long after the door clicked shut. Then he went and turned off the TV, rinsed out his beer bottle, and got ready for bed the way he always did — undershirt, briefs, the necklace set carefully on the nightstand. Amber's side of the bed cold and waiting.
He didn't have an answer. He wasn't sure yet that he had a question. But something in him, small and quiet, had started keeping a different kind of silence than the one he was used to — the kind he'd caught a glimpse of in the mirror before he'd even left the house, and hadn't been ready to look at straight on.
I really liked my story and images a few months ago about Ben losing a bet. So here's a video to accompany it.
Five Minutes on the Clock
Every officer in the department had heard about it before they ever stood in the locker room themselves — the five-year run. Nobody wrote it down anywhere. It wasn't in the handbook, wasn't sanctioned by anybody above a sergeant, and if you asked the watch commander about it directly he'd tell you he had no idea what you were talking about, eyes crinkling like he absolutely did. It was just something that happened, the way certain things happen in departments that have been around long enough to grow their own private folklore. Five years in, on a morning close enough to your anniversary date that nobody was counting too carefully, you ran a mile around the track at the high school two blocks from the station. In your skivvies.
Officer Daniel Metz had heard about it from a training officer named Grohl who'd done his own five years earlier, told the story like a man describing a baptism — reverent, a little embarrassed, entirely unwilling to let anyone talk him out of the fondness in his voice. "You'll feel like an idiot for the first thirty seconds," Grohl had said, "and then you won't." Dan had filed it away the way you file away most department mythology, expecting it to matter less than it apparently did.
Now it was his morning.
He came down off shift a little before six, the sky doing that trick it does in late summer where it can't decide between lavender and steel, and three of the guys were already parked at the bleacher rail like men waiting for a parade. Novak had brought coffee he wasn't sharing. Ruiz was recording something on his phone that he swore, unconvincingly, was not going to end up anywhere. The third — Petrosky, gray at the temples, twenty-two years on and still showing up for these — just watched with the calm of a man who'd been exactly where Dan was standing and had lived to tell it.
"You know the rule," Petrosky said. "Cap and belt go first. Then everything else, at your own pace. Nobody's rushing you."
There was no rule, not really — nothing that would survive being said out loud in a briefing room — but there was a shape to it, worn smooth by however many men had gone before him, and Dan found himself following it without needing to be told twice. The cap came off and went down on the bench like a small ceremony. The duty belt followed, heavier than he remembered it being, a solid clunk against the aluminum. He caught himself smiling at nothing in particular, which was probably the first sign that Grohl had been right.
The shirt was next, and here was the part nobody quite explained beforehand — how strange it was to feel your own arms out from under all that starch and structure, like you'd been wearing a second, stiffer version of your own body for so long you forgot it wasn't attached. He folded nothing. He'd been warned about the folding — a guy two years back had tried to keep everything squared away and gotten razzed mercilessly for treating a hazing ritual like a dry-cleaning drop-off — so the shirt went down in a loose, undignified heap, and it felt better than it had any right to.
Trousers next. He caught Ruiz's phone camera drift toward him and gave it the same look he'd give a rookie caught doing paperwork wrong, more amused than annoyed, and Ruiz had the decency to look at his shoes for a second. The belt buckle came loose. He worked them down over his hips with the specific, unbothered patience of a man who had made his peace with being looked at, which — five years into this job, five years of traffic stops and domestic calls and courtroom testimony under fluorescent light — he mostly had.
Socks stayed. Shoes came off to get the trousers clear, then went right back on, because whatever the tradition's founding fathers had decided about dignity, they'd apparently drawn a hard line at running a mile in stocking feet. He sat to lace them back up, and something about the motion — elbows on knees, head down, hands working through a task they'd done ten thousand times — loosened something else in his chest that had nothing to do with the uniform at all.
He'd almost had a scholarship, once. Not almost in the vague way people say almost about things that were never really going to happen — an actual letter, an actual coach, a real conversation about a real four-year track program that would have taken him somewhere with a real budget and real facilities and, presumably, a real shot at something. He'd been fast. Genuinely, unglamorously fast, the kind of fast that shows up on a stopwatch and doesn't care how it looks. And then his father's knee had gone out on him at the warehouse the same spring, and there had been a serious conversation at the kitchen table about what the next year was actually going to look like for the family, and Dan — nineteen, and old enough to do the math himself before anyone made him do it — had let the letter sit in a drawer until the deadline passed on its own. He'd taken the associate's degree instead, then the academy, then the badge, and none of it had ever once felt like the wrong call. He believed that. He still believed it, tying his shoe on a bleacher bench with three grown men waiting to heckle him for a hundred yards.
But there was a particular ghost that only ever showed up for a few seconds at a time, usually when he wasn't looking for it — the specific memory of what his own legs used to feel like turning over at full speed, back when that was the only job he had. He hadn't run like that in years. Not really run. Jogged, sure, for the department fitness test, at a pace calculated to clear the bar and nothing more.
He stood up. Cap and shirt and trousers sat in a loose gray pile that looked, from a distance, like a man had simply evaporated out of his own uniform. Novak whistled, low and appreciative in the specific way of a man who knows he'll be standing here himself in a couple years. Ruiz's phone was definitely still recording.
Dan walked out onto the track in his tank top and his ridiculous striped boxer shorts and his dress shoes, feeling the cool press of the rubberized surface under thin leather soles, and did the same stretch he'd done before every meet in high school without deciding to — quad pull, opposite arm out, weight steady. His body remembered before his brain caught up to why.
Then he ran.
Nobody had told him it would feel like this. Grohl hadn't mentioned it, hadn't found the words for it, probably, in the same way it's hard to describe a smell to somebody who hasn't smelled it. It wasn't fast — dress shoes and a full stomach and five years of a desk-adjacent job had seen to that — but it didn't need to be fast. Something came loose in his chest around the second turn, something that had been screwed down tight since he was nineteen years old, and by the back straight he was laughing, actually laughing, the kind that comes up from somewhere involuntary and doesn't leave room for self-consciousness because there's no spare processing power left over to be self-conscious with. The three of them at the railing had gone quiet, in the way men go quiet when a joke stops being funny and starts being something else, something they recognize.
He didn't think about the scholarship, not exactly. He thought about the specific, physical fact of his own legs doing a thing they used to know how to do, a fact that had been sitting dormant in his body for two decades waiting for him to ask it a question. He didn't regret the decision at nineteen. He never had. But there was a version of that spring where the letter got mailed back instead of left in the drawer, and that version of himself was here too, somehow, running alongside him for a hundred yards of red rubberized track before the sun cleared the stands and burned the whole idea away.
He crossed his own invisible finish line breathing hard, grinning at nothing, mustache damp with sweat, and Petrosky was already holding his cap out like a benediction.
"There it is," Petrosky said. "Nobody ever wants to do it. Nobody ever wants it to stop."
Dan took the cap and didn't say anything, because there wasn't really anything to say that wouldn't undersell it, and pulled his shirt back on right there over the sweat, because some traditions end exactly where they should — a man getting dressed again in the same order he came apart, badge and belt and all, five years further into a life he'd chosen without ever quite closing the door on the one he hadn't.
REVISED STORY: Mike is being blackmailed by an anonymous voice that's ordered him to strip off his expensive suit, bag it, and throw it out a flophouse window into a passing garbage truck. New in this version: Mike played four years of college basketball — and twenty-year-old muscle memory just made the perfect shot of his life, in nothing but his tighty whities. Then the voice mentioned his old jersey number. Full story here.
UPDATE: I really like how my bizarre story turned out, so here's an expanded version with even more humiliating imagery of Mike being blackmailed into stripping off his fancy suit and tossing it into a dumpster in the alley below.
REVISED STORY: Mike Sullivan stood before the full-length mirror in his high-end suite, adjusting the knot of his maroon striped tie. His blue suit sat perfectly on his shoulders. Today was the day he was meant to close a massive, career-defining deal. He felt invincible, right up until the moment a thick manila envelope slid beneath his door with a quiet, sinister scrape.
He picked it up, expecting a last-minute contract revision. Instead, he pulled out a stack of glossy photographs and printed emails. His stomach dropped. It was ruinous. Decimating. Everything he had built—his marriage, his career, his reputation—was detailed in the pages, ready to be burned to the ground. Taped to the back of the final photo was a heavy brass key and a single typed sentence: The Elmwood Hotel, ten blocks south. Room 301. You have 30 minutes.
Mike abandoned his briefcase and ran. He bolted out of his luxury hotel, bursting through the revolving glass doors and hitting the unforgiving concrete. Panic fueled him as he sprinted down the busy sidewalks, dodging pedestrians, his polished brown oxford shoes slapping loudly against the pavement. Sweat began to slick his forehead, dampening his crisp collar, his breath coming in ragged gasps by the time the faded, flickering neon sign of the dingy fleabag hotel came into view.
He vaulted up the dimly lit stairs, desperately searching the numbers along the dreary corridor. When he finally found Room 301 and jammed the key into the lock, he practically fell into a space completely unlike his own suite. It was dingy, lined with peeling floral wallpaper and dominated by a cheap, sagging four-poster wood bed. A black plastic garbage bag sat waiting on the nightstand.
Before he could even catch his breath, a small, battered speaker mounted high on the wall crackled to life with a loud burst of static.
"Welcome, Mike," a mechanically distorted voice echoed from above. "Don't bother trying to talk back. This speaker is strictly one-way. We can see your every move through the lens we planted, but there's no microphone in that room. You just listen, and you comply. Now, you have exactly two minutes and 30 seconds. Take off everything. Strip down to your size 32 white briefs and size medium undershirt - yep, we watched you getting dressed this morning. Bet no one at the office knows you're a tighty whities boy. Suit, shirt, tie, belt, socks, shoes. Your glasses. Your watch. Your wallet. Your keys. Even your wedding ring. Put it all in the bag and throw it out the window into the dumpster below. A garbage truck is turning the alley corner in…well, it’s two minutes and 5 seconds now. If you miss that truck, the deal is off, and the info we have goes to your wife and the board. Go."
Panic, hot and suffocating, seized his chest. The horrific realization that they had been watching him in the privacy of his own hotel room—that unseen eyes had been tracking his every mundane move all morning, and god knows how long before—sent a sickening jolt of nausea straight through his nervous system. Mike fumbled blindly with his cuffs, popping a button off his shirt in his frantic haste. He yanked off the jacket and shirt, revealing his white ribbed tank top. He quickly kicked off his polished oxford shoes and stripped off his dark dress socks, his bare feet hitting the cold, sticky linoleum.
Then, he ripped his leather belt loose and unzipped his trousers. As the heavy wool slid down his legs and pooled at his ankles, a profound, burning embarrassment flushed his skin. Stepping out of the trousers, he was left standing in nothing but his snug white briefs and undershirt. The skimpy garments barely covered his body. Instead of clothing him, the stark white cotton seemed to merely frame and expose him, clinging to his form and leaving him feeling entirely bare, ridiculous, and deeply vulnerable under the unseen, mocking gaze of his tormentors. He desperately stuffed the expensive fabric and his shoes into the cheap plastic bag. He threw his watch, wallet, and keys in without a second thought. He hesitated for a fraction of a second at his gold wedding ring, a sickening wave of guilt washing over him, before he pulled it over his knuckle and tossed it into the dark plastic void. His glasses went next, instantly blurring the sharp edges of the room.
He hauled the heavy bag to the window, the cold glass biting against his bare skin as he forced the sash up. Down in the alley, the heavy, hydraulic whine of a garbage truck bounced off the brick walls — and it was moving, already rolling past the dumpster, the window of opportunity collapsing by the second.
Something older than panic took over. Mike had played four years of college basketball, and his body remembered what his terrified mind could not have managed: the automatic read of a moving target (even with blurred vision from his missing glasses), the weight shifting to the balls of his feet, elbow in, wrist loose. He rose onto his bare toes in the freezing draft of the open window and let the bag go with a smooth, practiced follow-through, fingers trailing after it the way they had ten thousand times in an echoing gym. The black bag sailed out over the alley in a clean, unhurried arc — his entire life, his suit, his wedding ring, his wallet, spinning once against the gray sky — and dropped dead-center into the open top of the truck as it rolled beneath. Nothing but net.
For one absurd half-second, the old satisfaction flickered through him — the pure, muscle-deep rightness of a shot that leaves the hand already made.
Then it curdled. He had taken ten thousand of those shots in a uniform, in front of crowds, with his name announced over a loudspeaker —
— and never once, not in a single game, a single practice, a single empty-gym morning, dressed like this. The thought arrived with photographic cruelty: Mike Sullivan, in his undershirt and snug tighty whities, executing a perfect turnaround release out a flophouse window for an audience of no one. Or — the cold sweat broke across his back and chest all at once — an audience of exactly one lens, planted somewhere behind him, recording what was surely the most flawless and most degrading shot of his life.
Panting, Mike leaned his forehead against the cold, peeling window frame for a fleeting moment of exhausted relief. But as his blurry vision cleared, his gaze drifted downward. There, sitting hunched against the brick wall of the opposite building amidst a pile of cardboard boxes, was a scruffy, bearded homeless man. The man wasn't moving, his eyes fixed on the dumpster, and then, slowly, he raised his head, staring directly up at Mike in the window. He had been there the whole time. He must have seen everything—the frantic undressing, the expensive suit bundled into a trash bag, and the final, desperate toss. "Beautiful arc, Mike. The follow-through, the rotation — number 14 still has the touch." A pause, static hissing softly. "Although I don't recall the uniform being quite so minimal back then."
Mike went rigid at the window. Number 14. His number. Two decades gone — a roster line in a yellowing athletic department file, a number nobody had spoken aloud to him in twenty years, not his wife, not his colleagues, a number from a version of himself that predated everything he now stood to lose. The bug in the hotel room was days old, maybe weeks. This was something else. This was a file with his whole life in it, and the voice was reading from the early chapters just to show him it could.
A jagged shock of visibility ripped through Mike. The anonymous scrutiny of the disembodied voice was terrifying, but the silent, curious stare from this real person was deeply humiliating. Mike recoiled from the window, pressing his back against the dingy wallpaper, hidden once more. Panic flared anew. If this man saw him, who else might have?
Mike turned back to the room, his chest heaving, standing in nothing but his undershirt and white briefs. He felt entirely stripped of his dignity, his armor gone, his vision swimming slightly without his prescription lenses.
The wall speaker crackled again. "Lie down on the bed. Face up. And wait."
Mike swallowed hard, his throat dry. He climbed onto the sagging mattress, resting his head on the flat, lumpy pillow. He stared blindly up at the cracked plaster ceiling. The sheer absurdity and terror of the situation caught up with him, and he brought a trembling hand up to rub his sweating forehead.
"I said hands flat by your sides, Mike," the voice snapped immediately from the speaker above.
Mike froze, his blood running ice cold. It was a brutal, jarring reminder of his utter helplessness; they were watching him right now, scrutinizing his every flinch, just as they had watched him pull on his underwear that morning. He was completely trapped in their twisted game. His eyes darted around the blurry room, desperately searching the smoke detector, the lamp, the corners of the ceiling, but he couldn't spot the hidden lens. He slowly lowered his arms, pressing his palms flat against the scratchy, synthetic bedspread.
The humiliation washed over him in suffocating, relentless waves. Just twenty minutes ago, he was a respected man, commanding and authoritative. Now, he was a hostage in his own skin, shivering and out of breath in a poorly heated room, his entire life reduced to the sadistic whims of an anonymous watcher. His mind raced with a terrifying mix of fury and absolute powerlessness. Every second that ticked by felt like a physical weight, the dead silence of the room amplifying his racing heartbeat as he lay there, completely exposed, waiting for the axe to fall.
CLASSIC FIT
or, The Reasonable Positions of Timothy R. Halvorsen, Esq.
Tim was a tax attorney, and a good one, which meant he was in the business of defensible positions. He took them for a living. So when three separate colleagues, a dental hygienist, and one unusually forthright man at the gym told him he should "really try modeling," Tim did what he did with any novel opportunity: he researched it, weighed the authorities, and concluded there was a reasonable basis to proceed.
The agency was legitimate. The contract was clean — he'd redlined it himself, twice. The rate was, frankly, excellent for a Saturday. The booking sheet said J.C. Penney — Menswear — Catalog/Circular, and Tim, construing the document according to its plain language, understood this to mean he would be photographed in menswear. Slacks, presumably. A blazer if things went well.
The photographer was a calm, gray-haired professional named Walt who had, by his own estimate, photographed eleven thousand men. Walt explained the day's shot list the way opposing counsel explains a settlement: quickly, warmly, and with terms of art designed to discourage follow-up questions. There was a corkboard of Polaroids behind him. Tim did not examine it closely. A failure of due diligence, he would later concede — though the damage wouldn't come due for several weeks.
"Foundation garments," Walt said. "The classic program. You've got exactly the build for it."
Tim heard foundation and thought, reasonably, of things that go under other things. Undershirts under dress shirts. The supporting documentation, not the public filing.
The dressing room clarified the operative definitions somewhat. His khakis were on the bench, and his shoes and socks under it. His flannel was on the hook. His watch, glasses, and remaining interpretive confidence were on the little table. What remained on Tim was a single pair of white cotton briefs, classic fit, and the expression of a man rereading a statute in the hope that it had changed since the first reading.
It had not changed.
But — and this was the controlling assumption, the one on which the entire position rested — Tim advised himself that this was catalog work. Page 340-something. A grid of small gray men in small gray rectangles, somewhere between the tube socks and the thermal sets. Nobody looks at page 340. No reasonable person has ever looked at page 340. He posed. Walt said he was a natural. Tim drove home, deposited the check, and noted it for April under other income, which was, strictly speaking, correct.
Several weeks passed. Tim forgot the matter the way you forget anything properly documented and closed.
Then it was a Sunday in June.
Tim had a system for Sundays, as he had a system for everything: coffee, toast, and the paper disassembled into its correct reading order. News. Business. Sports. And, set aside without ceremony, the advertising inserts, which he reviewed the way he reviewed boilerplate — dutifully, and without expectation of surprise.
He unfolded the color insert.
He stopped.
The man on the front page of the J.C. Penney Father's Day insert was standing against a bright blue background in white cotton briefs, classic fit, sizes S–XL, three for $12.99. The man had Tim's hair. The man had Tim's watch tan. The man was, on close inspection — and Tim inspected nothing any other way — Tim, in his entirety.
The headline said MAKE DAD'S DAY COMFORTABLE!
Tim was not a dad. Tim was not, at present, comfortable. Tim was full-color, above the fold, eleven inches tall, and in general circulation. Distribution: every driveway in the metropolitan area. He thought of his colleagues. He thought of the dental hygienist. He thought of Gladwell down the hall, who read the circulars religiously and clipped coupons with a dedicated pair of scissors.
He set down his coffee with the composure of a man who has just located the adverse clause.
There was, he reflected, nothing actionable here. He had reviewed the release himself. Twice. The grant of rights was broad, the term perpetual, the media "now known or hereafter devised" — language he had personally deemed standard. The photography was professional. The briefs were, he had to concede, of genuine quality; the copy said cotton comfort, classic fit, and both representations were accurate. Every individual provision was enforceable. It was only the aggregate effect that was unthinkable.
Tim finished his toast. He read the fine print twice, as a courtesy to himself. Then he folded the insert carefully — not concealing it, merely retaining it for his records — and made a note to acquire the remaining copies from the machine outside the pharmacy before nine o'clock, when the Hendersons walked their dog.
He estimated it would take eleven dollars in quarters. He deemed this a settlement cost, and reasonable.
(Regular price $15.99. Special Father's Day pack, this weekend only.)
An imagined early 90s JC Penney Stafford briefs photoshoot.
The Worst Sales Pitch Ever
UPDATED: I worked on the facial expressions and action, and added a scene showing his confrontation with the orderlies. This is one of my favorites - it was a lot of fun getting the facial expressions and movements to work.
Steve was having a great Tuesday. The suit was crisp, the mustache was impeccably styled, and his rolling suitcase was packed with enough shiny medical brochures to guarantee a massive commission. He strode into the hospital lobby with the confidence of a man who was about to close a major deal.
Fast forward twenty minutes, and that confidence had completely evaporated.
Due to a spectacular clerical error at the front desk, Steve's "vendor pass" was somehow swapped with a "mandatory staff physical" intake form. Which was how he found himself surrounded by a squad of incredibly stern, no-nonsense orderlies staring him down at a reception desk.
"In the bin, sir," the head orderly instructed, pointing to a plastic tub.
Steve placed his perfectly tailored jacket, his tie, and his dress shirt into the tub. He looked down at the pile for a moment — his glasses, his watch, the tie he'd knotted so carefully in his Hampton Inn room just an hour ago, all of it now sitting in a plastic tub like evidence at a crime scene. He hadn't expected it to feel like anything, watching a stranger's hands stuff his own clothes into a bin, but there it was — a small, deflating pang, somewhere between embarrassment and grief. He reached out and touched the edge of the tie, not really sure why, then let his hand drop.
He paused, gesturing to his pants, hoping for a shred of mercy. "Seriously? Even the pants?"
"Yes," the orderly deadpanned. "Everything."
One Hour Later
By that point, Steve had been standing in Examination Room 4 for exactly fifty-eight minutes.
His phone, his clothes, and his dignity were sitting in a plastic bin down the hall. All he had left to his name was a pair of tight white briefs and a wrinkled, aggressively drafty hospital gown that offered absolutely zero coverage in the back.
He stood at the window, staring blankly out at the parking lot, resting his hands on the sill. Down there, somewhere, was his rental car, but his vision was blurred because his glasses had been taken too. He had just wanted to sell some automated defibrillators. Instead, he was hopelessly trapped in the system, freezing, and mentally preparing himself to explain to a very confused doctor why the patient in Room 4 was trying to make a sales pitch in his underwear.
How These Get Made
People occasionally ask how I put these together — short answer: it's built up in stages through a lot of prompting, and sometimes manual Photoshop editing to fix details. I don't type "show me a guy in his underwear" and call it done. Getting a consistent character, a believable setting, and a shot that actually holds together takes a lot of back-and-forth, a lot of specific instruction, and a lot of trial and error. Here's roughly how it goes, using an actual job as the example.
Step 1: Start with a real source image — in this case, an actual vintage package shot. Model's head is cropped off, but that's fine because all I really want is an accurate reference photo of the briefs.
Step 2: Prompt the AI to reconstruct the model as he might have actually looked — face, hair, the works. I take some creative liberties here too (the chest hair and mustache are 100% editorial input, not archival accuracy). This also avoids any privacy issues because the character is totally made up; he's not based on any real person.
Step 3: Once I've got my guy locked in, I build out the world around him. This is where the actual point of the blog comes in — the title is "AI Men In Trouble" for a reason. A single product style shot doesn't give me anywhere to go, so I construct a whole scene: a setting, some supporting characters, and a "before" moment where he shows up fully dressed, suited, uniformed, whatever the scenario calls for. He's clearly not having gotten the memo about what's actually about to happen to him. The formal getup isn't decoration; it's what makes the later undressing mean something instead of just being a guy who's already in his underwear for no reason.
Step 4: And then the photographer walks him through it, patiently, because someone has to — and because that gap between "put-together professional" and "about to be a lot less put-together" is the whole appeal.
That's the workflow — real source, reconstruct the subject, build the moment of trouble, all through a lot of prompting most people would probably find tedious. But that moment is the entire reason I do this.
One scenario I would like to see you try is a smart suited businessman being strip searched by airport security
That's a good one - and the AI tools have only recently gotten decent at keeping the continuity of the same article of clothing on a character, then in the character's hand, then somewhere else in the room like a bin. Also, the facial expressions are where this often breaks - the main character has to go through a mix of denial, anger, embarrassment, resignation, and his eyes and hands also have to tell the story by where they're looking and touching. The prompts really have to be complex and detailed, and the renders still often fail. Not to mention keeping the main character as well as the supporting characters consistent across 6-10 different scenes. It's a fun challenge. I'll try it soon as time permits.
I especially love the last one. Woof.
I’m a big admirer of your work. I have been working with ChatGPT to try and create similar images, although the men in my images are older and bearded
These are great, and I'm really glad you like my work.
A bunch of random AI photos of a man who's been waiting a long time in the examination room for the doctor, So he decides to do a little exploring to pass the time. Not much else to do since his clothes and his phone have been stripped away.
The Bullpen
Robert had been an accountant for six years, and a shortstop for exactly none. That was the joke he made to himself sometimes, walking home from the office in his tie and his good shoes, like the two facts canceled each other out. They didn't. They just sat next to each other, uneasily, the way a filing cabinet sits next to a trophy case nobody dusts anymore.
In college he'd hit .340 his junior year. A scout from the Orioles' short-season affiliate had come to two of his games — not to see him specifically, but he'd been good enough in both of them that the scout mentioned his name to somebody, who mentioned it to somebody else, and for about four months in the spring of his senior year Robert had let himself believe in a version of his life that involved a bus schedule instead of a mortgage. Rookie ball. Maybe Double-A in a few years if he was lucky and stayed healthy. It wasn't a sure thing — nothing about it was a sure thing — but it was a door, cracked open, and he'd stood in front of it for a while.
Then his father's knee needed surgery, and his mother's hours got cut at the plant, and somebody in the family had to be the kind of employed that came with a paycheck every two weeks instead of a per diem and a dream. He'd finished his accounting degree because it was already three-quarters finished, because it was the practical thing, because at twenty-two "practical" had felt like a virtue instead of a sentence. He didn't regret it, exactly. He just noticed it, the way you notice a scar in the shower — not painful anymore, just there, changing the shape of the story every time you tell it.
So when he talked about baseball now, three beers deep on a Friday, it wasn't really about baseball.
He didn't know that. That was the thing. If you'd asked Robert directly why the Orioles' bullpen mattered so much to him this year, he would've given you an actual answer — WHIP, innings-eaten, the underrated value of a deep pen in a division that came down to one-run games in September — and every word of it would've been true and none of it would've been the real reason. The real reason was that a bullpen was the part of the team that didn't get to be a starter. The guys who came in when the situation was already messy, who didn't get the big moment or the highlight reel, who just did the unglamorous, necessary work of holding a lead somebody else had built. He'd never once made the connection out loud. He didn't need to. It was in his voice every time he said the word bullpen like it was a personal insult that people didn't respect it more.
"Everybody wants to talk about the rotation," he said, hands going now, tie already loosened, top button already undone. "But the bullpen's actually stacked. Mark my words — come August, you'll remember I said this."
The guy across from him — early sixties, gray at the temples, Orioles jersey with somebody else's number on it because he was exactly the kind of fan who bought whoever was good that year — nodded in the specific way of a man who had had this conversation, or ones like it, many times before and had made peace with simply outlasting it.
"No, no, listen." Robert was standing now, more or less, one foot still hooked on the barstool rail. "The reason the Orioles are gonna be good this year, right? Is the bullpen. I've been saying this since spring training."
He'd played spring training once. Actual spring training, or close enough — an invite to a tryout camp the summer after his senior year, unofficial, half-hopeful, the kind of thing where forty guys show up and eight get a phone call afterward. He hadn't gotten the call. He'd driven the four hours home with the radio off, and by the time he pulled into his parents' driveway he'd already decided not to be devastated about it, because devastated wasn't a thing a responsible twenty-two-year-old with a signed offer letter from an accounting firm was allowed to be.
He shed the dress shirt somewhere around the fortieth minute of the bullpen argument, down to the undershirt beneath it, not because it was hot in the bar — it wasn't, particularly — but because his body had apparently decided, independent of his brain, that this was a conversation that required room to gesture. The tie stayed on, draped now like a scarf, a strange vestigial flag of the version of him that had walked in here forty minutes ago. Underneath, six years removed from a real batting cage, he still had the shoulders and forearms of a guy who used to turn on a fastball for a living — nothing deliberate about it, not much upkeep he could point to other than the gym, just the residue of a body that used to do something violent and precise three hundred times a week and hadn't entirely forgotten how. He didn't perform being unbothered by taking the shirt off. He genuinely wasn't thinking about it at all. He was thinking about relief pitching.
"That number," he said, out of nowhere, pointing at the older man's jersey like he'd only just noticed it. "Twenty-four. That was my number. In college. How much you want for it? Right now."
The older man looked down at his own shirt like he'd forgotten he was wearing it. "Huh. Maybe?"
Nobody in the bar found this especially strange, because nobody in the bar knew that twenty-four had once meant something specific and now, unfairly, exactly, meant nothing — no team, no scout, no rookie-ball paycheck, just a number he'd worn for three years of his life before an insurance company started paying him to reconcile other people's numbers instead. He didn't explain any of that to the older man. He just wanted the jersey the way you want a thing you can't name the actual reason for wanting.
Money changed hands. Robert didn't count it, which was, if you knew him at all, the single most out-of-character thing he did all night.
He put the jersey on right there at the bar, the black and orange strange and thrilling against his skin the way a costume feels thrilling right up until you remember it's not yours, and grinned, and thanked the guy like he'd been handed something rare instead of something a stranger sold him for the price of a good story.
"Man, thank you. I'm telling ya, this bullpen's gonna surprise people."
"Yeah, yeah," the older man said, already looking back toward the TV. "Sure it will."
Robert didn't hear the dismissal in it, or didn't let himself. He was too busy being, for about the length of one beer and one jersey, a guy who still belonged to a team. Not the Orioles. Not really. But close enough, for tonight, in a bar with strangers who didn't know or need to know that the last time he'd worn a number that meant anything, he'd been twenty-one years old and still unsure whether the door closing behind him was a tragedy or just a Tuesday.
He walked out a little after midnight, jersey on, dress shirt and tie bundled under one arm like laundry, smiling at nothing in particular. He didn't think about the bullpen again until the next home game. He thought, instead, without entirely noticing he was thinking it, about how good it had felt to argue about something that used to be his.