I mostly reblog at night... mostly @alexohkay - Tumblr Blog

bold-baddie

tall

victusinveritas

flower-crow

[id: you can only choose three potions.

pink - never need sleep and always feel rested

orange - speak every language

green - all felines like you upon meeting you

blue - you can record things perfectly in your memory at will

purple - you can teleport to any airport

grey - things taste (to you) like whatever you want them to

red - your body temperature never changes

brown - all insects avoid you

white - things you kick 3 times turn into cheese

yellow - fairies finish your chores

neon green - identify the emotions of anyone you talk with

black - grow your ideal beard. end id]

alexohkay

Orange, purple, and neon green is an op combo

horce-divorce

Freezing Your Tits Off Friday

hajohinta

viehfutter

Finally. Normal porn is back on this website.

callmebliss

What are we measuring here, bestie?

callmebliss

Sorry @delightedcrow this can’t remain hidden in the notes you are too correct

depsidase

transmechanicus

Dublin's Closed Israeli Embassy Becomes Palestinian Museum, underscoring the significance of its location and expanding its influence. A New

capsyst

I love animation history and one of the things that always baffled me was how did animators draw the cars in 101 Dalmatians before the advent of computer graphics?

Any rigid solid object is extremely challenging for 2D artists to animate because if one stray line isn’t kept perfectly in check, the object will seem to wobble and shift unnaturally.

Even as early as the mid 80’s Disney was using a technique where they would animate a 3D object and then apply a 2D filter to it. This practice could be applied to any solid object a character interacts with: from lanterns a character is holding, to a book (like in Atlantis), or in the most extreme cases Cybernetic parts (like in Treasure Planet).

But 101 Dalmatians was made WAY before the advent of this technology. So how did they do the Cruella car chase sequence at the end of the film?

The answer is so simple I don’t know why it didn’t occur to me sooner:

They just BUILT the models and painted them white with black outlines 🤣

That was the trick. They’re not actually 2D animated, they’re stop motion. They were physical models painted white and filmed on a white background. The black outlines become the lineart lines and they just xeroxed the frame onto an animation cel and painted it like any other 2D animated frame.

That’s how they did it! Isn’t that amazing? It’s such a simple low tech solution but it looks so cool in the final product.