Algo poco interesante @algopocointeresante - Tumblr Blog

book # 7 of ‘operation 3 \ page 3’ - as of 10 april 2016

book (WWII) ; metal container ; red wine ; types of mold

part of Z\W\A\R\T\24

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Z\W\A\R\T\24 is a long project of Z\W\A\R\T magazine in this building:

“The abandoned building KKN24 is located on Buitenplaats Koningsweg. [ ] The building was a sleeping-quarter for soldiers, 4 in one room. 39 Rooms in the whole building. The building is waiting to be demolished, meanwhile it transforms back to nature. In october 2014 artist BiOP got permission to use the building for site-specific artworks. He invites several artists to transmute the building and their artwork, 24hours a day. [ ] During Code Rood (Code Red) the art and the building can be visited (every last saturday).”

Source: Transmute24 Facebookpage https://www.facebook.com/transmute24 https://www.flickr.com/photos/transmute24//

follow the Z\W\A\R\T project on this blog, with many more photos: http://zwart24.tumblr.com/

istmos

Giuseppe Penone, Spine d'acacia - Palmo, 2004

regardintemporel

Pol Bury - Sphère, Late 1940’s.

horseunderthetable

Such a glorious time !

http://horseunderthetable.tumblr.com/

centuriespast

View of the City of Lyons, France

Richard Parkes Bonington (1802–1828)

Museums Sheffield

horseunderthetable

Rumba Norte

http://horseunderthetable.tumblr.com/

istmos

Eva Kmentová, “Prsty”, 1966

horseunderthetable

L’empreinte du mal

http://horseunderthetable.tumblr.com/

¿Qué disposición puede ser tan correcta Que arregle todo lo que está incorrecto?

Entró a la casa de súbito mirando con furia su alrededor, como un fuego descontrolado que amenaza con consumir todo a su paso. Su furia se manifestaba queriendo doblegarlo todo, atravesar puertas y paredes para tener el mando de todo, tener a su merced la vida misma, excepto su propia vida.

Una vez que su fuego se apago, que su furia lo perdió. Lo envolvió el manto liquido de su dolor, como un río que desde una montaña vuelve al mar donde todo empezó.

Confundido por su pensamiento vagó, como el aire que llega constante al agujero de una gran llanura. Ahí recordó cuanto en su furia vocifero, cuántos sentimiento calló, todo cuanto le provoco y se impactó con todo cuanto sintió.

Hasta que a la normalidad volvió, como una pierda que caída de una gran colina llega intacta al suelo. Empezando a meditar todo cuanto fuego, agua, aire y tierra es, ordenándolo todo; cada río, cada fogata, cada corriente, cada monte... Hasta encontrarse a si mismo en su lugar normal.

Respiro tranquilo, apaciguado, paciente y visionario. Tendiendo en su mente la incertidumbre de si todo se mantendría así o si todo volvería a perderse.

#yo

occultclassicalart

DORÉ, Gustave (1832-1883)

Illustration for Ludovico Ariosto’s Orlando Furioso engraving Ed. Orig. Lic. Ed.

marci1900

centuriespast

Medallion with Athena and Medusa, 200 - 150 BC; bronze and glass. Lent by the Hellenic Ministry of Culture, Education, and Religious Affairs, The Archaeological Museum of Thessaloniki.

With holes for attachment, this bronze disk probably adorned an elaborate chariot. The goddess Athena raises her right arm to throw a spear, the sense of her movement conveyed by feathers that seem to ruffle in the breeze and curling locks whipped by wind. Her helmet is composed of the head of the Gorgon Medusa, whose glance turned one to stone. The monsters placid face, with eyes closed in death, contrasts with the alert expression of the goddess. The medallion was found in 1990 among the ruins of an ancient building in Thessalonik, perhaps a Macedonian royal palace.

This commentary and in fact this whole spam of bronze is from the exhibition Power and Pathos: Bronze Sculpture of the Hellenistic World at the National Gallery in Washington, DC