Lead me, save me from my solitude.
noise dept.
No title available

★

Kiana Khansmith
Jules of Nature
todays bird
Claire Keane
Misplaced Lens Cap
occasionally subtle
Peter Solarz
TVSTRANGERTHINGS
hello vonnie

⁂
art blog(derogatory)
Alisa U Zemlji Chuda

No title available

祝日 / Permanent Vacation
RMH
wallacepolsom

roma★
seen from United States
seen from United States
seen from Romania

seen from United States
seen from United States
seen from T1

seen from United States

seen from Malaysia
seen from India

seen from United Kingdom
seen from Thailand
seen from T1
seen from Greece

seen from United States
seen from United States

seen from Uruguay
seen from Türkiye
seen from France

seen from Türkiye

seen from United Kingdom
@aliceadams
Lead me, save me from my solitude.
“Roe was the best medic we ever had. He was born to be a medic. You could always depend on him.”
Vivien Leigh, 1939
Joan Crawford signing autographs in London, 1932
Norma Shearer at a party, 1939
“She was serious about improving herself as an actress. She played the role with fierce determination, holding back nothing. As the bitchy shop-girl in The Women, she knew perfectly well that she would be surrounded by formidable competition from the rest of the all female cast, many of whom were playing funnier and certainly more sympathetic parts. Yet she made no appeals for audience sympathy: she was not one of those actresses who have to keep popping out from behind their characters, signaling, ‘Look- it’s sweet, lovable me, first pretending to be a tramp’.” -George Cukor
Joan Crawford gets a German makeover in Dancing Lady, 1933.
‘LOVING VINCENT,’ an Animated Film Featuring 12 Oil Paintings per Second by Over 100 Painters
‘Loving Vincent’ will be the world’s first feature length painted animation, with every shot painted with oil paints on canvas, just as Van Gogh himself painted. Written & Directed by Dorota Kobiela & Hugh Welchman, produced by Poland’s BreakThru Films & UK’s Trademark Films. The film is scheduled for a 2017 release.
“Every one of the 65,000 frames of the film is an oil-painting hand-painted by 125 professional oil-painters who traveled from all across Europe to the Loving Vincent studios in Poland and Greece to be a part of the production.”
“The film was first shot as a live action film with actors then hand-painted over frame-by-frame in oils. The final effect is an interaction of the performance of the actors playing Vincent’s famous portraits, and the performance of the painting animators, bringing these characters into the medium of paint.”
“Loving Vincent is an investigation delving into the life and controversial death of Vincent Van Gogh, one of the world’s most beloved painters, as told through his paintings and by the characters that inhabit them,”
“The intrigue unfolds through interviews with the characters closest to Vincent and through dramatic reconstructions of the events leading up to his death.”
I’m all sorts, Shadow. The screen is the altar. I’m the one they sacrifice to.
Hmm, today’s my day.
Carole Lombard
Barbara Stanwyck playing herself in Hollywood Canteen (1944)
Eleanor Parker and husband Bert Friedlob return to her hometown of Cleveland, Ohio. Early 1950s.
Barbara Stanwyck in Double Indemnity (1944), dir. Billy Wilder
Stranger Things | Chapter Eight: The Upside Down