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#extradirty

oozey mess
Mike Driver

Janaina Medeiros
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Today's Document
Three Goblin Art
taylor price
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hello vonnie
Stranger Things
$LAYYYTER

@theartofmadeline
2025 on Tumblr: Trends That Defined the Year
styofa doing anything
d e v o n
I'd rather be in outer space 🛸
todays bird
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@all-wash-out
boncompain
ESTEFANIA LORET DE MOLA
Chris Ballantyne, Fields with Seawall, 2013 on Paddle8
Mark Bohle Oranges
Break of day, Sahara desert
“Let people feel the weight of who you are and let them deal with it.” - John Eldridge
Coleen Heslin
From the Buddhist standpoint of reality as a field of interdependent events in continuous flux, if words stand in external relation to that reality, they are perpetually trying to hit a moving target. If instead language arises from engagement with the field itself, then the words, reality, and speaker will express the moment together as part of the flux. As the contexts change, so also will the forms of expression. Thus, starting with the sound of words as his foundation, Kūkai spoke of the internal relations among sound-word-reality. Because the cosmos of things and the utterance of words are both vibrations, truth-words (shingon) arise from the resonance among the three. We could say Kūkai’s view is that the truth of words arises from their ability to confer with, rather than refer to, reality. […]
Another way Japanese philosophers of language analyze how words can address the fluidity of the field of impermanent, interdependent events is to develop theories that focus on the predicate rather than subject of the sentence as the nucleus of meaning. The sentential subject is usually a noun that refers to a substance and the predicate its attribute. To capture a world of events rather than things, on the other hand, one can focus on the meaning as emerging from predicate, the subject becoming in effect a modifier rather than a cause or agent of the event.
Japanese Philosophy, Stanford Encyclopedia of Philosophy
Janne Rugland
Alejandra Atares. Cactus naranjas, 2018.
oil + acrylic on canvas
“The Idea of a life gets in the way of my life.”
— Sylvia Plath
Untitled (Abstraction pink Curve and Circles), 1970s
Watercolour on paper
If he could look me full in the face and say, I want what you want, and say it with belief—would I be able to stand there and take it, all the way down into my heart? Would it disperse all my anxieties? Would it feel like I was finally coming home to my body, the fears of so many years arrowing toward that moment? Would I say, outright, You’re here, and would it feel like more life, better life?
— Paul Lisicky, from Later: My Life at the Edge of the World
Tutti-Fruitti, 1966, Helen Frankenthaler
Medium: acrylic,canvas
When Mitski said: “I spent all my teen-age years being obsessed with beauty, and I’m very resentful about it and I’m very angry, I had so much intelligence and energy and drive, and instead of using that to study more, or instead of pursuing something or going out and learning about or changing the world, I directed all that fire inward, and burnt myself up.” I felt that.