❛ no matter how your heart is grieving —- if you keep on BELIEVING, the dream, that you wish, will come true ❜ cinderella based solely upon walt disney’s 1950 masterpiece CINDERELLA dreamed by marcia.
we're not kids anymore.
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PUT YOUR BEARD IN MY MOUTH
"I'm Dorothy Gale from Kansas"

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❣ Chile in a Photography ❣
will byers stan first human second

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Kiana Khansmith
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Love Begins
Sweet Seals For You, Always
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@allaglow
❛ no matter how your heart is grieving —- if you keep on BELIEVING, the dream, that you wish, will come true ❜ cinderella based solely upon walt disney’s 1950 masterpiece CINDERELLA dreamed by marcia.
I imagine Cinderella and the Prince tell each other to "cross their toes" for good luck whenever they need it 🥰
- she vanishes, like a fairy tale.
Aleksandr Kuprin, "Violets"
Now, try your best to stay calm. Brush up your Sunday salaam – Then come and meet his spectacular coterie!!
indie aladdin rper. post-trilogy + tv series. semi-selective.
Jeremy Radin, from "Lazar Wolf the Butcher" (poem written during staging of Fiddler on the Roof at Paper Mill Playhouse, shared on his IG page) [ID'd]
I discovered this blog only yesterday, but I love it! I love the way you write Cinderella, and I love reading the essays you write and reblog! Hearing what other people appreciate about Disney's Cinderella has been really fun!
I saw in one of your posts that you said you had muses for Lady Tremaine, Anastasia and Drizella as well. Do they have their own blogs on Tumblr? Would you be able to share the URLs? I'm keen to check them out too!
This is the sweetest message! Thank you so much for sending it- you didn't have to, but you did, and that means a lot to me 😊Cinderella has been one of my favorite characters my entire life and I do everything I can to honor her, as she was in the original 1950 film. For now, that blog is private, but my great friend has a Lady Tremaine blog @powerrichesrevenge that is based in the universe from the third film!
Thought, learning and intellect headcanon asks for muses
[MENTAL CHATTER] Does your character have an ongoing inner monologue, or do they more frequently think wordlessly/in abstract?
[ENTANGLED] Does your muse experience synaesthesia? (eg. tasting sounds, or seeing colours in music) If yes, does this have any effect on their creativity or understanding of certain senses?
[ALOUD] Does your character subvocalise (sound out words in their head) when reading silently to themselves, or no? When reading fiction, do they “hear” individual voices for each speaking character?
[WPM] How quickly can your character type, read or write?
[MOTHER TONGUE] For bilingual muses: does your character think in one particular language more than another? Are there certain topics or themes that they may be more likely to switch to another?
[FOCUS] How well can your muse focus on their own thinking or study in the presence of distracting background stimuli (loud environments, background chatter, visual clutter…)
[OFF TRACK] Is your muse prone to letting their mind wander? To their detriment?
[INTEREST] Does your muse find it hard to learn about or remember details of subjects that don’t captivate their personal interest? Even if they might be useful or advantageous to know?
[AHAH!] Is your muse good at recognising patterns and putting information together to recognise correlations or solutions quickly? Or do they need others to spell things out to them?
[SEEING RED] How easily is your muse’s judgement or perception swayed by their emotions and state of mind? Are they most always cool and level-headed, or are they prone to rashness or switching stances quickly?
[JUMP THE GUN] What biases does your muse hold that impact how they perceive the world or choose to take in new information? Do their personal blindspots and preconceptions lead them to errors in judgement?
[RECALIBRATE] How frequently does your muse evaluate their own ways of thinking? Have they little self-insight/feel set in their minds for better or worse, or are they constantly questioning their own outlook? To the point of self-doubt, even?
[SPLIT SECOND] How decisive is your muse? How confident do they need to feel about the outcome of their actions, or how much pre-thinking must they do before they feel they can act? Do they trust in their own decisions?
[FOREIGN] How does your muse fare when presented with ideas, concepts or experiences that feel far outside their usual norm? How hostile, sceptical or inquisitive might they be when encountering new viewpoints?
[STUDENT] Does your character enjoy learning for learning’s sake, or do they only seek out knowledge when they specifically need to?
[NOTES] How does your muse track their ideas and thoughts, or things they need to remember? Do they keep written or voice notes, or do they just think/hope that they’ll be able to recall what they need later?
[SELF ANALYSIS] How intelligent does your muse BELIEVE they are, versus how do they actually stack up next to others? What are the personal strengths and weaknesses of their minds and outlooks, compared to those of the people around them?
Cinderella in the end credits of Wish (2023)
Park with a fountain in the moonlight, 1851. — Carl Gustav Carus (1789-1869)
Ava Gardner in ONE TOUCH OF VENUS (1948) dir. William A. Seiter
Really happy to be able to share my relationship with Cinderella on here, and build connections both ooc and ic, but please please please refrain from engaging in creative larceny. I run this account for free and it's take me the better part of my life to get the characterization right, build upon the bond I've had with her since childhood, and to say I've been meticulous in the curation of the blog, from the aesthetics to the format to the content itself, would be a huge understatement. Stealing my theme or blatantly ripping off my aesthetics and just using me for my ideas without actually respecting me or my interpretation isn't okay. I've tried to be as generous as possible, but it's really starting to irritate me.
I run this blog to bring Cinderella to life as a muse, not to be a resource to other people who don't even interact with me and just want to steal all of my writing and thoughts for their own portrayal. If you're questioning whether this applies to you, it probably doesn't, but just wanted this out there because it's been getting out of hand. For everyone else, this probably doesn't apply to you, so feel free to continue interacting with this blog as you have before. As always, I'm open to IM's and chats about the character, film, and I'm down for new rp connections!
In the verses where all the Disney characters are together, whether it's in the studio back in the day or in Disneyland, Cinderella was always the most elusive of the figures. It isn't that she didn't want to come, but she was always detained with responsibilities that seemed to multiply by the minute. The way Walt always got her to turn up was by playing one of her favorite songs on the music box. That was a sure-fire way to summon her, as she could never miss a good time.
Aristotle once said: “If Cinderella’s shoe fit her flawlessly, why did it fall off?”
"Maybe we oughta direct that question to @allaglow! How 'bout it, Cindy? What are the deets on your feet?"
"Oh, when that old clock strikes, I get to be in such a flurry-" There could be a number of reasons why her slippers kept sliding, depending on the situation. In certain instances, it's indeed because she's in a hurry- time itself seems to cast a spell on her soles. Other reasons could include her feet being too clean, the shoe's heel being too big, or how forgetful she can be, if she gets lost in the atmosphere. Sometimes she even forgets she's wearing them. "But, come to think of it, I don't know that Aristotle did say that. If he did, it must've slipped my mind." A playful, wry smile crossed the pert mouth. It seemed her new friend wanted intel, but divulging secrets hadn't been in Cinderella's department. "I might be rusty though. I'll have to make some time to brush up on my Greek history. I'm almost certain Father had a set on Ancient Greece in the study. Of course, there's always an Octavius I can consult- but wrong empire."
Grace Kelly in To Catch A Thief (1955)
To Catch a Thief (1955) dir. Alfred Hitchcock
Mary Oliver
[text ID: Watch, now, how I start the day in happiness, in kindness. /end ID]