we're all mad here @alliwantis-everything - Tumblr Blog

veryfunnymemes

cawareyoudoin

I’m sorry for all the stupid shit I said and didn’t realize.

kakashitzu

#ilovecliches

taliasburns

my name is carol

blueberryborderline

tbh the worst thing about being a self aware mentally ill person is that people assume that because you understand your illness you’re automatically able to actually apply your knowledge to your life and cure yourself

mossdftba

Do I know my brain isn’t making the most sense right now? Yes. Can I stop it? No.

annabelllewallis

i don’t hate series finales because it’s the ending of a show.. i hate them because somehow writers find a way to fuck up the whole show in just one episode

peetasallhehasleft

margo-dunne-deactivated20150427

Is that a reaction or an example?

hopefully-happy

both

anxietyproblem

esperastra

#when your ship is having a moment

pajamaslam-deactivated20190101

the switch from ‘a girl worth fighting for’ to coming upon the decimated village in mulan is THE MOST kick-in-the-teeth mood change IN ALL OF CINEMA

furikomaru-deactivated20190920

That scene shift did more for our generation’s understanding of the horror of war in ten seconds than Game of Thrones did in eight seasons, and it did it without showing us a single dead body.

genresavvygentleman

OKAY BUT HOLD ON THOUGH.

I’ve spent the past… five? Let’s say five - the past five years analyzing the structure of Disney Musicals as part of the process to write my own/a parody of them, and the thing is that all the modern ones have roughly the same number of songs - except Mulan.

Mulan has about half, because after AGWFF ends with that unresolved final phrase, there are no more songs until the end credits, which isn’t even sung in-universe.

Mulan wasn’t even the REALM of fucking around - when they arrive at that village, when the true horrors of war are brought into the story, not only does it interrupt THAT song, it breaks the entire fucking mold - the movie’s damn genre changes; it is no longer a musical.

And the Huns represent this from the start - Jafar and Hades are notable for not having proper villain songs, but Jafar does get his Prince Ali refrain and Hades and his plan get sung ABOUT by the muses. No scene with the Huns has any singing, they are mentioned once in song (the second line of Man, natch), and they of all Disney Villains are probably the most serious - no jokes, no witty asides, no sassy delivery of dry humor. The Huns are an invading army who plan to straight up kill a fuckton of people, including children, and AGWFF’s sudden end is the moment when our happy go lucky MUSICAL protagonists finally come in contact with them and their work directly - and it breaks them. Because shit like the Huns cannot exist in happy go lucky musical world. They just exist in our world. The real world. And you can’t sing your problems away here.

The end of A Girl Worth Fighting For is a brilliant use of metanarrative sensibilities to convey a message. It is utterly perfect.

truelight8

Daaaamn, Tony. That’s fucking deep, my guy

genresavvygentleman

I didn’t spend two years and thousands of dollars on a Master’s Degree in literature to NOT over analyze every text I engage with.

guilty-as-battery-charged-deact

Fanfiction is becoming people’s primary form of entertainment right now because most media right now is so cheap, bland, recycled, and sponsored by people who love money more than the source material. Fanfiction is written for free by people who genuinely love what they’re writing about. That’s why it’s better. That’s why it’s more satisfying. Fanfiction is a home-cooked meal made for yourself and for your friends. Media today is junky fast food spoiled by too much grease and the knowledge that the people producing it are being criminally mistreated and underpaid.