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@allspiice
_________THE ONE WE DONâT TALK ABOUT____________
NAME: KANOA AMIR NANAIÂ ALIAS(ES): NOA, NOAH KELLY, MALIK MALAITAI APPROX. AGE:Â 38. (CURRENT) OCCUPATION: OPERATIVE ALLEGIANCE: UNKNOWN. LOCATION: UNKNOWN.
she met him in CAIRO, knee-deep in an infiltration, one that went tits up before she even made it out. she met him during the escape, met him when she threw a solid punch at the man rounding the corner and found her fist planted harmlessly in his chest, a childâs attack against a giant. heâd GRINNED at her, all white teeth in a tan face, and promptly flipped her over his hip into the sand and dust at his feet. she rolled immediately with a dancerâs grace, with an acrobatâs instinct, coming up on the balls of her feet, palming a knife from her back to --Â
and she found the muzzle of his GUN pressed against her temple. she never heard the hammer being cocked back, and didnât expect to -- heâd come in to this place prepared to kill, just like her, but where she was unhesitant in making a move for his femoral artery, he seemed RELUCTANTÂ to pull the trigger. she almost curled a lip in disdain -- men who couldnât put down a woman were the worst kind of opponent -- but she doesnât pass up opportunities. she lifts her chin ( ignores the pressure of the gun against her skin ) and fixes her gaze on him, lets it spit the fire for him that he ( him, them, every man ) loves to see from a woman on her knees. heâs big, looms over her with his gun in his hand; she doesnât simper. she shifts her weight, shifts the knife in her palm, but doesnât speak; she waits him out, and pretends HER BACK IS TO THE WALL.
a man like this should know better to than believe a woman like her is ever HELPLESS.
it takes a moment, itâs not instant. she watches him WATCHING her; his eyes are dark, fathomless, set beneath a brow that is smooth of concern, of consideration; heâs not worried. ( fool, fool, youâre a fool, is the chant in her head; it doesnât show on her face. ) the gunâs muzzle doesnât waver from its position, doesnât show indecision; one moment itâs there, the next itâs not, and then heâs hauling her to her feet -- with one STRONG hand ( immense, unshakeable ) wrapped around her wrist. itâs not a mistake he grabbed the hand sheâs wielding the KNIFE with. itâs probably a concession to self-preservation. even a reckless agent canât be stupid enough to trust a pretty stranger with a knife up close.
and she is -- up close. he HAULS HER TO HER FEET, and standing in front of him ( shackled by his grip on her ) she is only as tall as his shoulder, and only just that. he uses that to his advantage when he pulls her around, shoves her back -- PRESSES HER TO THE WALL, her wrist trapped above her head, no doubt in an effort to minimize her lethality. ( he letâs her keep the knife; she refuses to be grateful for it; she uses it. ) she drops the knife deliberately, and when she catches it with her free hand, she moves to strike, --Â
but heâs FAST -- faster than she expected -- and he smacks the knife out of her grip, then takes that hand too; he hauls it up over her head to join its twin, both held tight in one oversized fist.Â
she thinks, heâs enormous, and when he pins her body to the wall with the weight of his own, she is suddenly so AWARE of it sheâs FURIOUS.
âwho are you working for?â he asks, low and polite, as if it were a conversation and not an interrogation. and he asks in arabic, the syllables leaving his tongue in a smooth flow that speaks of fluency. if he is not native ( and he canât be, look at him ) than heâs very good.
she tips her head up, says ( just as smoothly, in that mother-tongue ), âyou first, goliath.â
and he LAUGHS like lions purr, his voice is that deep. he leans low over her, breathes his laughter into her ear as somewhere in the distance a small explosion rocks the building; beneath her skin a sizzle of heat curls around her bones.Â
âdoes that make you david?â he murmurs, all masculine amusement. it sets her teeth on edge. his thumb tracks a caress against the sensitive skin of her inner wrist. his mouth brushes the curve of her jaw and she feels his smirk. âwhere is your slingshot, giant killer?â
she makes a sound in her throat that she intends to be derisive, âwouldnât you like to know.â
he laughs again, says, âanytimeâ, and he says it in english, his breath bursting against the shell of her ear as he buries his face in her hair. she doesnât stiffen, keeps herself still but firm. she knows this game. she waits.
he breathes her in ( itâs a strange sensation, knowing someoneâs taking in the scent of you ) and she hears him say, as if it were a secret, âdeath shouldnât smell so sweet.â
she thinks, la manzanita de la muerte, and brings a knee slamming up toward his groin.
he catches the blow in a palm, his fingers wrapping under her knee, immobilizing her. she refuses to be cowed. she tips her chin up, puts her head back against the wall, and stares him down. âgo to hell.â she spits it, in english, because it really is the best way to say it, and ignores the way his fingertips slide up the back of her thigh. heâs inching toward her thigh holster, obviously, but itâs intimate-seeming enough to piss her off.
his smile is handsome and she wants to kick holes in it, âonly if you promise to send me there yourself, muĂąeca.â her flicks the release on her holster strap and it clatters to the floor beneath her. âor do you prefer manzanita?â
âiâd prefer if youâd get your hands off me.â
âstop trying to kill me and iâll consider it.â
âsure,â she says, smiling, âno problem. i wonât kill you.â
he lifted one dark brow at her. âentirely unbelievable.â he manages to make it sound like heâs disappointed, the crook. âthe second i let you go, youâre going for it.â
âmaking a run for it,â she corrected helpfully. âitâs not worth the time iâd lose here, trying to slay a giant with a slingshot.â she watched his grin reappear, just a brief flash of white teeth in his dark face, and ignored the spark of interest that bloomed in her chest. âwhat do you say to a truce?â
âi could be persuaded. our objectives here arenât so different.â
âexcellent.â she offered him a wide, dazzling smile. âpractically partners, then. now, if youâd please--â
another explosion rocked the building. closer.Â
he looked down at her, sounded exasperated when he said, âdid you rig the entire complex?â
she maintained her smile and let that be her answer.
he released her with a low curse and stepped away to give her some space.Â
she was half-bent, reaching for her fallen holster, when he kicked it out of range -- kicked it back behind himself, actually. she lifted her head to raise an eyebrow at him, a look that said really? with as much clarity as the verbal word.
he tipped his head toward the exit. âyouâd better get going. you gave yourself -- what? -- two minutes?â he made a show counting under his breath. âyeah, youâre running out of time, princesa.âÂ
âi like that holster. and the knife thatâs in it.â
âiâll get it back to you.â
she straightened, âwhat do you propose? air mail?â
âiâll settle for a name, and a dropsite.â
âif this is your idea of flirtation--â
âit is.â
âno.â
he whistled a note under his breath. âforty seconds.â
it would take half that to clear the route sheâd planned. damnit. she grit her teeth momentarily, then pushed her name between her lips like a bullet.
âsorry, what was that?â
ânicole.âÂ
ânice to meet you, nicole.â he didnât offer her a hand, but the smirk was back.Â
âand youâre suicidal!â she shot back as she urned, giving the knife up for a loss. it was a good weapon -- a favorite -- but not worth her life by any means. she started away from him, headed down the hall at a brisk pace, careful even in her escape. it took her seventeen seconds to make the entryway to the complex, and another ten to achieve minimal safe distance from the blast zone.Â
she didnât look back to see if he followed her out.Â
( but when she made it back to base in turkey, there was a package waiting at her desk, overnighted airmail -- from cairo. )
( she knew what it was before she ever opened the envelope. )
the blade has been cleaned, the holster too. and tucked down behind the blade in its sheath there is a note that says, âfor the slaying of things other than giants. - goliath.â
she absolutely does not roll her eyes -- but the smile that plays around the corner of her mouth for the rest of the day is trouble enough, anyway.
talentforlying started following you.
[ VOODOO MUSIC INTENSIFIES ]
What fandom's are u in? [Mobile]
( GROUNDED. ) obviously, iâm in the BOND fandom, of course. :)) and â- well, to be fair, i havenât been active on several of my blogs in a long, long time; i fall off the face of the earth on the regular. however, aside from the bond fandom, iâve also had blogs in the MARVEL fandom, and THE FAST & FURIOUS, and OUAT, and STAR TREK. iâve had ocâs in JUSTIFIED and NBC REVOLUTION verses, which is like âbeingâ in the fandom without actually having a blog dedicated entirely to playing in it all the time. iâve also been in the UNDERWORLD fandom, super low-key, for a 1000 years but only just got around to making a blog for it ( a private blog i never play on ) a year or so ago.Â
Name one thing you really enjoy about how I portray my character.
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@allspiiceÂ
NIGHT SHIFTS, WHEN THE BEHEMOTH AT VAUXHALL CROSS is manned by no more than a skeleton crew; when his suit jacket is flung, discarded, along the back of his chair, when his sleeves are rolled up to his elbows & james embraces the late night hours with a certain air of nonchalance. itâs on his way to the canteen for more coffee that he hears the beat, like a song to which he only knows the words when itâs playing & too fascinated by locating the source, he absentmindedly places his mug on a desk in passing & moves quietly down the corridor. though the office doors along this floor are left unmarked, he knows the arrangement well: he passes ĂŠpineâs office, his own, then alec trevelyanâs (god had nothing to do with their offices being side-by-side, as all the service dreads) & haleâs (005 would be best placed with his office between 007 & 006 but life is not so kind) & finally the guilty party -    - 002, nicole spicer.Â
    sheâs been gone for months. officially, her whereabouts were unknown; unofficially, sheâd been infiltrating some nefarious organization located along the pacific. or had it been madrid? they hadnât cleared out her office, nor her flat (not that heâd dropped by to check, not that he cared) & sheâd even missed the FUNERAL. his own & Mâs -   - if anything, heâs bitter. if anything, heâs mildly betrayed. (not that heâs got any right, since her promotion to the ranks of the 00-programme was after the incident with raoul silva & skyfall lodge. but still, his childish jealousy remains limitless.)
    but also -    - how the bloody hell had she slipped by him? heâll have a word with the door guards, and the blokes down at the car park. (he expects to find nothing tangible, of course. sheâs ghost, a shadow to match his own.)Â
    & tonight, with this fact, james is not amused.Â
    â TURN IT OFF, OR IâLL SHOOT YOUR BLOODY COMPUTER TO HELL, â he snaps, swinging the office door open without warning nor permission. his cold eyes fall on his fellow 00 & yet he scowls; if he hadnât heard the music, hadnât followed the source, would she have even acknowledged him? how long has she been back in london?Â
HER OFFICE DOOR HAS A FAINT CREAK IN THE HINGES, and has had one since sheâd moved in nearly a year ago. sheâs yet to do anything about it, rather strategically; she likes having the homefield advantage over any unexpected visitors.Â
but she doesnât strictly NEED it tonight - Â Â Â -Â she knows whoâs about, had in fact made a visual sweep of the block earlier in the evening as she moved, cat-quiet, down the hall from reception. it was BOND, just bond [ the sole office still lit in their block was his, and undoubtedly brimming to the threshold with paperwork ] but it was her first night back on british soil in nearly four months and sheâd been loathe to get caught up in conversation ( or, a much less savory possibility, by MEDICAL ). tired to the bone, a little worse for wear [ by 00 standards;Â by medicalâs - Â Â Â -Â in need of observation ], and absolutely in no mood for pleasantries or protocol, sheâd told herself sheâd drop in for a chat later, and had made about sneaking into her own office to get the AAR done and out of the way.
( - Â Â Â -Â in hindsight, the music was probably an ill-advised source of background noise; it did, however, do wonders to drown out the consistent low-level humming in her ears. )
   â SHOOT MY COMPUTER,â she returned sharply, her back to him, âand iâll tell q youâre behind on your requisition slips, bond -    - so help me god.â the enter key is stabbed down beneath a sharp jab of her middle finger, and she squints at the screen briefly [ it continues to slip in and out of focus, a symptom, she supposes, of the mild concussion ] before exhaling an exasperated breath at the appearance of the âSUBMISSION CONFIRMEDâ message. took long enough.
SWIVELING her chair away from the obnoxiously bright glare of her computer monitor [ & careful of jostling either of her still sore shoulders ], she tips her head up to meet bondâs decidedly cool regard with an arched brow.Â
    â i believe the POLITE thing to say is â welcome back, nicole,                            -    --    -how was your trip ABROADâ-    -?â
IT'S MUNDAY :P
â : Full name?
â: Mun nickname
âŤ: What's your gender?
âź: How old are you?
âŞ: What country are you from?
Ί: Show your face!
âŽ: How long have you been rp'ing?
âĽ: What fandoms are you in?
âĄ: Your favourite film, book and television series.
âŚ: Relationship status?
âŁ: Song you're listening to right now?
§: Favourite song?
â: Celebrity crush?
The minute they made eye contact they both knew. They said millions of words with that one glance. All of their emotions were portrayed through their eyes. They knew they could never go back to before.
tinkermelon (via wnq-writers)
i take care of you. [listen] a playlist of those who are in love.Â