Brokeback Mountain (2005) // dir. Ang Lee
The Stonewall Inn

oozey mess
he wasn't even looking at me and he found me
Fai_Ryy

shark vs the universe
Aqua Utopia|海の底で記憶を紡ぐ
icyghini twinkie
cherry valley forever
No title available
𓃗

roma★

Andulka

ellievsbear
Lint Roller? I Barely Know Her
"I'm Dorothy Gale from Kansas"
RMH
almost home
Show & Tell
🪼
occasionally subtle

seen from United Kingdom
seen from Yemen
seen from Brazil

seen from Brazil

seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States

seen from Costa Rica
@alpacinoss
Brokeback Mountain (2005) // dir. Ang Lee
“I want to find a language that transforms language itself into steel for the spirit—a language to use against these sparkling silver insects, these jets. I want to sing. I want a language that I can lean on and that can lean on me, that asks me to bear witness and that I can ask to bear witness, to what power there is in us to overcome this cosmic isolation.”
— Mahmoud Darwish, Memory for Forgetfulness (via blazeofgold)
chantal akerman…………… wasn’t fucking around
Chungking Express (1994) dir. Wong Kar-wai
al “whore” pacino
Boy (2010) Dir. Taika Waititi
Bobby Onco, an activist in the American Indian Movement (AIM) and member of the Kiowa Tribe of Oklahoma, at the 71-day occupation of Wounded Knee on South Dakota’s Pine Ridge Reservation in 1973.
ana mendieta. silueta films with fire. 1970s. super 8 color film.
Joan Baez in D. A. Pennebaker’s Don’t Look Back (1967)
Love Streams (1984)
Hypnose by Sascha Schneider (1904) // The Lighthouse dir. Robert Eggers (2019)
Saeed Jones, from How We Fight for Our Lives
(transcript under the cut)
Keep reading
The Farewell. Dir. Lulu Wang. 2019.
The Favourite dir. Yorgos Lanthimos
BEFORE SUNRISE dir. Richard Linklater
Western culture made “objects” of things and people when it distanced itself from them thereby losing “touch” with them. This dichotomy is the root of all violence.
Gloria Anzaldúa, Borderlands/La Frontera, “The Presences” (via queerkowskiarmwrestle)
Columbus (2017) directed by Kogonada