Bad Times Are Tough But Not Tougher Than Me @alwxadria - Tumblr Blog

I love that Dick is pocket sized for both powered superheroes and as Robin, when he is a teeny little guy for the non-powered. It's very fun.

So here is three of my favorite way someone carried Dick:

Kitten! Dick taken by the scruff in Batman/Scarecrow Year one:

2. On the shoulder of Superman, looking like he is having the time of his life:

3. look at his shit-eating smile, i love him

pokeberry5

late night/early morning stakeout

caseys-breanna

My favourite Parker episode has always been The Inside Job, y'know why? It's not just what Parker does, but rather what the others do FOR Parker.

Parker has 4 safe houses in the city, but Nate and Sophie know her well enough to know where she actually stays when she's away from the team

Parker's security code. Do you understand the level of trust someone like Parker will have to have to use their name as her security code? To the place that's her own personal sanctuary? Sophie EARNED that level of trust.

'The Sterenko can't be cracked-' 'Can you do it?' 'Nate, it can't be-' 'For Parker. Can you do it for Parker?'

This. Just this.

'I made her. I trained her, and I released her into the world.' 'She was broken! She needed you!'

This stood out so loud to me, because it's not Hardison or Sophie (the more emotionally intelligent ones of the team) saying it. Because it's NATE. It's Nate, the man who couldn't say I Love You to Sophie for so long. The man who got so caught up in his son's death that every job involving kids or medical malpractice he nearly went out of line. NATE, who pushes and pushes and is ruthless and so cold at times.

It's Nate protesting for Parker, standing up FOR Parker, and y'know why? Because Parker doesn't know what she got deprived of. Parker doesn't feel that loss because you can't grieve something you aren't even aware you could've had. But Nate does. Nate saw her injustice and loss of childhood and spoke up, KNOWING she'll never know about him defending her.

'Hardison I screwed up.' 'We're already here mama.'

Do you understand the level of trust and vulnerability it requires for her to say those words? She's never gotten anyone's help after a screwup, she's had to take care of herself on her own. And there's Hardison, right there, not upset, not angry, not disappointed. A right straight - I'm here and we'll get you out.

'Let's get our girl home.'

Do I even need to say anything.

'It's not what we do, we don't get involved!' 'No, that's what YOU do!'

Parker is not Archie Leach's protege anymore. She's Parker. She's the greatest thief in the world. She's the one person to get the entire Leverage Inc breathing down your neck to save her. She has a family who got her back. She has a life and friends and people who may not understand her always but will always support her and be there for her, no matter what, without changing any aspect of her or forcing her to change either. And she saves people, because that's what they do.

'It's your play Parker.'

The explicit trust Nate displays in her. For someone like Nate with control issues and need to be the guy calling the shots, this is practically an all out notice saying 'she's my people, she's my family, I trust her with my life, more than that I trust her with my family and our jobs.'

'No.' 'What do you mean no? This isn't time for crazy, Parker! Come on!' 'No! I need to go back. I need to put the vial back.'

Do you understand what it feels to have someone like Parker, who is practically a ghost and the prospect of getting stuck somewhere is unthinkable, to refuse an escape route? And that too because she wants to help people and not be used to hurt them? In the face of someone who brought her up to only steal? Now that's growth.

Now this is a callback, but when Sophie and Nate first enter her safehouse, Sophie says something that foreshadows the ending. She says 'Look at this. It's methodical. This could be one of your plans, Nate.'

This is a personal choice, but god it's so good when authors and writers and creators give you hints and foreshadow and reward your intuition at the end, rather than changing endings for shock value. Because Hardison isn't ruthless, Eliot isn't striving for control, and Sophie is dramatic, not clinical. None of it would have been worth it unless it went to Parker, which it did.

Man, this fucking show I swear.

hempkitty

can someone please be proud of me like fuck I’m trying

gremlin-pattie

reblog to let prev know you’re proud of them

geekysteven

People may not like a new actor playing Kirk, but Paul Wesley is doing a good job in Strange New Worlds. RIP to William Shatner but we aren't going to let such an iconic character die with him. The best way to honor his memory is to enjoy the character without him

alwxadria

Paul Wesley is doing such an upstanding job to uphold this character as well already!

spockskock

alwxadria

I love all and every form of Kirk

tvdulgbt

JED & BEN in LEGACIES S04E20 Just Don’t Be A Stranger, Okay?

eugeniedanglars

just realized that there were definitely celebrities who got infected in the last of us which is hilarious to think about. imagine getting attacked by a zombie and your last thought before you die is "is that fucking justin timberlake?"

adulthumanproblem-deactivated20

With multiverse now being popular and all, can we finally have our Sliders remake?

doorwaykeeper

Rebooting "Gossip Girl" - tired, ridiculous, another dose of the same teenage drama of rich people.

Rebooting "Sliders" - exciting, groundbreaking, a real treat to sci-fi fans and those of us who loved the show and were disappointed by the luck-luster ending.

Jerry O'connoll, I'm looking at you.

1990-1999scifi-world

Sliders (TV Show)

inkoutsidethelines

Thinking about how I would write an adult Scooby-Doo series, because I think it can be done.

The first thing I’d do is make the characters actually be adults. Still young, but adults, in the mid to late 20s range. Mystery Inc. is a private detective type business that they run together. In this universe, the supernatural/ghosts/etc are real, but not necessarily common, so when they take on a case, the culprit might be a person disguised as a monster, or it might actually be a real ghost. The stakes can be higher; sometimes a bad guy is legitimately trying to kill them. Sometimes the mystery they’re trying to solve is a murder. Sometimes they actually get hurt on their cases.

Fred: the core of Fred’s character should be that he’s incredibly kind. Like, give a stranger the shirt off his back kind. The “Fred can’t talk to potential clients because he might take a case for free and we need to eat” kind. He’s an honest and good person and sometimes gets himself into trouble because he assumes other people are too. While he’s not very good at reading people or noticing ulterior motives, he’s brilliant when it comes to mechanical or engineering type stuff, so he’s the one who keeps the mystery machine running, builds their gadgets, and of course, designs the traps.

Daphne: she comes from old money, and her parents absolutely despise her life choices, to the point where they haven’t officially disowned her, but they have basically cut her off, so she doesn’t actually have access to any family money. Growing up wealthy has granted her a variety of skills, including speaking multiple languages, horseback riding, and fencing. She’s very into fashion and jewelry (even if she can’t afford it anymore) and has extensive knowledge of both that can occasionally provide a vital clue in a case. And even though her parents have cut her off, Daphne still has a wide network of contacts she can ask for favors sometimes, because she’s personable, and people tend to like her. Daphne is also very emotionally intelligent, and is usually the one who can spot when someone is lying to them.

Side note - I ship Fred and Daphne, so I think I would start them off as an established couple for this universe. Dating, engaged, married, I don’t care. They are stupidly in love, ride or die for each other. There’s no will they, won’t they, no worries about cheating. They are in a healthy, happy, loving relationship, and no one (not even Daphne’s disapproving parents) are going to mess that up for them.

Velma: she is the forensics nerd who sometimes gets super excited about the wrong thing at the wrong time (”He was mummified in seconds? That’s so cool!” “Velma! His wife is standing right there!” “Oh. Sorry.”). She’s not purposely insensitive, she just gets laser focused on her work and forgets to filter herself sometimes. She’s also the one who can get so fixated on solving whatever mystery they’re working on, she’s willing to bend or maybe break laws. Is breaking and entering really so bad? Not if it gets them answers.

Shaggy: he is still the comic relief, but he’s the comic relief by being the only person in the group that actually has common sense. He manages the business’s finances, he’s the only one who knows how to cook, and the others tease him for being a coward sometimes, but Shaggy maintains that if a ghost with an axe is coming for you, running is the only sensible option. He should also have a range of random knowledge that sounds useless, but sometimes saves the day (ex ventriloquism, origami, the history of spoons, etc).

Scooby: as this is a universe where supernatural creatures exist, Scooby is an ancient eldritch type being that took a shine to Shaggy when he was a kid, and took the form of a talking dog to befriend and hang out with him. Aside from the talking dog bit and not aging, he never uses his powers in a way that anyone notices. The audience is not told upfront that Scooby is an ancient eldritch being; it should slowly be hinted at throughout the series so the audience put it together, but the characters never realize it. Scooby genuinely considers Shaggy to be his best friend, and cares about the rest of the gang too.

alwxadria

THIS THIS THIS SHIT I’d watch the hell out of