[image ID: a sketchbook page-spread.
on the left page, a portrait of Atsushi Onita during a deathmatch. he looks to the left and slightly down, in near-profile. he bares his teeth, and his eyes are screwed shut. his hair falls over his face. the sketch is loose and energetic, drawn with a black brush-pen. the page itself is full of dense scribbles in red and blue pens, with the red most concentrated in the centre of the page. the borders are liked with black.
On the right page, a portrait of Megumi Kudo, also during a deathmatch. she looks upwards and to the right, in three quarters view. she wears a pained expression, her teeth bared and her eyes narrowed. her face is bloody and her hair falls over it. the sketch is drawn with very thin red and black pens, the black lines more measured than the red, which also defines the blood on Kudo's face. the page is stained with oil, giving it a variable green-orange tint.
in the centre of the spread, across both pages, a circle. in the circle, a sketch of a dead cat, lying in its own blood. its head is toward the bottom of the circle, its feet toward the left. the sketch is done in red-brown paint, and is very loose. /.End ID]
the way i hate pain is most monumentally extraordinary, much more significant than the way you hate pain, but my body is so much more central, i am the moscow of pain, you are the mere provincial weather station.
origamiaround
kianamaiart
yousharknotpass
blakekathryn
snowghoul
ellievsbear
