Because this.
Neo R&B/soul meets prog jazz and funk flourishes. And that/those voice/s.

Game Changer & Make Some Noise
noise dept.

gracie abrams

❣ Chile in a Photography ❣
Aqua Utopia|海の底で記憶を紡ぐ

shark vs the universe
Lint Roller? I Barely Know Her
Sade Olutola
macklin celebrini has autism

Product Placement
The Bowery Presents
todays bird
Cosimo Galluzzi

Jimmy Eat World

Love Begins

roma★
hello vonnie
untitled

Kiana Khansmith
𓃗
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seen from United States
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@amusicbouche
Because this.
Neo R&B/soul meets prog jazz and funk flourishes. And that/those voice/s.
Singer, songwriter, poet, painter, and filmmaker Brianna Lea Pruett passed away on Wednesday, Sept. 2.
Marvelous talent, tragic loss.
Jam for Thursday night.
On point visually and thematically, as always, that Bowie.
Jesus, don’t we miss them.
Soulful folk rockers storm The Tonight Show stage and gain a huge fan.
These guys absolutely killed it. Just blown away.
Stumbled across this tonight.
For the record, I loved Helen Stellar long before the “Friday Night Lights” soundtrack.
They should be so much bigger.
#tbt to this one about 10 years ago, first discovered as a member of George Clinton’s vast and trippy entourage.
still a keeper.
Thought of this song tonight for the first time in a bit, by Portland’s own Shy Girls.
Dang it’s so good.... So, so good.
Ah, for a summer Holiday.
“You Go To My Head.”
He bested the original “Wonderwall” more than a decade ago on the “Love is Hell” record, and has done more than a few excellent covers (see also: “Down in a Hole”) since then.
Now this...
Nailed it. Ryan Adams always, no apologies here.
Dig.
A friend sent me a CD of the Finn Brothers, and this song in particular is a standout.
Marvelous.
Another bit of beauty from a Cooder -- Joachim this time.
For two years now, this album has never been far from mind...
A friend brought it back tonight. Hell yeah.
(via Desaparecidos perform "City on the Hill" for Seth Meyers -- watch)
Yay for new Desaparecidos. (Denver Dalley always).
Eddie Van Halen doesn't listen to music.
Great piece by Chuck Klosterman.