Calvin and Hobbes
he wasn't even looking at me and he found me
Sade Olutola

ellievsbear
Not today Justin

Andulka
🪼

祝日 / Permanent Vacation
"I'm Dorothy Gale from Kansas"

Product Placement
d e v o n
tumblr dot com
Sweet Seals For You, Always
wallacepolsom

Kaledo Art

Origami Around
dirt enthusiast
KIROKAZE

titsay
ojovivo
PUT YOUR BEARD IN MY MOUTH
seen from United States

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seen from Finland
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@anarconerd
Calvin and Hobbes
Unknown
Netsuke of Rabbit
19th century
Japan
David Novros, Untitled, 1970, fresco, Judd House, 101 Spring Street, New York
Shujiro Shimomura, Poster Design, 1929
This release contains early solo versions of two composition: "We Can't Breathe" - recorded in 2016, and "By Any Means Necessary" , recorded in 2008, released here together for the political urgency, as they have never been recorded in their full form, and only rarely performed live. Those two compositions, along with their references to two revolutionary forces : Frantz Fanon and Malcolm X, came about to assert the bonds between Pan Africanism, Black Liberation and Palestinian Liberation, as we have witnessed in the practices of both leaders. One thing about "We can't Breathe" , in particular, as a semi-prophecy of Frantz Fanon's famous quote, being the last words of many martyrs in both Black America and Palestine, and in Gaza in particular, where we still hear the suffocated calls under the rubble. All proceedings from this album will go to Palestinian grassroots charities
released March 7, 2025 Dirar Kalash - Saxophone, live electronics, piano
Paul Bransom (1885 - 1979). Bear Head Sketches / Bear Paw and Claw Sketches. Charcoal and pastel on paper. 1952.
National Museum of Wildlife Art, x / x
John Quinton Pringle (British, 1864-1925), Townhead Farm, 1896. Oil on canvas, 9 1/16 x 11 in.
Vilhelm Hammershøi
Interiør, Strandgade 30, 1906-1908
I have given the world my songs. Elizabeth Catlett. 1947.
West Harlem Art Fund
Kenneth Noland, Plum, (acrylic on canvas), 1959 [The Art Institute of Chicago, Chicago, IL. © Kenneth Noland]
esta fue la primera vez que escuché submission hold, probablemente haya sido un cassette donde solo estaba grabada una parte de este split. caí a sus pies. esto era lo que imaginaba que significaba el punk. había experimentado esa revelación con dead kennedys y disturbio menor. y se volvió a verificar aquí. todo cobra sentido en estos cassettes oscuros que iluminan los secretos sensibles de la juventud.
Thierry Urbain
Samia Halaby (Palestinian, 1936), Mediterranean #279, 1974. Oil on canvas, 48 x 66 in.
Tokyo Story (Yasujiro Ozu, 1953)
Geologists.
Author: Vertkov Nikolay Vasilievich
Year: 1962.
Technique: Oil on canvas.
Sovcom
1930 protest in Jerusalem against the British Mandate by Palestinian women and girls [Zulaykha al-Shihabi (زليخة الشهابي) (front, center) is leading the protest] [«Jerusalem Story». The Interactive Encyclopedia of the Palestine Question, Institute for Palestine Studies / Palestinian Museum]