Your blog is rad. I have thoughts.
"think of this while thinking of frank talking about how bands can be scared to make something new because it might ruin their legacy - because he's talking about my chem. that's why they are doing a stadium tour of an album they released in 2006."
I really hope that wasn't what he meant when he said that. I do think it was shade at Gerard because I do think he is scared shitless to release new music. But they have to know that nostalgia touring would do more to tarnish their legacy than new music ever could?
Plus if that's all they are doing why was Frank defending MCR against the 'sellout' allegations in rocksounds comments?
Signed, a fan in desperate need of hope for new music from my favorite band
ahh i wish i could give reassurance but my own personal policy is to assume to worst then if they do something i can be pleasantly surprised. iād say my chem does end up lovebombing their fans in the way they will drop tour announcements out of no where and then there is an intense period of the shows whether attending or following, then to be dropped and met with silence with no reassurance of what the future hold or if they are even still together. it feeds the frenzy of an already intense fan space, but also itās not unreasonable to know if a band is still together after the reunion tour. i canāt name another band who functions in this way. Itās chaotic and unprofessional. and itās why as a fan I wonāt hold my breath for them, wonāt hope for anything more than they have given. itās the only way i can have a sense of control and refuse to play the game.
but i canāt deny that i would prefer they stay together and make music. they are still young and together the make some amazing art. itās hard to see potential wasted.
most fans wish frank doesnāt mean what he says because itās not what they want to hear.
it is definitely shade at gerard, I am curious if it extends to ray too and probably their management. i wonder about ray because he also doesnāt demonstrate a need to create. only one solo album after the breakup which he never toured and never released more. a few collabs here and there that donāt really go anywhere. and nothing else. and management and the label are always going to be a problem in a sense. they want to band active to make them lots of money but they donāt want the band ādevaluedā by an unpopular new release.
and they have experience with this through danger days. frank especially talks about the pressure they were put under to top the success of the black parade in an industry that took a step away from rock music. and if you care more about success than the art your doomed from the start. frank has also asked about the meddling from executives who think they know better than the artists and want the artists to take their input so they can feel safe about investing in their music. this happened on danger days and thatās why it is their weakest album. regardless on your own feelings on it, itās still a damn good album. and higher ups need to recognize endless growth is not possible. low periods for the band are great for die hard fans who get the chance to see their favourite band in cheaper more intimate venues. and low periods are sometimes essential for even bigger comebacks. thatās why you canāt enforce rigorous growth. example being taylor swift. reputation while popular now, when released was seen as a step down from 1989 which was believed at the time to be her peak. then the album after that didnāt do well either. but this built her up for the biggest tour the music industry has ever seen. but the fear is there and itās being told to them and itās real. especially for a band who grew more when they werenāt even together.
and backlash it tough. part of gerardās public disappearance was that good attention wasnāt worth risking receiving negative attention.
the nostalgia touring is the āsafeā move. and i rather they try that then nothing at all. part of it is a move to secure their legacy so they can be recognized as one of the big time bands. because itās not enough to have the potential to do a tour like that, you have to actually do it to prove you can sell the tickets and put on a good show. this is a status changing tour in a way. i will be waiting for the day they are put in the rock and roll hall of fame.
but is that a pure motivation is another thing.
frank was pushing back on the notion of them selling out because he himself is not selling out.
heās the one who fought like hell to get them to reunite and tour and release foundations of decay. and he fought like hell for them to keep going now in any capacity and this is the capacity. because he isnāt afraid of creating and he is strong and passionate enough to stand by his work against criticism. those comment about selling out must feel like fans spitting on his hard work.
and to give credit where credit is due, mikey is on frankās side and openly and enthusiastically supports him. thereās a reason he went to the ls dunes show and posted videos and lots of group pictures. and mikeyās need to created is often underrated too, i recommend his comics because he is a very talented writer.
new music breathes new life. like magic to follow the theme. foundations of decay i think was essential to the swarm tour. first to chart at number one, but it helped give the tour its own identity. when i listen to it i feel like i am transported back to the concert. the other songs have been around so long that i donāt have that association because they already have associations in my life from before the reunion.
sorry for not being reassuring.
they should at least be giving the black parade a twist or new edge, with that trailer. which changing a recipe to a classic is probably a more dangerous game then releasing new music.