Just A Guy Who Enjoys Gay Pics

70 % gay porn/gay pics 👉🏻👌🏻🍆🍑💦 20% funny things 5 % geek culture 5% random stuff

[andygaypicslover]

[adurot]

This image hurts my brain more than the original debate ever did. Brains are dumb.

[powderedwhiteviolets]

@alpha-team-deploy

[painted-bees]

The concept of relative color can be infuriating.

[fuddlewuddle]

I can’t explain it, but they give off the same kind of vibe

[tay-swifts]

• 24 Hours With Euphoria’s Jacob Elordi | Vogue (March 02, 2022)

[sirartwork]

Seph narrowly survives meeting the rest of the Smash roster - Isabelle enjoys some spiced nog.

[homo-se-dice]

I literally cannot rest and it’s all because of this tiktok

[hanavbara]

mean girls as anime 💖💋💄 happy october 3rd!✨

[indulgings]

99 Homes (2014, dir. Ramin Bahrani)

[birdmans]

“The first swap was a repeated move where we did the shot with Anya and Matt, and then just did it again with Thomasin. Even when we were doing it, I didn’t know we were going to be able to pull it off. And the reason it’s so good is because Matt Smith and Anya and Thomasin’s continuity is just so dead-on. And I was like, ‘Why don’t we just shoot all of them?’ ‘How long can we keep this going?’ Because it’s intoxicating to watch. That’s supposed to be the idea of the scene. The first dream sequence is alluring and glamorous and intoxicating, seductive. So that was how it came about. Other than that shot, you’re watching one unbroken take. Watching that is like an amazing dance in itself, because really, a shot like that is a collaboration between the three performers — and then also the fourth performer in the scene, Chris Bain, the Steadicam operator. The shot stands and falls on him being in the right place at all times. The idea was, the longer we can keep these shots going, the more immersive it will be. You feel like you’re living vicariously through her. It’s about not breaking the spell. It’s like we’re showing you a reality of something, even if what we’re showing you is very fantastical.“ - Edgar Wright

LAST NIGHT IN SOHO 2021 | dir. Edgar Wright

[kaijutegu]

lizard out there really gonna do it

[kaijutegu]

this lizard is braver than any US marine

[kaijutegu]

he’s going for it, the absolute madlad

[kaijutegu]

[pro-gay]

[gotterhag]

[a-girl-with-sparkling-lies]

I need everyone to understand the above gif is unedited. That actually played on TV.

[pro-gay]

people keep asking about this one as well

[aavaradeactivated-deactivated20]

[midwest-merman-deactivated20210]

Now THIS is real art

[ruinedchildhood]

🔊 🔊 🔊

[sofiakagaminejaeger]

thanks, Steve

bueno, Steve, del programa "las pistas de Blue" volvió en un video por el aniversario de ya 25 años del programa, y sí, estoy vieja y se me rompió el corazón imaginando algo así

[hotwweguys]

John Cena :Q___

[weltenwellen]

Wale Ayinla, from “Portrait of a Boy with Grief”

[sexdemonghost]

Wolverine x Deadpool

Wolverine guzzling Deadpool’s cum and cock! - Deadpool and X-Men

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[stars-bean]

Matilda (1996) dir. Danny DeVito

[fuck-hatchetfield-high-deactiva]

[iconuk01]

As others have noted in the past, Danny DeVito not only directed Matilda (and played her dad), but he and Rhea Perlman (DeVito’s wife at the time and Matilda’s mum in the movie) basically looked after Mara Wilson because Mara’s mother was in hospital with terminal cancer at the time of filming (She died during post production work, and it wasn’t until years later Mara discovered that Danny had taken an advanced (not quite completed) copy of “Matilda” to the hospital so that her mum could watch it before she passed.)

When Mara mentioned that she was feeling nervous about the dancing to “Little Bitty Pretty One” sequence, it was DeVito’s idea to have the ENTIRE cast and crew join in and dance too (off camera) so she wouldn’t feel self-conscious, apaprently even the craft services folks joined in, and the cameraman shooting the scene did a bit of a shuffle, but not too much because it would mess with the camera shot)

[jotaillustrator]