Blade Runner 2049 (2017) âAll the best memories are hers.â

Love Begins
todays bird
Sweet Seals For You, Always
official daine visual archive

Discoholic đȘ©

â
hello vonnie

titsay
đ©” avery cochrane đ©”

if i look back, i am lost
Misplaced Lens Cap
I'd rather be in outer space đž
EXPECTATIONS
PUT YOUR BEARD IN MY MOUTH
macklin celebrini has autism
Three Goblin Art
cherry valley forever
đ
Lint Roller? I Barely Know Her
almost home
seen from United Kingdom

seen from Malaysia
seen from Germany

seen from Italy
seen from United States
seen from Malaysia

seen from United States

seen from Australia

seen from Malaysia

seen from Malaysia

seen from United States
seen from Spain
seen from Belgium

seen from United Kingdom

seen from United States
seen from China
seen from United States
seen from TĂŒrkiye
seen from United States

seen from TĂŒrkiye
@angel4w350m3
Blade Runner 2049 (2017) âAll the best memories are hers.â
The whole âI love youâ scene for my lovely Sherlollians!đđ
I need this on my dashâŠpreferably daily đ
ALWAYS REBLOG! TO INFINITY AND BEYOND!
It just doesnât get any less powerful, no matter how many times I watch. Â
I want to save this forever.
Annndddd reblogging.
⊠would complete you as a human being
No one interrupts film noir night
The ever lovely @enigmaticpenguinofdeath commissioned me to fix the whole clown business in cartoon Mycroft style, so I did just that and it was very cathartic thank you bless you
More adventures of cartoon Mycroft | Commissions
cdlafere : âthanks for your amazing fake !â
âŠSo, i made a fake for the CD box jacket (inside) !
âWelcome to the final problem.â
And there are many paths to tread through shadow, to the edge of night. Until the stars are all alight. Mist and shadow, cloud and shade. All shall fade.
They're really not that heavy...
Just a crack-ish kind of ficlet that popped into my head. Enjoy.:)
Sherlock Holmes watched, bemused, as Molly Hooper hurried forward, wrapped two small hands around the metal bar, bent her knees, leaned back, and pulled.
He had never seen anyone manage to make doors look as heavy as Molly just had.
She looked over her shoulder at him, raising an eyebrow at his immobility.
âArenât you coming in, Sherlock?â
He knitted his brows.
âNot just yet. Would you please step aside, Molly?â
The pathologist huffed and rolled her eyes.
âOh for chrissakes Sherlock, just get in.â
âPlease, Molly? I would like to test something.â
With a long-suffering glare, Molly relinquished her hold on the door, letting it swing closed, and stepped aside.
Sherlock reached out one arm, wrapped his hand around the metal bar previously held by a much smaller pair of hands just a moment past, and pulled.
The door swung open easily with him exerting just minimal effort.
âIt isnât that heavy,â he said with a note of wonder.
âOf course it isnât,â she exclaimed. Then, hesitantly, âSherlock⊠Youâre notâŠâ
âHigh? Do stop being ridiculous, Molly. I think weâre past the days of you pretending to be less intelligent than we both know you are. I was simply wondering why you opened this door the way you did.â
âI donât know what youâre talking about,â Molly blurted, her blush telling a different story.
He quirked a brow at her.
Annoyed, she glared up at him, cheeks still red.
"Okay, Consulting Detective. How about you deduce why I do it like that?â
She stuck her chin out and crossed her arms.
Without missing a beat, he answered, âEfficiency, obviously.â
She shrugged.
âWell there you go. You knew it all along, why ask?â
He had the gall to roll his eyes like she was the exasperating one, the prick.
âBecause, Molly Hooper, that door is nowhere near heavy enough to merit much beyond minimal effort, so thereâs no reason to open it other than the normal way, and frankly you just look ridiculously adorable opening it the way you did.â
She blinked up at him.
âWhat? What did you say?â
âI said, that door is-â
âNo, the last bit.â
Another eyeroll from the manchild, and Molly Hooperâs palm started itching, but she kept her temper in check.
âI said, you just look ridiculous opening that door-â
âLiar!â
âExcuse me?â
âYou are a liar, William Sherlock Scott Holmes.â
âI beg your pardon, Margaret Anne Hooper.â
âThat was not what you said. You had better repeat what you actually said or this first date is not happening.â
Sherlock sighed, but a corner of his mouth quirked upwards in a telltale smile.
âFine, Doctor Hooper,â he drawled, his voice dropping to melting dark chocolate levels. His arm snaked around her waist, and she let him pull her closer, âI said, you look so absolutely adorable opening doors in that quirky little way of yours, that Iâm tempted to let you open doors for me all the time just to watch you do it.â
She dimpled up at him.
âClose enough. Now letâs head in. Iâm famished.â
Sherlock stepped forward, keeping her tucked against him as he pulled the door open. The smell of fish and chips greeted them and Mollyâs mouth watered.
âWhy did you not just wait for me to open the door for you anyway?â Sherlock asked once they were seated, his thumb running over her knuckles as they held hands atop the table.
She smiled impishly.
âItâs the 21st century, my dear Sherlock. And really, doors arenât that heavy.â
Imagine Sherlock doing a Ted talk on deduction.
Actually that would be really cool!
First row đ
âI know what that means â looking sad, when you think no one can see youâ.
âYou can see meâ.
âAll profound distraction opens certain doorsâ â Julio CortĂĄzar
THE LITTLE GIRL IS NOT EURUS
ITâS JOHN
ITâS FUCKING JOHN
THIS IS THE PLANE SCENE
THERE IS NO ONE SITTING ON THE SEAT BETWEEN JOHN AND MARY
SAME THING WITH THE SEAT OF THE GIRL AND HER MOTHER
AND THE PEOPLE ON THE PLANE ARE SLEEPING IN BOTH SCENES
AND THEREâS A THUNDERSTORM OUTSIDE IN BOTH SCENES
JOHN IS DREAMING / HALLUCINATING
AND HE IS ON THE PHONE WITH SHERLOCK AFTER EURUS SHOT HIM
AND THATâS WHY THE CARPET LOOKS LIKE A PUDDLE OF BLOOD
THE PLACE CRASH IS SYMBOLIC, IT MEANS THAT JOHN IS DYING
AND SHERLOCK IGNORING âVATICAN CAMEOSâ IS ONE OF HIS FEARS
THE FINAL PROBLEM IS JOHN DYING
FUCK MEEEEE I AM SCREAMING, I AM ASCENDING!!!