Darkness on the Edge of Town, Pierre Putman
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Darkness on the Edge of Town, Pierre Putman
The third and final chapter in Vugar Efendi's Film Meets Art series once again explores the relationship between the two different art forms. Music: Rob Simonsen - Main Title (All Good Things OST) Film Meets Art: vimeo.com/158235317 Film Meets Art II: vimeo.com/183325662
Making my own way home Ain't gonna be alone I've got a life to lead, America I've got a life to lead I got a soul to feed I got a dream to heed And that's all I need
Harrison Forever
Fresh Air producer Sam Briger talked to writer Maria Semple about her new comic novel, Today Will Be Different. It’s about a stressed-out wife and mother, whose career is stalled. She starts each day with a mantra. Part of that mantra includes, “Today I will take pride in my appearance. I’ll shower, get dressed in proper clothes, and only change into yoga clothes for yoga, which today I will actually attend…”
Maria Semple wrote for Mad About You and Arrested Development.
Hear this conversation.
Photo Cred. Raquel Zaldivar / NPR
Why We’re Packing Our Bag Like Joan Didion Did in 1979
Whether we admit it or not, whether we like it or not, we all wake up in the morning and want to look better. (Even your friends who claim to be above “trends” and “popular culture,” even they harbor some possibly secret desire tied to one basic truth: everyone gets dressed, and there is a method behind what we see.) Now, “better” doesn’t have to mean the same thing to all of us, but it means something, and more often than not, it means confident, appealing, attractive; the idea that we are wearing our clothes, our clothes are not wearing us. This is the power of style.
For Joan Didion, a style icon (both literary and sartorial, though the latter was never her aim) whose packing list was immortalized in the title essay of her beloved 1979 collection of essays, The White Album, it meant a sort of feminine armor, donned for the act of reporting in any variety of 1970’s Californian scenes. This was not a woman who wore a flak jacket (at least not in San Francisco), this was a woman who drove a Corvette Stingray, who hid her delicate bone-structure behind oversize sunglasses and who had early childhood dreams of wrapping herself in swathes of sable, who understood the telegraphed distinctions between different hem lengths and the mood-altering powers of several yards of theatrical yellow silk. This was a woman who was at one time a Vogue editor, for Pete’s sake. And this was the list that, for years, she kept taped inside her closet door, for when she had to leave town at a moment’s notice. So in the spirit of summer travels (whether for travels spent working or more pleasurably inclined), we’ve decided to take the iconic packing list for a spin—nothing too drastic, just a little update, and one we like to think that Didion would appreciate, if only for making some other young female professional’s life a little easier. (Not that she’s likely to ever admit it.)
TO PACK AND WEAR: 2 skirts 2 jerseys or leotards 1 pullover sweater 2 pair shoes stockings bra nightgown, robe, slippers cigarettes bourbon bag with: shampoo toothbrush and paste Basis soap, razor deodorant aspirin prescriptions Tampax face cream powder baby oil
TO CARRY: mohair throw typewriter 2 legal pads and pens files house key
“This is a list which was taped inside my closet door in Hollywood during those years when I was reporting more or less steadily. The list enabled me to pack, without thinking, for any piece I was likely to do. Notice the deliberate anonymity of costume: in a skirt, a leotard, and stockings, I could pass on either side of the culture. Notice the mohair throw for trunk-line flights (i.e. no blankets) and for the motel room in which the air conditioning could not be turned off. Notice the bourbon for the same motel room. Notice the typewriter for the airport, coming home: the idea was to turn in the Hertz car, check in, find an empty bench, and start typing the day’s notes.”
—Joan Didion, “The White Album”
The Elitist Allure of Joan Didion
“We are well advised to keep on nodding terms with the people we used to be, whether we find them attractive company or not,” Joan Didion (born December 5, 1934) observed in her timeless meditation on the value of keeping a notebook. For the past half-century, the beloved author has been keeping American society on nodding terms with itself, despite the themes of cultural collapse and moral chaos that permeate Didion’s novels and her literary nonfiction.
A champion of the New Journalism movement, Didion has brought her exquisite amalgamation of narrative storytelling and nonfiction to such diverse subjects as mourning, museums, music, second-wave feminism, and the American political process. She lists Hemingway and Henry James among her handful of influences, but women writers like the Brontë sisters and George Eliot she sees as “models for a life, not for a style.”
Despite devastating personal tragedy – the sudden loss of her husband of nearly forty years, followed closely by the death of her daughter – Didion has continued to find in writing, above all, access to her own mind, in turn inviting the reader to access greater truths about what it means to be human in modern culture, implicitly asking, as she often does in her nonfiction, “Do you get the point?”
Learn more: The Paris Review | Brain Pickings | Wikipedia
Happy birthday to the inimitable Joan Didion.
Madison, WI
Gorgeous, just like Nina's.
This album though…❤️💛💚.
RIP Leonard Cohen, whose wisdom is needed now more than ever.
Still gutted and working to find the words. For now, this.
Let America Be America Again
I was just sent this poem from an acquaintance. It seems particularly important at this moment in time. It was written by one of our great treasures the African American Poet Langston Hughes.
Let America Be America Again
Langston Hughes, 1902 - 1967
Let America be America again. Let it be the dream it used to be. Let it be the pioneer on the plain Seeking a home where he himself is free.
(America never was America to me.)
Let America be the dream the dreamers dreamed— Let it be that great strong land of love Where never kings connive nor tyrants scheme That any man be crushed by one above.
(It never was America to me.)
O, let my land be a land where Liberty Is crowned with no false patriotic wreath, But opportunity is real, and life is free, Equality is in the air we breathe.
(There’s never been equality for me, Nor freedom in this “homeland of the free.”)
Say, who are you that mumbles in the dark? And who are you that draws your veil across the stars?
I am the poor white, fooled and pushed apart, I am the Negro bearing slavery’s scars. I am the red man driven from the land, I am the immigrant clutching the hope I seek— And finding only the same old stupid plan Of dog eat dog, of mighty crush the weak.
I am the young man, full of strength and hope, Tangled in that ancient endless chain Of profit, power, gain, of grab the land! Of grab the gold! Of grab the ways of satisfying need! Of work the men! Of take the pay! Of owning everything for one’s own greed!
I am the farmer, bondsman to the soil. I am the worker sold to the machine. I am the Negro, servant to you all. I am the people, humble, hungry, mean— Hungry yet today despite the dream. Beaten yet today—O, Pioneers! I am the man who never got ahead, The poorest worker bartered through the years.
Yet I’m the one who dreamt our basic dream In the Old World while still a serf of kings, Who dreamt a dream so strong, so brave, so true, That even yet its mighty daring sings In every brick and stone, in every furrow turned That’s made America the land it has become. O, I’m the man who sailed those early seas In search of what I meant to be my home— For I’m the one who left dark Ireland’s shore, And Poland’s plain, and England’s grassy lea, And torn from Black Africa’s strand I came To build a “homeland of the free.”
The free?
Who said the free? Not me? Surely not me? The millions on relief today? The millions shot down when we strike? The millions who have nothing for our pay? For all the dreams we’ve dreamed And all the songs we’ve sung And all the hopes we’ve held And all the flags we’ve hung, The millions who have nothing for our pay— Except the dream that’s almost dead today.
O, let America be America again— The land that never has been yet— And yet must be—the land where every man is free. The land that’s mine—the poor man’s, Indian’s, Negro’s, ME— Who made America, Whose sweat and blood, whose faith and pain, Whose hand at the foundry, whose plow in the rain, Must bring back our mighty dream again.
Sure, call me any ugly name you choose— The steel of freedom does not stain. From those who live like leeches on the people’s lives, We must take back our land again, America!
O, yes, I say it plain, America never was America to me, And yet I swear this oath— America will be!
Out of the rack and ruin of our gangster death, The rape and rot of graft, and stealth, and lies, We, the people, must redeem The land, the mines, the plants, the rivers. The mountains and the endless plain— All, all the stretch of these great green states— And make America again! From The Collected Poems of Langston Hughes, published by Alfred A. Knopf, Inc. Copyright © 1994 the Estate of Langston Hughes. Used with permission.
This Is Not Parody. Fuck Trump.
Holy shit.