Isabelle Adjani in Nosferatu the Vampyre (1979) dir. Werner Herzog
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@aniy2k
Isabelle Adjani in Nosferatu the Vampyre (1979) dir. Werner Herzog
i would rlly love to write another piece... now that im in college i feel theres no time. but, still trying to think of some topics that I write about in the summer
you know what!!!! the absence indeed becomes a presence!!!!!!
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2000s fashion and the erasure of black fashion icons.
As we have seen since spring of 2020, there has been a resurgence of 2000âs Fashion on apps like pinterest and tik tok, one of the most popular being @Notshysmith on Instagram.
As this style has become more popular and mainstream with companies such as Juicy Couture and Baby Phat having lines with fast fashion companies like Forever 21, one thing that some big fashion lovers miss is, Who really was the blueprint for this style? (Hint: Itâs not Paris Hilton.) I think it is very easy to give people like Paris Hilton and movies like Mean Girls the props for this style. Millennial Pink tracksuits, blinged out accessories, mini bags, mini dogs, all the above. What people donât realize is the people who actually were the trendsetters of this type of style were Black fashion and music icons such as Destiny's Child, Aaliyah, Blaque, Meagan Good, Missy Elliot etc.
One thing I've asked myself as I've read about this topic is, If this style has so many black icons within it, why is it that only one white person gets most of the credit? We know the answer, and itâs simple, Anti-Blackness. It was just a couple years ago that Black People were called Ghetto for our styling of baggy jeans and the Glamourization of Hip-Hop culture with brands like Baby Phat. Now, white teens on apps like Tik Tok and Instagram took that and renamed this popular style of streetwear and called it âCyber Ghettoâ or âCyber Y2Kâ. There is so much wrong with this, but one thing that bothers me the most is white Gen-Z Fashion lovers looking at Black culture as ghetto but using that as an aesthetic for themselves as if itâs a halloween costume. This isnât anything new, the fashion industry continuously co-opts black fashion and changes it to fit their white vision.
Brands like Baby Phat, with the amazing Black and Japanese founder Kimora Lee Simmons, were revolutionary to the streetwear fashion movement, and used the way of life that they knew authentically and made it something that was celebrated instead of ridiculed. In the article Baby Phat Walked so That Modern-Day âStreetwearâ Could Fly Shelbey Ivey Christie writes âThe brand wasnât just clothes on a runway; it embodied the spirit of both what hip-hop was at that moment â a celebration of Blackness and upward mobility â while at the same time being aspirational.â
Baby Phat and people like destinyâs child were just two of the many brands/people who were revolutionary to fashion in that time, honorable mentions for mens fashion being FUBU, Sisqo, Sean John by P Diddy, Etc.
While I love my girls Megan Fox and Xtina, Iâm tired of the whitewashing white fashion lovers push on social media to 2000âs fashion, and i think itâs important to remember where certain trends and looks came from, and to give credit where itâs due.
Ildjima By Melissa de Araujo For Novembre Magazine February 2021
Thank u everyone for ur kind words abt my first piece!!! iâm so excited that ppl actually liked it đ§đœđ§đœ
Riot Grrrl, Kinderwhore, and White Feminism
Riot Grrrl was an underground feminist movement that began in the early 90s. It was tied to the punk music scene, radical politics and DIY. It started originally with a Zine by Tobi Vai named Jigsaw in 1988 that expressed and spread radical politics and feminism. Vail later on decided to start a band by the name Bikini Kill.Â
For most âStylesâ, people don't even bother looking at the history of where it came from originally, so why is it important?Â
While part of Alternative culture is Fashion and a way to express yourself that's against societal norms, there is alot of political significance that comes with it. When talking about it, Riot Grrrl tik tok creators, and other Alternative creators, say the political significance is based on what the subcultures are. Without that, you cannot be a part of the subculture. Obviously there are alot of conservatives in the scene (As you can see from the usage of lace code) Some complain and say that it's âgatekeepingâ, but in my opinion, it's honestly⊠not. This isnât the same as someone taking a popular music artist, then saying âYou don't know this song? Ur fake lolzâ.. This is separating mindsets that Alternative people strongly believe in and instead protecting a community that is supposed to be a safe place.
The Riot Grrrl movement provided a space where women in punk music tackled the conflict of inequality and sexism, and decided to fight it, united and organized.
Kathleen Hanna, Bikini Kills lead singer, ended up writing the âRiot Grrrl Manifestoâ in 1991, which is a summary of what Riot Grrrl is and what it means to be a part of it.Â
Summary:Â
â BECAUSE us girls crave records and books and fanzines that speak to US that WE feel included in and can understand in our own ways.
BECAUSE we wanna make it easier for girls to see/hear each other's work so that we can share strategies and criticize-applaud each other.
BECAUSE we must take over the means of production in order to create our own meanings.
BECAUSE viewing our work as being connected to our girlfriends-politics-real lives is essential if we are gonna figure out how we are doing impacts, reflects, perpetuates, or DISRUPTS the status quo.
BECAUSE we recognize fantasies of Instant Macho Gun Revolution as impractical lies meant to keep us simply dreaming instead of becoming our dreams AND THUS seek to create revolution in our own lives every single day by envisioning and creating alternatives to the bullshit christian capitalist way of doing things.
BECAUSE we are unwilling to let our real and valid anger be diffused and/or turned against us via the internalization of sexism as witnessed in girl/girl jealousy and self defeating girltype behaviors.
BECAUSE I believe with my wholeheartmindbody that girls constitute a revolutionary soul force that can, and will change the world for real.â
Iâm not personally too much of a fan of how Kathleen Hannah ended up seeming like the regular olâ white feminist that basically put WOC in the shadows within this whole movement. While this piece is about educating about the power that the Riot Grrrl scene had within punk culture, it has many many faults. The diversity within the scene isnât there. It seemed to be a feminst movement, but only showcased one type of girl. White girls.Â
Multiple black punks from that era came out and said that they felt that the riot grrrl scene wasn't for them. Honestly? I donât blame them. You look up Riot Grrrl on pinterest or on tumblr, you can probably count on your one hand how many POC women are showcased.. This moment for women of color is probably the epitome of White feminism in some cases. Author, Gabby Bess, adds that âThe history of Riot Grrrl is inevitably written as "predominately white," glossing over the contributions of black women and other women of colorâ.
Just like the article from VICE states,Â
âIn contrast to this ironclad narrative of the white Riot Grrrl, black women did participate in the movement. Few and far between, maybe, but they participated nonetheless, and they deserve more than to be swept under a rug of whiteness--These women carved their own feminist pathways into the hardcore scene, precisely because they were rendered invisible by the Riot Grrrl movement.â
One very powerful punk from that time, Ramdasha Bikceem, made up a whole Zine when they were 15, that illustrates the conversation of race and gender in Riot Grrrl so perfectlyÂ
This would all result in another black punk from that time, Tamar-Kali Brown, to make her own movement called âSista Grrrl riotâ. Out of all of the information that is circulated about the Riot Grrrl scene, Sista Grrrl Riot was probably one of its least talked about movements. Tamir-Kali Brown and her bandmates brought together a community and showed people a version of themselves on a stage where they werenât represented.
> KinderwhoreÂ
Kinderwhore is a very popular style within the RiotGrrrl community. A lot of people Champion Hole lead singer, Courtney Love, for this style's popularity, but actually her bandmate Kat Bjelland introduced the style first. Though, with that being said, Courtney Love definitely made Kinderwhore one of many staple styles for the Riot Grrrl Subculture.Â
What is Kinderwhore exactly? One thing about styles like this one is, there isnât a specific definition to what it is. It was a bold, punk and sophisticated subversion of the classic "girl" stereotype, with a mini-feminine dress and bold makeup. The great part of the Kinderwhore Style is that it was about power. The power of femininity. It was so much more than just a style that included small dresses and mary janes. It was taking the most âfragileâ feminine image and making it into something that is punk, and that takes all of the power back.Â
Another part of Riot Grrrl fashion is just a subversion of regular punk fashion. DIY, big boots, Plaid, Skirts, Spikes.Â
The idea of taking every inch of femininity that men manipulate and instead using it to make them realize that they can't handle what we are, is such a powerful thing to me as a fashion lover, but also as an aspiring social activist. As the rise of social media attention of Alternative Subcultures continues, I believe the next generation of Riot Grrls are going to kick butt and be more inclusive than the 90s scene was.
ani ok.
pls give me feedback and for those who obv have more education abt this pls give me feedback as well!! i think this is super interesting and enjoyed researching this <3
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how can you tell me that soulmates aren't real when you've turned to look at a loved one and made faces at each other when someone says something funny or stupid and your first instinct is to look at them and stare at each other in amusement. love is real