No, we need to rehearse. Sing it. Just sing.
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@annasvinyl
No, we need to rehearse. Sing it. Just sing.
"Will you stake so high a wager on the whims of a dragonrider?"
HOUSE OF THE DRAGON | Season 3, Episode 5, "Unbowed and Unbent"
"Rhaenyra sneezes and Alicent catches a cold." – Olivia Cooke
"Here are two powerful women, and in between them is the invisible presence of Rhaenyra, who is this person that ties them all together." – Philippa Goslett
HOUSE OF THE DRAGON | Season 3, Episode 5, "Unbowed and Unbent"
HOUSE OF THE DRAGON | Season 3, Episode 5, "Unbowed and Unbent"
"The best and the worst." So one of us is like to live in song. "And a few who were a bit of both. Like him." – A Feast for Crows
HOUSE OF THE DRAGON | Season 3, Episode 5, "Unbowed and Unbent"
PHIA SABAN as HELAENA TARGARYEN HOUSE OF THE DRAGON 3.05 | Unbowed and Unbent
"Episode 5 is about being lost in the maze, being lost in the labyrinth. Alicent and Helaena are trying to find their way out of the Red Keep in the tunnels where Rhaenyra found freedom as a young girl." – Phillipa Goslett
# bothered queens
HOUSE OF THE DRAGON Queen Alicent Hightower and her youngest son, Prince Daeron Targaryen
HOUSE OF THE DRAGON | Season 3, Episode 5, "Unbowed and Unbent"
i’m sorry but it is absolutely a conservative impulse to believe that an ancient work has some kind of “purity” that can be “desecrated” by adaptation. think about what you are saying. why do you think adaptational change or reinterpretation is an “offense” to “culture” that must be answered for? what could motivate a person or movement to designate a certain story as “sacred”? when you do this, are you conjuring an idealized past? in the same breath, does this position modernity as a threat?
Emmy-winning expressions here
THE VAMPIRE LESTAT 03.07 | "The Failures"