ANNE-SANITY

I'll keep my sanity in check. Which from how I'm blogging isn't clearly well-hidden. Forgive me for that. This blog mostly contains thoughts I have that have long-been roaming in my mind for I-don't-care-how-long. You can say I'm such a negative person, but I'm trying to counter that. . . for how-long-I-don't know now. . .

[arciam]

A love story.

[samurots-deactivated20160616]

i just found this website that can randomly generate a continent for you!! this is great for fantasy writers

plus, you can look at it in 3d!

theres a lot of viewing options and other things! theres an option on-site to take a screenshot, so you don’t have to have a program for that!

you can view it here!

[scientia-rex]

The importance of failure

Dealing with failure is a skill set. Like all skill sets, it requires practice to get good at it. If you never really fuck something up, you don’t get the practice.

I’m in medical school. This is one of the most high-pressure environments out there. It is specifically designed to repeatedly make you feel like you’ve fucked everything up. If I hadn’t had experience with specifically academic failure starting in college, I wouldn’t be able to deal with it now.

I was the kind of student who made it through high school without really having to study. Then in college I walked right into the brick wall of Honors Chemistry. My test scores went like this: 45%, 33%, and I calculated my potential score on the final while I was taking it based on getting every single question I had written down an answer for right, and I couldn’t have gotten better than a 35%. I started planning my English major during that test. I left, got high, and spent the night throwing up. (I got high mixing Bad Drugs to mix.)

That was one of the worst days of my life. But I got through it (badly!) and I learned, and I failed at many more things in many ways, and I ended up in medical school anyway.

The term for when your brain convinces you that THIS particular fuck-up is the End Of All Things is catastrophization. It’s a cognitive distortion. Very few things in life are actual catastrophes, but our brains are programmed by billions of years of evolution to look for catastrophes and worry about them. So we trip the trigger way early on it.

Recognizing that our brains aren’t always RIGHT was helpful for me. I don’t know if it’s helpful for you, but as someone who spent many years studying people, behavior, and brains, let me assure you: if you imagine your brain as a belligerent drunk weirdo driving a really expensive car, you’re not far off.

So practice failure. When your brain tells you you’re an idiot, gently remind it that your brain thinks eating an entire bag of marshmallows at once is a good idea and maybe it doesn’t get to be the judge of you.

Then eat the bag of marshmallows anyway because if you’re going to feel like shit might as well earn it.

[pi-slices]

Ignite - 170526

[randomsplashes]

Wishes for season 2: where did Yuuri learn to pole dance? Yuuri pole dancing for Viktor while sober. Yuuri teaching Viktor to pole dance. Viktuuri pole dancing together. Just. Pole dancing?!?

YASSS LET THIS HAPPEN

[lgbtwebcomics]

Trans Women and Girls in Webcomics

Happy Transgender Day of Visibility!

Here is a selection of trans female characters from a range of comics. For more comics with trans female characters, look through our tumblr tag and our tagpacker. Reblog with your own trans female characters or your webcomic favorites!

Vivian from STATIC

By @pittssmitts​

A comic about 15 year old transgirl Vivian Soomin-Kim living in the afterIife after her death.

Prill from Witchy

By Ariel Ries (@arielries)

The story of a young witch named Nyneve. Terrified of the Guard, and of being enlisted, she hides her long hair from everyone but her mother.

Chau from ShootAround

By suspu (@suspucious)

A comic about high school girls in a zombie apocalypse, where they try to focus on living instead of surviving.

Maria from Bad Bad Things

By Avery Graham and Ben Semmelhack

A dystopian horror coming of age story about magic, friendship, adventure and shitty teenagers doing the best they can.

Claire from Questionable Content

By Jeph Jacques (@jephjacques)

An online comic strip that is ostensibly about romance, indie rock, little robots, and the problems people have.

Ginny from Pretty Heart Bouquet

By E Hetrick Jackson (@eshiel)

A magical girl webcomic about a cute girl named Ginny, a mysterious cat named Beck, and a reluctant mentor named Lilly.

Fenic from Goodbye to Halos

By Valerie Halla (@valeriehalla)

An action-adventure modern fantasy webcomic with an entire cast of queer characters, starring a gay trans girl and her weird friends!

Kate from Sharp Zero

By @robotsharks

Elliot, a delinquent indie rock musician, gets caught up in the world of vigilantism through an unexpectedly stupid accident.

Rolly from Rock and Riot

By Chelsey Furedi (@cheriiart)

A webcomic following the tales of two opposing teenage gangs in the 1950s with an LGBTQ theme.

Carla from Dumbing of Age

By David Willis (@itswalky)

A webcomic about college freshmen in the girls wing within a co-ed dorm at Indiana University, learning everything about life and themselves usually in the most difficult ways.

Charlie from Khaos Komix

By Tab Kimpton (@discordcomics)

A queer epic tale featuring 8 teenagers. (complete)

Chloe and Alice from The Blue Valkyrie

By Emily Riesbeck (@emilyriesbeck) and David John Mitchell

A comic about a queer/trans superhero!

[darrencalvert]

People often say to me: “You draw like some kind of inhuman machine.  If I eat your brain, will I gain your power?”  The answer is yes, but there is another way. The key to precise drawing is building up muscle memory so that your arm/hand/fingers do the things you want them to do when you want them to do them.  Teaching yourself to draw a straight line or to make sweet curves is just a matter of practice and there are some exercises you can do to help improve. If you’re going to be doodling in class or during meetings anyway, why not put that time to good use?

[weirdmageddon]

A HANDY GUIDE SINCE THESE FUCKERS ARE LIKE ROACHES

stuff

the term to block is “Б*ез н*азвания” (just remove the asterisks)

Tumblr Savoir

be sure to signal boost this because some of the spam bot posts are really gross and unpleasant and i don’t want to scroll through that shit while i’m eating or something

[sirobvious]

I've been thinking about this for a while, but how effective is full plate armour? Was it actually a good way to defend yourself?

Short Answer: Yes. 

Here’s a general rule: People in the past were ignorant about a lot of things, but they weren’t stupid. If they used something, chances are they had a good reason. There are exceptions, but plate armor is not one of them. 

Long Answer: 

For a type of armor, no matter what it is, to be considered effective, it has to meet three criteria. 

The three criteria are: Economic Efficiency, Protectiveness, and Mobility.

1. Is it Economically Efficient? 

Because of the nature of society in the Middle Ages, what with equipment being largely bring-it-yourself when it came to anybody besides arrowfodder infantry who’d been given one week of training, economic efficiency was a problem for the first couple of decades after plate armor was introduced in France in the 1360s. It wasn’t easy to make, and there wasn’t really a ‘science’ to it yet, so only the wealthiest of French soldiers, meaning knights and above, had it; unless of course somebody stole it off a dead French noble. The Hundred Years War was in full swing at the time, and the French were losing badly to the English and their powerful longbows, so there were plenty of dead French nobles and knights to go around. That plate armor was not very economically efficient for you unless you were a rich man, though, it also was not exactly what we would call “full” plate armor. 

Above: Early plate armor, like that used by knights and above during the later 1300s and early 1400s. 

Above: Two examples of what most people mean when they say “full” plate armor, which would have been seen in the mid to late 1400s and early 1500s.

Disclaimer: These are just examples. No two suits of armor were the same because they weren’t mass-produced, and there was not really a year when everybody decided to all switch to the next evolution of plate armor. In fact it would not be improbably to see all three of these suits on the same battlefield, as expensive armor was often passed down from father to son and used for many decades. 

Just like any new technology, however, as production methods improved, the product got cheaper. 

Above: The Battle of Barnet, 1471, in which everybody had plate armor because it’s affordable by then. 

So if we’re talking about the mid to late 1400s, which is when our modern image of the “knight in shining armor” sort of comes from, then yes, “full” plate armor is economically efficient. It still wasn’t cheap, but neither are modern day cars, and yet they’re everywhere. Also similar to cars, plate armor is durable enough to be passed down in families for generations, and after the Hundred Years War ended in 1453, there was a lot of used military equipment on sale for cheap. 

2. Is it Protective? 

This is a hard question to answer, particularly because no armor is perfect, and as soon as a new, seemingly ‘perfect’ type of armor appears, weapons and techniques adapt to kill the wearer anyway, and the other way around. Early plate armor was invented as a response to the extreme armor-piercing ability of the English longbow, the armor-piercing ability of a new kind of crossbow, and advancements in arrowhead technology. 

Above: The old kind of arrowhead, ineffective against most armor. 

Above: The new kind of arrowhead, very effective at piercing chainmaille and able to pierce plate armor if launched with enough power. 

Above: An arrow shot from a “short” bow with the armor-piercing tip(I think it’s called a bodkin tip) piercing a shirt of chainmaille. However, the target likely would have survived since soldiers wore protective layers of padding underneath their armor, so if the arrow penetrated skin at all, it wasn’t deep. That’s Terry Jones in the background. 

Above: A crossbow bolt with the armor piercing tip penetrating deep through the same shirt of chainmaille. The target would likely not survive. 

Above: A crossbow bolt from the same crossbow glancing off a breastplate, demonstrating that it was in fact an improvement over wearing just chainmaille. 

Unfortunately it didn’t help at all against the powerful English longbows at close range, but credit to the French for trying. It did at least help against weaker bows. 

Now for melee weapons. 

It didn’t take long for weapons to evolve to fight this new armor, but rarely was it by way of piercing through it. It was really more so that the same weapons were now being used in new ways to get around the armor. 

Above: It’s a popular myth that Medieval swords were dull, but they still couldn’t cut through plate armor, nor could they thrust through it. Your weapon would break before the armor would. Most straight swords could, however, thrust through chainmaille and anything weaker. 

There were three general answers to this problem: 

1. Be more precise, and thrust through the weak points. 

Above: The weak points of a suit of armor. Most of these points would have been covered by chainmaille, leather, thick cloth, or all three, but a sword can thrust through all three so it doesn’t matter. 

To achieve the kind of thrusting accuracy needed to penetrate these small gaps, knights would often grip the blade of their sword with one hand and keep the other hand on the grip. This technique was called “half-swording”, and you could lose a finger if you don’t do it right, so don’t try it at home unless you have a thick leather glove to protect you, as most knights did, but it can also be done bare-handed. 

Above: Examples of half-swording. 

2. Just hit the armor so fucking hard that the force carries through and potentially breaks bones underneath. 

Specialty weapons were made for this, but we’ll get to them in a minute. For now I’m still focusing on swords because I like how versatile the European longsword is. 

Above: A longsword. They’re made for two-handed use, but they’re light enough to be used effectively in one hand if you’d like to have a shield or your other arm has been injured. Longswords are typically about 75% of the height of their wielders.

Assuming you’re holding the sword pointing towards the sky, the part just above the grip is called the crossguard, and the part just below the grip is called the pommel. If you hold the sword upside-down by the blade, using the same careful gripping techniques as with half-swording, you can strike with either the crossguard or the pommel, effectively turning the sword into a warhammer. This technique was called the Murder Stroke, and direct hits could easily dent plate armor, and leave the man inside bruised, concussed, or with a broken bone. 

Above: The Murder Stroke as seen in a Medieval swordfighting manual.

Regular maces, hammers, and other blunt weapons were equally effective if you could get a hard enough hit in without leaving yourself open, but they all suffered from part of the plate armor’s intelligent design. Nearly every part of it was smooth and/or rounded, meaning that it’s very easy for blows to ‘slide’ off, which wastes a lot of their power. This makes it very hard to get a ‘direct’ hit. 

Here come the specialized weapons to save the day. 

Above: A lucerne, or claw hammer. It’s just one of the specialized weapons, but it encompasses all their shared traits so I’m going to only list it. 

These could be one-handed, two-handed, or long polearms, but the general idea was the same. Either crack bones beneath armor with the left part, or penetrate plate armor with the right part. The left part has four ‘prongs’ so that it can ‘grip’ smooth plate armor and keep its force when it hits without glancing off. On the right side it as a super sturdy ‘pick’, which is about the only thing that can penetrate the plate armor itself. On top it has a sharp tip that’s useful for fighting more lightly armored opponents. 

3. Force them to the ground and stab them through the visor with a dagger. 

This one is pretty self-explanatory. Many conflicts between two armored knights would turn into a wrestling match. Whoever could get the other on the ground had a huge advantage, and could finish his opponent, or force him to surrender, with a dagger. 

By now you might be thinking “Dang, full plate armor has a lot of weaknesses, so how can it be called good armor?” 

The answer is because, like all armor is supposed to do, it minimizes your target area. If armor is such that your enemy either needs to risk cutting their fingers to target extremely small weak points, bring a specialized weapons designed specifically for your armor, or wrestle you to the ground to defeat you, that’s some damn good armor. So yes, it will protect you pretty well.

Above: The red areas represent the weak points of a man not wearing armor.

Also, before I move on to Mobility, I’m going to talk briefly about a pet-peeve of mine: Boob-plates. 

If you’re writing a fantasy book, movie, or video game, and you want it to be realistically themed, don’t give the women boob-shaped armor. It wasn’t done historically even in the few cases when women wore plate armor, and that’s because it isn’t as protective as a smooth, rounded breastplate like you see men wearing. A hit with any weapon between the two ‘boobs’ will hit with its full force rather than glancing off, and that’ll hurt. If you’re not going for a realistic feel, then do whatever you want. Just my advice. 

Above: Joan of Arc, wearing properly protective armor. 

An exception to this is in ancient times. Female gladiators sometimes wore boob-shaped armor because that was for entertainment and nobody cared if they lived or died. Same with male gladiators. There was also armor shaped like male chests in ancient times, but because men are more flat-chested than women, this caused less of a problem. Smooth, rounded breastplates are still superior, though. 

3. Does it allow the wearer to keep his or her freedom of movement? 

Okay, I’ve been writing this for like four hours, so thankfully this is the simplest question to answer. There’s a modern myth that plate armor weighed like 700 lbs, and that knights could barely move in it at all, but that isn’t true. On a suit of plate armor from the mid to late 1400s or early 1500s, all the joints are hinged in such a way that they don’t impede your movement very much at all. 

The whole suit, including every individual plate, the chainmaille underneath the plates, the thick cloth or leather underneath the chainmaille, and your clothes and underwear all together usually weighed about 45-55 lbs, and because the weight was distributed evenly across your whole body, you’d hardly feel the weight at all. Much heavier suits of armor that did effectively ‘lock’ the wearer in place did exist, but they never saw battlefield use. Instead, they were for showing off at parades and for jousting. Jousting armor was always heavier, thicker, and more stiffly jointed than battlefield armor because the knight only needed to move certain parts of his body, plus being thrown off a horse by a lance–even a wooden one that’s not meant to kill–has a very, very high risk of injury.

Here’s a bunch of .gifs of a guy demonstrating that you can move pretty freely in plate armor. 

Above: Can you move in it? Yes.

Here are links to the videos that I made these .gifs from: 

https://www.youtube.com/watch?v=vi757-7XD94

https://www.youtube.com/watch?v=NhWFQtzM4r0

https://www.youtube.com/watch?v=5hlIUrd7d1Q

[jumpingjacktrash]

concerning weight and mobility: keep in mind the modern body armor worn by united states army soldiers weighs 30 lbs. even granting that modern soldiers, even the women, are larger than most medieval knights, it’s still significant that the state of the art in 2016 is only ten or fifteen pounds lighter than full plate.

and they march long distances in it, which knights generally did not have to do in their armor. conclusion: plate armor was not too heavy to fight in.

as for mobility, i think the myth that knights couldn’t move in their armor mainly comes from jousting armor, which was designed to lock in place and be absurdly heavy, simply because it was the car in a medieval demolition derby. you weren’t fighting in it, you were simply being carried toward a pointy log at high speeds.

[samael]

This is such a good post! Also I’m happy to see the murder stroke has shown up in more and more films of late - I think even the Nic Cage film Season of the Witch shows it.

[misbehavingmaiar]

For anyone who went through that reference video masterpost of greatswords and half-swording stuff: this is the other side of the equation, the armor! :)

[thefilmstage]

A series of videos explores Studio Ghibli’s detailed animation process.

[oh-totoro]

Make sure to take a peek at the videos! I don’t care much for money, but watching those makes me wish I was rich.

[icybluepenguin]

How to praise writers and influence fics

I’ve seen a lot of posts recently reminding readers to leave feedback on fics, which is great!!  Writers deserve all the love they can get.  Likes, reblogs, comments, messages, these are the lifeblood of writers.  They are proof that people are reading, that they’re enjoying, and that they want more.  

But maybe readers don’t know what to say.  Maybe you’re new to Tumblr, new to reading fan fiction, shy, or just not sure how to say what you want to say.

Let me start by saying, no matter how popular the blog or how cool you think they are, everyone loves a compliment.  If you’re worried about sounding silly or bothering people, let me assure you- a message will make your writer do a happy dance (depending on the writer, they may actually get up and dance.  I have.)

Here’s the basic ways of communicating with writers on Tumblr:

Likes and kudos- these are great, they’re the high-fives in this world.  They’re the “hey, nice” nod. Reblogs- even better, because they mean exposure.  More people see the story and that makes us really happy.  A reblog with a comment is amazing, especially one that entices others to read.  These make a writer’s day. Comments and messages- these are the thing that keeps us going.  Most of us have anon turned on- and if we don’t, just let us know you want a private reply.  (And, if your writer has anon off, it probably means they’ve been getting hate and deserve extra love.) Recommendations- recs are like coming in to work to find someone baked your favorite cake and left it on your desk.  Recommendations make your writer feel so loved and valued!

So, that’s all good, but what do you actually SAY to writers?  It doesn’t have to be much or take a lot of time.

A simple “This is great/funny/hot!” is wonderful.  "Best fic I’ve read this week!“  "Funny as hell and cute too.”  "You have to read this, it’s awesome!“  "I can’t wait for more of this.”  "I hope you keep going!“  These are great in reblogs and in messages.

Even better is specific feedback.  We love specific feedback, because it tells us what readers liked and what they didn’t.  Want to influence our next fic?  Tell us what you liked about this one and I bet you it will keep showing up!  Specific feedback is just telling the writer what you liked.  It doesn’t have to be long or complicated, either.  (But if you write a lot, we will love you so much.)

Was there a character you liked?  Talk about them:  "I love how you wrote X” “Y was so funny!”  "OMG I wanted to STRANGLE Q!“  "You can really feel X’s frustration.”  "Y has so much depth, they’re a really well-rounded character.“  "R says so much with so few words, it’s amazing.”

What about a part or line you enjoyed?  "That bit in the park- LOVE IT.“  "I have never read a better description of a cup of tea.”  "The way you wrote about his fear, that was heartbreaking.“

Was there a part that made you feel something?  Happy, sad, angry?  "That last sentence killed me, he’s so broken.”  "I wanted to jump around when they finally kissed!“  "This chapter was so tense, my heart was pounding by the end.”

Did the characters or plot or setting remind you of your life?  "I live in Brussels, that’s just how that street looks.“  "When Y talked about R, I knew exactly how he felt.”  "You captured that lost, aimless feeling perfectly; I’ve so been there.“

Are there unanswered questions?  Mention how much you want the answers.  "I can’t wait to find out what’s in the basket!”  "That was a cliffhanger ending, wow.“  "How is she going to explain THAT?”  (some writers are touchy about  predicting, though, so stay away from “I bet he’ll throw that letter out.” or “X is clearly coming back.”)

A few closing notes: be enthusiastic if that’s your style, go crazy with exclamation marks, smileys, caps!  Tell a writer if you’re rereading their work- very little makes us happier than knowing our writing has the staying power for a second, third, sixth, tenth read.  Did a reread give you a new insight or feeling about the fic?  Tell us!  We will be so excited to hear.  And remember, recommendations are wonderful- putting up a random post tagging your favorite writers or fics you’re enjoying will show the writers that they’re writing is more than a flash in the opan and they’ll get some new readers too!

We can’t do this writing thing without you guys.  So thank you so much!  Without readers, we’re just talking to ourselves.  We love and appreciate you for reading- but we need to know you’re doing it.  We need feedback like we need air.  Don’t let your favorite writers suffocate! :)

[selenocysteine]

Tips to learn a new language

The 75 most common words make up 40% of occurrences The 200 most common words make up 50% of occurrences The 524 most common words make up 60% of occurrences The 1257 most common words make up 70% of occurrences The 2925 most common words make up 80% of occurrences The 7444 most common words make up 90% of occurrences The 13374 most common words make up 95% of occurrences The 25508 most common words make up 99% of occurrences

(Sources: 5 Steps to Speak a New Language by Hung Quang Pham)

This article has an excellent summary on how to rapidly learn a new language within 90 days.

We can begin with studying the first 600 words. Of course chucking is an effective way to memorize words readily. Here’s a list to translate into the language you desire to learn that I grabbed from here! :)

EXPRESSIONS OF POLITENESS (about 50 expressions)      

‘Yes’ and ‘no’: yes, no, absolutely, no way, exactly.    

Question words: when? where? how? how much? how many? why? what? who? which? whose?    

Apologizing: excuse me, sorry to interrupt, well now, I’m afraid so, I’m afraid not.    

Meeting and parting: good morning, good afternoon, good evening, hello, goodbye, cheers, see you later, pleased to meet you, nice to have met.    

Interjections: please, thank you, don’t mention it, sorry, it’ll be done, I agree, congratulations, thank heavens, nonsense.    

NOUNS (about 120 words)

Time: morning, afternoon, evening, night; Sunday, Monday, Tuesday, Wednesday, Thursday, Friday, Saturday; spring, summer, autumn, winter; time, occasion, minute, half-hour, hour, day, week, month, year.    

People: family, relative, mother, father, son, daughter, sister, brother, husband, wife; colleague, friend, boyfriend, girlfriend; people, person, human being, man, woman, lady, gentleman, boy, girl, child.    

Objects: address, bag, book, car, clothes, key, letter (=to post), light (=lamp), money, name, newspaper, pen, pencil, picture, suitcase, thing, ticket.    

Places: place, world, country, town, street, road, school, shop, house, apartment, room, ground; Britain, name of the foreign country, British town-names, foreign town-names.    

Abstract: accident, beginning, change, color, damage, fun, half, help, joke, journey, language, English, name of the foreign language, letter (of alphabet), life, love, mistake, news, page, pain, part, question, reason, sort, surprise, way (=method), weather, work.    

Other: hand, foot, head, eye, mouth, voice; the left, the right; the top, the bottom, the side; air, water, sun, bread, food, paper, noise.    

PREPOSITIONS (about 40 words)    

General: of, to, at, for, from, in, on.    

Logical: about, according-to, except, like, against, with, without, by, despite, instead of.    

Space: into, out of, outside, towards, away from, behind, in front of, beside, next to, between, above, on top of, below, under, underneath, near to, a long way from, through.    

Time: after, ago, before, during, since, until.    

DETERMINERS (about 80 words)  

Articles and numbers: a, the; nos. 0–20; nos. 30–100; nos. 200–1000; last, next, 1st–12th.    

Demonstrative: this, that.    

Possessive: my, your, his, her, its, our, their.    

Quantifiers: all, some, no, any, many, much, more, less, a few, several, whole, a little, a lot of.    

Comparators: both, neither, each, every, other, another, same, different, such.    

ADJECTIVES (about 80 words)    

Color: black, blue, green, red, white, yellow.    

Evaluative: bad, good, terrible; important, urgent, necessary; possible, impossible; right, wrong, true.    

General: big, little, small, heavy; high, low; hot, cold, warm; easy, difficult; cheap, expensive; clean, dirty; beautiful, funny (=comical), funny (=odd), usual, common (=shared), nice, pretty, wonderful; boring, interesting, dangerous, safe; short, tall, long; new, old; calm, clear, dry; fast, slow; finished, free, full, light (=not dark), open, quiet, ready, strong.    

Personal: afraid, alone, angry, certain, cheerful, dead, famous, glad, happy, ill, kind, married, pleased, sorry, stupid, surprised, tired, well, worried, young.    

VERBS (about 100 words)    

arrive, ask, be, be able to, become, begin, believe, borrow, bring, buy, can, change, check, collect, come, continue, cry, do, drop, eat, fall, feel, find, finish, forget, give, going to, have, have to, hear, help, hold, hope, hurt (oneself), hurt (someone else), keep, know, laugh, learn, leave, lend, let (=allow), lie down, like, listen, live (=be alive), live (=reside), look (at), look for, lose, love, make, may (=permission), may (=possibility), mean, meet, must, need, obtain, open, ought to, pay, play, put, read, remember, say, see, sell, send, should, show, shut, sing, sleep, speak, stand, stay, stop, suggest, take, talk, teach, think, travel, try, understand, use, used to, wait for, walk, want, watch, will, work (=operate), work (=toil), worry, would, write.    

PRONOUNS (about 40 words)

Personal: I, you, he, she, it, we, they, one; myself, yourself, himself, herself, itself, ourselves, yourselves, themselves.    

Possessive: mine, yours, his, hers, its, ours, theirs.    

Demonstrative: this, that.    

Universal: everyone, everybody, everything, each, both, all, one, another.    

Indefinite: someone, somebody, something, some, a few, a little, more, less; anyone, anybody, anything, any, either, much, many.    

Negative: no-one, nobody, nothing, none, neither.    

ADVERBS (about 60 words)

Place: here, there, above, over, below, in front, behind, nearby, a long way away, inside, outside, to the right, to the left, somewhere, anywhere, everywhere, nowhere, home, upstairs, downstairs.    

Time: now, soon, immediately, quickly, finally, again, once, for a long time, today, generally, sometimes, always, often, before, after, early, late, never, not yet, still, already, then (=at that time), then (=next), yesterday, tomorrow, tonight.    

Quantifiers: a little, about (=approximately), almost, at least, completely, very, enough, exactly, just, not, too much, more, less.    

Manner: also, especially, gradually, of course, only, otherwise, perhaps, probably, quite, so, then (=therefore), too (=also), unfortunately, very much, well.    

CONJUNCTIONS (about 30 words)

Coordinating: and, but, or; as, than, like.    

Time & Place: when, while, before, after, since (=time), until; where.    

Manner & Logic: how, why, because, since (=because), although, if; what, who, whom, whose, which, that.   

[thepolyglotblog]

Oh i love this concept!

[amateurlanguager]

I love it too! I love it mostly because it makes me feel less overwhelmed. When you break it down like this, everything seems so much more manageable. Like, hey, I could memorize 20 words at a time (even if ‘at a time’ varies wildly for me), and just do that like ten times. That’s a HUGE chunk of a language.

(And since I have the habit of doing languages that are similar to ones I’m already familiar with, the grammar part usually comes pretty easy, too.)

[aceadvice]

Great Webcomics with Aros and Aces

Webcomics are great – they’re usually free to read (all the ones listed here are) and fun to follow. Webcomics are also uniquely suited to include a diverse cast of characters. This is a list of comics I feel are really good that include aromantic-spectrum and asexual-spectrum characters. Look for descriptions under the cut!

Keep reading

[chuwenjie]

color palettes I made, based on the work of some artists I admire! good for reference, and also interesting to see what kind of colors they favor! feat: loish, kevindart, victongai

[kikissh]

All this time. ALL THIS TIME i had no idea SAI had perspective transform capabilities.

[doodlefeebs-deactivated20190101]

What?????????????? Is this?????????? How do ???????

[yukazuzu]

I think they mean the Free Transform selection! If you use that correctly you can mess with the selected objects form a bit better?

[doodlefeebs-deactivated20190101]

oh thank you! i noticed with transform selection that using CTRL gives it different effects, i just didnt know what all what this was and thought there was some funnky feature i never knew about

thanks so much for the help!

[kikissh]

no.. i dont mean this..

I mean this.

PERSPECTIVE TRANSFORMING…

[tosquinha]

[banacotta]

tried my hand at animating a bit! witch yuuri from my apothecary au

apothecary au tag

read the fic by @ncj700 here