helix
$LAYYYTER
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I'd rather be in outer space 🛸

Discoholic 🪩

pixel skylines

PR's Tumblrdome

Kiana Khansmith
"I'm Dorothy Gale from Kansas"

Origami Around
KIROKAZE
noise dept.

❣ Chile in a Photography ❣
The Stonewall Inn
sheepfilms
todays bird
PUT YOUR BEARD IN MY MOUTH
he wasn't even looking at me and he found me
Keni

shark vs the universe
Cosmic Funnies

seen from United States
seen from United States
seen from United States

seen from United States
seen from United States

seen from Germany

seen from United States
seen from Venezuela
seen from United States

seen from Singapore

seen from Singapore
seen from United States

seen from Philippines
seen from United States
seen from Netherlands
seen from Singapore
seen from Argentina
seen from Saudi Arabia

seen from Germany
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@annereblogs-blog
helix
World of Kazumasa Nagai, exhbition poster, 1980. Japan. Via Swann Galleries
Early inspiration, E Street. ‘Whereas Neighboursis set in a middle-class suburb, Home and Away in a seaside town, and Richmond Hill a semi-rural ordinary community, E Street was set in a tough fictional inner-city district called Westside and stories revolved around the local community there.’ wikipedia
The faded remnants of 90s hyper-consumerism.
<3 src: Ava Monske via Glitch Artists Collective
Boy running.
Stills from Etienne Daho - Les Chansons De L'Innocence
-AB//2014- alt
Astra Christiansen, GAC
Jesús Lastra, untitled.
Blinders On, Bill D. Finney
Nici Rockit, Glitch Artist Collective.
100% Gray Coverage visually combines the familiar television aesthetic with disruption, flicker, and distortion. Casey Reas Full 10 minute version at s[edition]
Still screenshot image from “Reality Television”, a long durational audio-video work I am producing exploring procedural drawing, synthetic perceptual art & algorithmic music and the routes we navigate through our various realities, for release by Undervolt & Co.
I love the use of glitch in Adam Curtis documentaries. He briefly talks about this and the use of incidental moments in a recent intense conversation in Vice with Jon Ronson. '...but because the feeds are over satellite they often break up into the most beautiful abstract coloured shapes, and then the image clicks back in.' I'm still reeling too much to write anything more insightful than that about the documentary.